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White (Three Colors Trilogy) by Krzysztof Kieslowski, Piotr Studzinski
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DVD detailsActor: Jerzy Braszka, Julie Delpy, Krzysztof Kowalewski, Maria Janiec, Zbigniew Zamachowski Director: Krzysztof Kieslowski, Piotr Studzinski Brand: BUENA VISTA HOME VIDEO Writer: Krzysztof Kieslowski Writer: Agnieszka Holland Writer: Edward Klosinski Writer: Edward Zebrowski Writer: Krzysztof Piesiewicz Writer: Marcin Latallo DVD: Region Code 1 Audio: English (Subtitled); French (Original Language), Dolby Digital 2.0 Surround; Polish (Original Language) Format: Anamorphic, Color, DVD, NTSC, Subtitled Picture Format: 1.85:1 Running Time: 92 minutes DVD Release Date: 2003-03-04 Audience Rating: R (Restricted) Model: 02865600 Studio: Miramax
DVD Reviews of White (Three Colors Trilogy)DVD Review: Utterly brilliant Summary: 5 Stars
White (Krzysztof Kieslowski, 1994)
When I mentioned to people that I was in the midst of watching Three Colours, Kieslowski's celebrated film trilogy, for the first time, to a person, I got the same reaction: "oh, Blue is my favorite of the three, but the other two are really good as well!" Of course, if you've been following along, you know me: if there's a sacred cow around, I have an overwhelming urge to turn it into shish-kebab, and that may be part of the reason that, now that I've given myself a few weeks' perspective from all three films, I've landed on White as my favorite of the three. But it could also be that White is the film that, in some odd way that I can't quite put my finger on, most reminded me of Dekalog, my favorite Kieslowski offering. Even though Blue has the most surface connection to Dekalog, White has a great deal of that same mindset going on under the hood. Kieskowski's masterful morality play would have fit right in with Dekalog, I think.
The wonderfully-named Karol Karol (The Call of the Toad's Zbigniew Zamachowski) is a Polish expatriate barely getting by in Paris. His lovely young wife Dominique (Killing Zoe's Julie Delpy) has just divorced him after only six months, and he finds himself homeless. While playing a comb in the metro to pick up spare change, he meets Mikolaj (Aquarium's Janusz Gajos), a wealthy Polish businessman who wants Karol to come back to Poland with him to perform a service (saying what would be a spoiler). Things turn out unexpectedly in Poland, and Karol, who has never forgotten Dominique's betrayal, alternately tries to go on with his life without her and concocts absurd schemes to win her back.
I think one of the reasons I liked White more than the other two films is that, of the Kieslowski works I've seen (all the major films at this point, and a few of the shorts-- not nearly as many as I'd like), it's the out-and-out funniest; it requires a warped sense of humor, to be sure, but Karol is without doubt meant to be a comic figure, and Zamachowski's hapless portrayal is spot-on. Karol never feels entirely comfortable in his skin, whether he's on top of the world or at the bottom of the trash heap, and it's Zamachowski's excellent portrayal of Karol that makes this film a success as much as it is Kieslowski's impressive directorial skills. Whereas Juliette Binoche's character in Blue was never less than self-assured, even when she was entirely lost, Karol is her opposite; he's never self-assured even when he's most found. And yet neither Zamachowski nor Kieslowski ever overplay their hands; Karol is usually at least sympathetic, if not outright pathetic, but Zamachowski does it so well that even the well-worn cliché that forms the final movement of the film comes off as fresh and inviting.
White is Kieslowski at his finest, easily on a par with episodes five and seven of Dekalog. I cannot recommend the films of Kieslowski highly enough, if you haven't already experienced them; while I'd suggest starting with Dekalog, it does represent a serious chunk of time, and Three Colours gives you a taste of the genius without having to invest eleven hours and change. **** ½
More White (Three Colors Trilogy) reviews: 1 2 3 4 5
Description of White (Three Colors Trilogy)A seductive story of love and obsession, WHITE won nationwide critical acclaim for its intoxicating blend of eroticism and intrigue. Directed by acclaimed director Krzysztof Kieslowski (BLUE, RED, THE DOUBLE LIFE OF VERONIQUE), and featuring sexy Julie Delpy (TV's ER, THE THREE MUSKETEERS, AN AMERICAN WEREWOLF IN PARIS), WHITE is the mysterious tale of a man whose life disintegrates when his beautiful wife of six months deserts him. Forced to begin anew, he rebuilds his life, only to plan a dangerous scheme of vengeance against her! Winner of the Best Director Award at the Berlin Film Festival, WHITE is a story of dark, illicit passions -- one of the year's most provocative big-screen releases! White is the second of witty Polish director Krzysztof Kieslowki's "three colors" trilogy Blue, White, and Red--the three colors of the French flag, symbolizing liberty, equality, and fraternity. White is an ironic comedy brimming over with the hard laughs of despair, ecstasy, ambition, and longing played in a minor key. Down-and-out Polish immigrant Karol Karol is desperate to get out of France. He's obsessed with his French soon-to-be ex-wife (Before Sunrise's Julie Delpy), his French bank account is frozen, and he's fed up with the inequality of it all. Penniless, he convinces a fellow Pole to smuggle him home in a suitcase--which then gets stolen from the airport. The unhappy thieves beat him and dump him in a snowy rock pit. Things can only get better, right? The story evolves into a wickedly funny antiromance, an inverse Romeo and Juliet. Because it's in two foreign languages, the dialogue can be occasionally hard to follow, but some of the most genuinely funny and touching moments need no verbal explanation. --Grant Balfour
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