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What Have I Done to Deserve This? by Pedro Almodvar
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DVD detailsActor: Carmen Maura, Gonzalo Surez, Luis Hostalot, ngel de Andrs Lpez, Ryo Hiruma Director: Pedro Almodvar Brand: Genius Writer: Pedro Almodvar Writer: Roald Dahl DVD: Region Code 1 Audio: English (Subtitled); Spanish (Original Language), Dolby Digital 5.1 Format: Anamorphic, Color, Dolby, DVD, NTSC, Subtitled, Widescreen Picture Format: 1.66:1 Running Time: 101 minutes DVD Release Date: 2003-09-09 Audience Rating: NR (Not Rated) Studio: Fox Lorber Product features: - Gloria (Carmen Maura) is a cleaning woman and housewife who is addicted to amphetamines. She lives in the crowded apartment with her miserable taxi driving husband (who once forged Hitler's diaries), her two teen sons - one who is selling drugs, the other sleeps with older men, and her crazy mother-in-law who keeps a pet lizard. Driven by despair, Gloria sells off one of her sons, accidentally
DVD Reviews of What Have I Done to Deserve This?DVD Review: Una familia dysfunctionala Summary: 4 Stars
Black comedy doesn't necessarily have to be "about" anything in particular: it really just needs to express a certain cynicism (healthy or not) about contemporary life and culture. Pedro Almodovar's earliest films have often been described in such terms, but I'm not entirely sure that's correct. Absurdist, to be sure, skeptical--if not completely cynical--certainly, but even at his bleakest, there is a basically loving spirit on display. He shows genuine affection for his characters, even the ones who don't seem to actually deserve it (the chauvinistic husband in this film, for instance, is still shown as a basically principled and decent-in-his-way sort).
It may well be that Almodovar's affection for, as well as his compassion toward, his characters is what grounds his absurdist comedies and what serves to make them more "grey" than completely "black." I've read that he refuses to pronounce judgment on his characters, no matter what kind of trouble they create for themselves or others. One senses that much in this relatively early film (his first international success). Individual viewers may draw their own conclusions (as we all do in real life) about individual characters in the film. I find it a strong point, rather than a weak one, that different viewers will come away from this film with differing impressions of the dramatis personae.
One of Almodovar's favorite leading ladies Carmen Maura appears here as the harried working class housewife Gloria, who's struggling (pretty much in vain) to maintain her family and her dignity by working 18-hour days (the drudgery of "women's work" has seldom been more graphically displayed). Her husband and two sons are anything but supportive, each aware of Gloria's plight on some level but each choosing to remain demanding and difficult and capable of driving this particular woman towards a nervous break-down.
As readers of previous reviews may know, Gloria's husband is a taxi driver whose meagre earnings are not enough to support the family (although it may just be that he refuses to give his wife the money she needs to run the household, it's never made 100% clear). Her adolescent son is already pushing drugs and her pre-teen son is hustling older men. Theirs is a dysfunctional family with a capital "D."
The film's very absurdity would seem to guarantee that most viewers would NOT take its characters actions TOO seriously. But it is interesting to see how some reviewers have commented on Gloria's willingness to hand over her son to the "care" of an obvious pederast (his dentist, who promises him enough to eat and music lessons--to say nothing of free dental work--in exchange for, well, you know). That little plot twist, as well as the neighbor child's CARRIE-esque psychokinetic abilities should make it clear that we are entering the realm of the absurd here.
One of the most intriguing elements of Almodovar's work is his ability to create a zany alt-universe that has its own internal logic and sort of makes sense while we're viewing it. That's certainly the case with this early work (although I could have done without the psychokinesis myself, an effect which almost undermines the bizarro logic of the film). If Almodovar had never gone on to better things, this effort would be a fairly entertaining, quirky indie flick that might have some cult following. It probably would not have been required viewing in anyone's book, however. Given the significance of Pedro Almodovar's later work, though, it can certainly be considered essential viewing for scholars and admirers of the "bad boy" of Spanish cinema.
More What Have I Done to Deserve This? reviews: 1 2 3
Description of What Have I Done to Deserve This?Studio: Genius Products Inc Release Date: 05/08/2007 Run time: 101 minutes Rating: Nr Pedro Almodóvar scored his first international hit with What Have I Done to Deserve This?, cementing his reputation as Spain's bad-boy director of darkly comedic melodramas. Many of the themes that dominate Almodóvar's later films are evident here, especially his sympathetic affection for downtrodden women like Gloria (Carmen Maura), an exhausted housewife who's addicted to No-D?z tablets and spends 18-hour days cleaning apartments and tending (just barely) to her teenage sons (one deals drugs, the other offers sex to local perverts), neglectful husband, and looney-tunes mother-in-law--all of whom have a particular knack for getting on her nerves. Toss in a prostitute neighbor, an accidental murder, and a pet lizard named "Money," and you've got the makings of a soap opera by way of Luis Buñuel and John Waters, served up with Almodóvar's distinctive blend of compassionate humanity and kinky outrageousness. --Jeff Shannon
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