Urban Legend

Urban Legend

Urban Legend
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DVD details

Actor: Alicia Witt, Jared Leto, Loretta Devine, Michael Rosenbaum, Rebecca Gayheart
Brand: SONY PICTURES HOME ENT
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Surround; English (Subtitled)
Format: Closed-captioned, Color, Dolby, DVD, Full Screen, Letterboxed, NTSC, Subtitled, Widescreen
Picture Format: Anamorphic Widescreen, 2.35:1
Running Time: 99 minutes
DVD Release Date: 1999-02-23
Audience Rating: R (Restricted)
Studio: Sony Pictures Home Entertainment

DVD Reviews of Urban Legend

DVD Review: Not what it aspires to be.
Summary: 2 Stars

You've heard of that one urban legend, right? You know, the one about the serial killer going on a murderous rampage on the anniversary of some massacre that occurred in the past? And the heroine always makes it through and never dies? And the killer will inevitably show up for another round of slice and dice so the studio can make lots more money? Come on, I know you've heard that one before; if you live in America, it's hard not to know it.

To be quite honest, I wanted to like "Urban Legend." I wanted to be surprised by it, like I was genuinely surprised the first time I saw "Scream" (the first, not the next 8,000). It looked like it had a very original storyline with likeable characters and a little bit of blood and gore mixed in for good measure. Instead, I found myself sneering at every little trick and cliche that came up, and trust me on this: this movie is FULL of cliches. Practically everything you've ever seen done in any other horror movie is done in this one; they just use the difference in plot as an excuse to make it seem fresh and kosher. And all those tired old horror habits tend to rag a movie down nowadays.

The so-called suspense all begins when a girl, typical college groupie, is driving in her sport utility vehicle on a dark and stormy road on a, no surprise here, rainy night. She stops at a gas station when she runs out of gas, and soon she thinks she is going to be killed by the gas station attendant, who has the patented deranged psycho man look to him. When he tries to warn her that someone is in the back of her car, she runs away. Now tell me something (and I'm sure I'll be getting a lot of email on this one): if someone from a gas station were to take you inside the garage and lock you in it, and the phone were dead, would you not think he was going to kill you there? But, so the plot goes, and soon, our little girl is dead in her car, the victim of a killer in her backseat.

Jump ahead a couple of hours to Pendelton University, where kids lead happy, carefree lives, the janitors all look creepy and suspicious, right away, we're introduced to all the little college groupies that will fall victim to the bloodshed. There's Natalie, who is innocent and sweet, and seems to be more affected by the murder of the girl than anyone else. And Brenda, who wants nothing more than to be there for her friend, unless she's chasing after the journalist, Paul, who is harshly punished by the dean for running a story on the murder. Of course, the dean is only following the typical 90's horror cliche of not giving a damn about his students in order to keep the story moving; nothing wrong in doing that.

And so, all the bodies start piling up, with your average of three or four people actually managing to steer clear of the killer's grasp. They begin finding clues, like anyone in any other movie does, and once they put the pieces together, there's a whole different puzzle they have to solve over again. Not at all confusing, though; this is a teen/college kid splatter flick, so it needs to be on a strictly juvenile level.

There is an unbelievable amount of cliche throughout the movie. So many times throughout I kept thinking over and over in my head the different scenes and storylines from the Scream movies, but at least in those movies the people in charge actually did something about the possibility of danger instead of waiting for more bodies to drop. I know they had to borrow some lines of dialogue; it all just seemed way to copycat to me, which is not a good thing. This movie really did have some potential at being fresh and new, but for me, it just didn't live up to that potential.

Yet, despite all of this rif-raf in the beginning and middle, the ending seemed to be the only redeeming feature. I don't want to give away any of the twists and turns it takes (even if there are only one or two), but there does seem to be a bit of originality in it. To keep it mild, listen in for the killer's motive, and more importantly, who the killer turns out to be and what becomes of them at the very tail end of the film.

And this is going to sound even crazier, but I'll probably end up seeing the sequel, "Urban Legends," just to see if they can think of anything different for that one. If you see the first one, you'll understand why I say that, because the ending leaves for so many goodies; I just hope that they will be realized. This movie is not that bad, but it's not that good, either. Reserved for those who have never seen a horror movie in their life, and want to make that first big jump into the world of Rated-R.

More Urban Legend reviews:
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Description of Urban Legend

A MYSTERIOUS CAMPUS KILLER IS USING WELL-KNOWN URBAN LEGENDS AS A PATTERN FOR MURDER. WITH FILMMAKERS' COMMENTARY AND FEATURETTE.
An attractive young woman is driving her car on a dark country road and singing along to the radio. She's running out of gas and so she pulls into a gas station (run by a jittery, stuttering Brad Dourif), but then flees what seems to be an attack, only to find the real threat in her backseat: a hooded killer with an ax who takes her head off with a well-aimed swing. You've heard the story before? Not surprising, given that it's one of the more famous urban legends borrowed for Urban Legend, a post-Scream exercise in self-referential horror. The students at an ivy-covered New England college are turning up dead, the victims of a serial killer who murders in the fashion of the "apocryphal" modern myths. It's all for the benefit of good girl with a dark secret Alicia Witt, the sole witness to most of the killings. Doe-eyed Rebecca Gayheart, as her gullible best friend, and Jared Leto, the ambitious campus journalist who tracks down the secret that hangs over the school, lead a cast of pretty young women, hunky guys, and campus characters, notably the suspicious professor Robert Englund, a genre legend in his own right as the star of seven Nightmare on Elm Street films. Take away the cheeky remarks and self-awareness and it's a throwback to the 1970s' rash of teen slasher movies, where sexually active teens are sliced, diced, and otherwise slaughtered in elaborate and ingenious ways. The increasingly preposterous film is no Scream, but the modestly stylish production has its moments. --Sean Axmaker
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