Unfinished Business - The Japanese-American Internment Cases
by Steven Okazaki
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Actor: Amy Hill, Fred Korematsu, Gordon Hirabayashi, Min YasuiDirector: Steven Okazaki
Cinematographer: Steven Okazaki
Editor: Steven Okazaki
Producer: Steven Okazaki
Writer: Steven Okazaki
Producer: Jane Kaihatsu
Writer: Jane Kaihatsu
Writer: Kei Yokomizo
Writer: Laura Ide
DVD: Region Code 1
Audio: English (Original Language)
Format: Black & White, Closed-captioned, Color, DVD, NTSC
Picture Format: 1.33:1
Running Time: 58 minutes
DVD Release Date: 2005-12-26
Audience Rating: NR (Not Rated)
Studio: New Video Group
DVD Reviews of Unfinished Business - The Japanese-American Internment Cases
DVD Review: Its OK...
Summary: 3 Stars
Don't expect too much...but no doubt about it, the topic is very interesting...
it's just that the tempo and rhythm of the doc is not that catching. Wish it were really.But don't regret buying it. Simply learning about American concentration camps is something that definitely needs the same attention than all those Nazi story's that directors keep reminding us about...
How can we be so fanatic and paranoid as human beings?
DVD Review: Executive Order 9066
Summary: 4 Stars
Shortly after America entered WWII, FDR signed Executive Order 9066 giving the government the ability to declare areas of the country military zones and arresting any persons in those areas who were deemed a "threat." Although it did not specify any certain people, the Order was used primarily to round up and incarcerate persons of Japanese descent living in the western U.S. The detainees found themselves living in what amounted to concentration camps, often in isolated desert areas. During the war, three Japanese-American men (Gordon Hirabayashi, Monoru Yasui, & Fred Korematsu) filed lawsuits challenging the legality of Executive Order 9066; none were successful. However, after the war, public opinion began to shift and in the 1980s the three men re-opened their earlier lawsuits. "Unfinished Business" documents the stories of these three men and how their lawsuits affected the Japanese-American community.
"Unfinished Business" (1985) is a worthwhile documentary on an important topic - one of the low points in American history. The documentary is definitely a no-frills affair, with minimal narration, text, and recreations, which might bore audiences today used to flashier documentaries. At times, the documentary doesn't include enough detail and is poorly paced. For example, the narrator mentions that many of the men in the camps were later allowed to join the U.S. military, but they provide no details about how this change occurred. Instead, it focuses on brief interviews with some of the Japanese-Americans who were forced into the camps. Their stories are affecting and in no need of adornment. However, the finale concerning the lawsuits is told in an incredibly flat and technical manner with no suspense or elaboration; it almost seems like an afterthought. Despite these weaknesses, "Unfinished Business" is still informative. The film was nominated for Best Documentary Feature at the Academy Awards, losing to "Broken Rainbow" (another film documenting the "relocation" of an American minority group).
DVD Review: Great potrayal of Japanese Americans during/ after WW2
Summary: 5 Stars
One of the very few documentaries on this subject of the condition of Japanese-Americans who had been living in America for generations furing WW2. Before I saw this, I was totally unaware of the existence of concentration camps (which were called "relocation camps") with poor living conditions, into which thousands of Japanese Americans were herded. The trauma of war on a country's psyche is quite well documented here and is no different from similar emotions faced by other countries during times of conflict.
Also interesting was the hope and faith of some Japanese Americans in the American justice system to seek redressal of their humiliation - and also, how the justice system, though slow, didn't fail them.
Description of Unfinished Business - The Japanese-American Internment Cases
In the spring of 1942, more than 110,000 American citizens of Japanese ancestry were uprooted from their homes and businesses and incarcerated in desolate relocation camps. Without hearings or trials, men, women and children were evacuated under Executive Order 9066--the Wartime Relocation Act. UNFINISHED BUSINESS is the story of three Japanese-American resistors--Gorden Hirabayashi, Fred Korematsu, and Minoru Yasui--who courageously defied the government order and refused to go, resulting in their conviction and imprisonment. The film interweaves their personal stories with moving archival footage of wartime anti-Japanese hysteria, the evacuation and incarceration, and life at the camps. It captures the men 40 years later, fighting to overturn their original convictions in the final round of the battle against the act which shattered the lives of two generations of Japanese-Americans. Produced and directed by Academy Award-winner Steven Okazaki (Days of Waiting), UNFINISHED BUSINESS is a gripping study of one of the most tragic--and significant--periods in American history. DVD Features: Bonus Archival Film: Japanese Relocation; Filmmaker Biography; Resources; Interactive Menus; Scene SelectionSteven Okazaki's Oscar-nominated 1984 film Unfinished Business was one of the first documentaries to confront the relocation of Japanese-Americans during World War II. As such it has an emotional immediacy that still rings clear today. Okazaki traces the story of Executive Order 9066, which decreed in the wake of Pearl Harbor that Japanese-American citizens living on the U.S. west coast should be uprooted and placed in relocation camps. In particular, we hear the histories of three men who separately defied the order and were arrested and jailed, each with his own particular story: Gordon Hirabayashi, Minoru Yasui, and Fred Korematsu. All three calmly describe their experiences, and Okazaki covers Korematsu's suit to have his conviction overturned. Newsreel footage, including footage from the camps, gives proof of the bleak relocation centers, and excerpts from government public-interest films (on relocation and the celebrated Japanese-American units of the U.S. military) give you-are-there looks at the era. These, and the forceful first-person testimonies of people involved, give weight to Korematsu's assertion that "it should never happen again to any American citizen just because he looks a little different from others." --Robert Horton
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