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Ultraviolet (Unrated, Extended Cut) by Kurt Wimmer
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DVD detailsActor: Cameron Bright, Ida Martin, Milla Jovovich, Nick Chinlund, Sebastien Andrieu Director: Kurt Wimmer Brand: Sony DVD: Region Code 99 Audio: English (Original Language), Dolby Digital 5.1; English (Subtitled); French (Subtitled); French (Dubbed) Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, NTSC, Subtitled, Widescreen Picture Format: 1.85:1 Running Time: 94 minutes DVD Release Date: 2006-06-27 Audience Rating: Unrated Studio: Sony Pictures
DVD Reviews of Ultraviolet (Unrated, Extended Cut)DVD Review: Comic book movie Summary: 4 StarsAs a long long time reader of comics this is how a comic would be filmed. Right up there with Ironman. And as other have stated, Milla is easy on the eyes. My kind of girl.
DVD Review: Ultraviolet Summary: 4 StarsNot the greatest movie in the world but Milla Jovovich is extremely hot. The movie itself is slightly above average.
DVD Review: UltraViolet Summary: 4 StarsAdmittedly, if Milla Jojovich was not my favorite female action-star, this film would not have gotten 4 out of 5 stars, but then again, no less than 3. Heavy on the effects-laden action sequences and set against a sci-fi dramatic backdrop it's the story of soulless humans out to exterminate the lab-virus-gone-amok infected oppressed, who at times are more humane than the humans. Can the infected UltraViolet save the young human boy from the evil human ArchCardinal who is out to destroy them both?
DVD Review: Haunted by Bad Writing Summary: 2 StarsUltraviolet / B000FGGE5Y
*Spoilers*
Oh, I really wanted to like Ultraviolet. I wasn't expecting a whole lot, just some decent action and a nifty dystopia, something along the lines of Aeon Flux, Equilibrium, and (of course) The Matrix.
Ultraviolet starts off with a bang. Milla is a superb action heroine, as always, and she dazzles with a wonderful combination of high-tech gadgetry (she's got an anti-gravity device!), high-speed chases, and high-skill martial arts. Combo in an intriguing (if a bit long and draggy) voice-over involving vampires, and Milla's mysteriously changing hair color, and this should be a perfect mindless Friday night flick.
Unfortunately, the action slows to a crawl after the first twenty minutes (as do the cool hair color changes - it will remain disappointingly black for the rest of the movie, despite all the cool changes you saw in the previews), and you won't get to see too many more fancy moves until the final race to the finish. The filler dialogue is teeth-grindingly bad, with Milla having approximately eighteen earnest heart-to-hearts with the Capture/Rescue Kid. Some of these heart-to-hearts occur back to back and while enemy soldiers are closing in, and the resulting overexposure of Milla's tender side (which the savvy user grasped in the initial opening voice over, for crying out loud) feels like a hammer to the temples. She's a vampire! She's dying! She's saddened by the loss of her pregnancy! She's bonding with the child! Yeah, we got it.
Really, this would have been a much better film if the writers had trusted the audience to get it and just cut 90% of the filler dialogue and just left us 'silent scenes' instead of Milla dragging her reluctant charge around this world gone mad. Although I love mindless action films, I simply can't bear to sit through Ultraviolet again, so I'm selling my copy and hoping the next Milla film will have better writing that she deserves.
DVD Review: Part Art Project, part Comic, part Video Game. Nothing whole. Summary: 2 StarsNow, I had not heard particularly favorable things about Ultraviolet, but I didn't care; I can appreciate B (and lower) movies just fine. I'm also a huge fan of Milla Jovovich, and writer/director Kurt Wimmer's previous film, Equilibrium.
My main problem with the movie is the story. Now maybe it was Sony's editing that is the cause of the problems, or maybe it just didn't translate well to the screen, but it is *all* over the place. I don't have an issue with gaps in logic and/or common sense in a story, if the wording is chosen right and things are glossed over. But here, no attempt is even made to cover the incredible leaps of logical thinking required to take the story seriously. Which is what the story is played as, as opposed to tongue-in-cheek or something. I won't go into detail here, but if you're like me, you'll be banging your head against the wall. That could help put you into a daze to better appreciate the movie's real draw, which is the action.
The action and fight scenes are very well done. There's a moment here or there which could have been easily improved with the proper editing (the flaming sword fight at the end comes to mind), but overall, they're good. This was the much anticipated (in some circles) second appearance of Gun Kata, which first made itself known in Equilibrium. Though you can see the same ideas and principles behind some of the movements at times, its appearance here is unfortunately lacking. The filmmakers would rather wave a hand and say "It's super-science," or "It's magic," by way of an explanation here. Quite unlike Equilibrium. Be that as it may, the action is still good.
Honestly, if Milla Jovovich wasn't in this movie, I doubt I'd be interested in it after viewing it once. But with Milla, I'll hold unto it, putting it next to my other comic movies.
I'd give this movie a 2, maybe 2 1/2 stars, and suggest it only to fans of Milla or Kurt Wimmer, and even then, waiting until you find it for under a dollar, used.
Description of Ultraviolet (Unrated, Extended Cut) Milla Jovovich (Resident Evil, The Fifth Element), Cameron Bright (X-Men 3), Nick Chinlund (The Legend of Zorro) and William Fichtner (The Longest Yard) star in this theatrical set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease (Hemophagia), giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from "normal" and "healthy" humans, the world is pushed to the brink of worldwide civil war (a war between humans and hemophages) aimed at the destruction of the "diseased" population. In the middle of this crossed-fire is - an infected woman - Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans. As an overdose of eye candy, Ultraviolet can be marginally recommended as the second-half of a double-feature with Aeon Flux. Both films are disposable adolescent fantasies featuring a butt-kicking babe (in this case, the svelte and sexy Milla Jovovich) in a dystopian future, and both specialize in the kind of barely-coherent, video-game storytelling that's constantly overwhelmed by an over-abundance of low-budget CGI. Director Kurt Wimmer fared much better with his earlier film Equilibrium, but he's trying for a lively comic-book vibe here (beginning with Hulk-like opening credits) with a digitally enhanced, Tron-like color palette. It largely suits this late-21st century story of a "blood war" between the ultra-violent Violet (Jovovich), member of a vampire-like group of resistance fighters infected with a man-made virus called the Hemophage, and the human Vice Cardinal Daxus (Nick Chinlund), who's determined to eliminate Violet's kind once and for all. Wimmer takes all of this way too seriously, crafting a plot involving Violet's rescue of a human clone boy (Cameron Bright) that's intended as an homage to John Cassevetes' 1980 drama Gloria, but Wimmer's good intentions are mostly lost in a repetitive series of chaotically choreographed fight scenes, mostly involving the tight-bodied Jovovich wiping out dozens of armor-clad enemies. It's all too numbingly hectic to qualify as a satisfying movie, but sci-fi buffs should give it a look anyway, if only to see how locations in Shanghai and Hong Kong contribute to the film's futuristic design.--Jeff Shannon
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