The Prisoner: The Complete Series (40th Anniversary Collector's Edition)

The Prisoner: The Complete Series (40th Anniversary Collector's Edition)

The Prisoner: The Complete Series (40th Anniversary Collector's Edition)
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DVD details

Actor: Patrick McGoohan
Brand: A&E
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 2.0 Stereo
Format: Box set, Collector's Edition, Color, NTSC, Original recording remastered, Subtitled
Picture Format: 1.33:1
Running Time: 884 minutes
DVD Release Date: 2006-07-25
Audience Rating: NR (Not Rated)
Model: AAE-75858
Studio: A&E Home Video
Product features:
  • Though it ran for a mere 17 episodes, the British sci-fi spy drama THE PRISONER is one of television's biggest cult hits. The brainchild of star Patrick McGoohan, the series followed the adventures of No. 6 (McGoohan), a former secret agent who is being held captive in a highly secured village, the location of which remains a mystery throughout the series. This groundbreaking and innovative sh

DVD Reviews of The Prisoner: The Complete Series (40th Anniversary Collector's Edition)

DVD Review: Brilliant
Summary: 5 Stars

TP is a great work of art. Unfortunately, tv is no different from any other arts medium in that rarely is greatness recognized off the bat. People always whine about tv's Wasteland, yet have tuned in regularly for such dull crap as Friends or the Cosby Show. People say they want boldness- even poetry, especially in these contemporary postmodern times. Yet, when confronted with 1 of the boldest works of art ever put forth, people whine that they may actually have to think & not be passive. They reject it. 1 might call this the Stanley Kubrick Syndrome. It's no surprise that the other great piece of visual art that reigned in 1968 (along with TP & Planet Of The Apes) was Kubrick's 2001: A Space Odyssey. TP is also a great work of philosophy. Fundamentally it deals with the nature of reality, yet politically it also deals with the idea of rights (civil & human), which (if we are honest) we all know are a human law of invention, not a natural law of immanence. Now think: why is it that philosophy is 1 of the few endeavors more scorned than poetry? Because it's all ideas- it is inert. Art is ideas in motion, & the visual arts are the most accessible forms of art. & TP is a masterpiece of the visual arts in its philosophy. This DVD set (The Complete Prisoner) should ensconce itself on your shelves filled with Plato, Nietzsche, Holderlin, & the boys. Also, as to what it's all about, again- the point is open, & please put not too much stock in PM's explanation as artists are wont to missing the results they put out for they concentrate too much on the intent- plus, all artists of any worth are accomplished prevaricators- often willfully so. PM's art is served well by disinforming his public. So confused were critics & the viewing public that in all the years since I can think of only 2 tv shows that have some commonalities with TP- meaning its influence was limited.
The 1st was American PBS's 1979 telefilm The Lathe Of Heaven, wherein the main character suffers a horrific trauma & literally lives within a dream- or does he? The other was the UPN network's 1995 1 season show Nowhere Man- starring Bruce Greenwood. In it a photojournalist takes a photo of a supposed Latin American execution & finds out his whole life may have been a charade. While not `imprisoned' like 6, the character- Tom Veil- seeks to regain his life by hitting the road to prove he is sane. TP & The Fugitive are the 2 dominant influences on this show- & it often paid subtle & overt homages to both. Unlike TP, however, this show was to be a regular series, but was canceled before its 1st season was over. This prompted the producers to wrap up the show hastily at 25 episodes. The result was an ending which aped TP's, but with none of the emotional impact, nor surrealism. What a shame, because the show was far superior to the Star Trek: Voyager show it aired after. & though dreams are a province film has often plumbed, about the only successful film of recent vintage that I would say is comparable is Arnold Schwarzenegger's 1990 Martian sci fi opus Total Recall. In that film Schwarzenegger's character is truly his own worst enemy! Another noteworthy point re: TP is that it may very well have been the 1st real `miniseries' to air in the US. While the 1970s saw Rich Man, Poor Man, Roots, The Holocaust, etc. make miniseries a staple, TP should truly be seen in their genre- after all, it was planned to be only 17 episodes long- about 14 hours of tv- shorter than Roots. Seen in that light it has still more significance. PM had the smarts to lace ambiguities throughout the show. 1 almost feels he was conducting an experiment & must've loved the control he/the show had over his/its fans. As I've stated, I think the best interpretation is that the whole show takes place in a moment of 6's mind (whether JD or not) as he is either heading to resign, contemplating the `fall out' of such a deed, or merely off on another adventure as Danger Man. It's not that unusual a trope- it's even classic, & since the penultimate episode is the last to start with 6 `waking up' the series can be seen circularly with 6 forever dreaming (dead?)- thanks go out for that possibility, too.
Another little mentioned aspect of TP, as art, is that it is a nearly perfect piece of metacriticism on conspiracy theories in general- whether they're plausible theories as in JFK's assassination, or wacky theories involving aliens, Jewish bankers, & that lot. In fact, part of the show's `cult status' feeds off of that frenzy. Refer back to all the queries I have addressed, & the many others I have not (see assorted books & websites for what I mean). But if that does not convince you that this brilliant work of art also doubles as a brilliant piece of metacriticism, maybe this will: re-read my exposition of 6 as John Drake, get the DVD for yourself, & confirm what I say, & you will see I am correct. Wanna bet that my exposé is ridiculed by the TP cultists? In fact, the show inspires factions of fans who refuse logic & definitive proofs in whatever defense of their beliefs- no matter how wrong they are. Ain't art wonderful?
Let me end this essay by possibly pulling a McGoohan (I shan't wrap things too tightly lest suffocate them- or am I feinting now?) & returning to the 4 points: apparent contradiction, particulars from the general, the general from particulars, & lastly TPD. As we've seen TP is chock with contradictions real & apparent. We've also seen these contradictions are often served by allowing the viewer to make deductive & inductive conclusions which not only are at odds given certain different information, but often from the same information. & before using TPD in a metaphoric way re: TP, consider this: the title, as we've seen is not necessarily specific to 6. Therefore let us consider 6 & 2 (or any other Villagers) to be eternally pondering the other's moves. 6 as the non-fink & the 2s as the finks who consistently win round after round- until the end. The 2s have all the perks, yet they all seem to have a not-so-secret envy of 6. What changes to allow the still seemingly non-finking 6 to win? (Or does he?) That may be the actual key question of the series, also never pondered before without the idea of TPD. Also, consider that TPD operates (theoretically) under unchanging rules- TP may or may not; & may or may not be self-consistent with its own consistency (or inconsistency).
In the end it may well be that the ambiguity which damned TP's initial critical & public reception is the very thing which has proven to be its salvation. After decades of intermittent appearances the whole show can be owned for the price of a decent VCR or boombox. Trust me in that it is a much more sound investment you will mine over & again through the years. On reflection, perhaps there is no dilemma after all. Then, again, I told you I was gonna pull a McGoohan- or was that a McGuffin?
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Description of The Prisoner: The Complete Series (40th Anniversary Collector's Edition)

Patrick McGoohan?s classic 17-episode British TV series, THE PRISONER, has been mesmerizing American viewers since its CBS debut in the summer of 1968. Now, just in time for its 40th anniversary A&E presents this definitive collector?s edition of the cult classic series. Fully restored and digitally remastered, THE PRISONER is presented in the fan-preferred episode order, offering a chronological interpretation of perhaps the most unusual and challenging television series ever filmed.After resigning from a top-secret position, a man is abducted from his London home and taken to a mysterious place known only as The Village. Residents of The Village, known only by numbers, are held captive on account of their valuable knowledge. The Prisoner--Number Six--must protect his mind in order to preserve his humanity while he struggles to discover the identity of Number One and achieve freedom by escaping from the repressive grasp of his captors. Set includes all 17 complete color episodes: Arrival / Free For All / Dance of the Dead / Checkmate / The Chimes of Big Ben / A, B, and C / The General / The Schizoid Man / Many Happy Returns / It?s Your Funeral / A Change of Mind / Hammer Into Anvil / Do Not Forsake Me Oh My Darling / Living In Harmony / The Girl Who Was Death / Once Upon a Time / Fall Out DVD Features: Ultra-rare original footage of the 1966 location shooting, accompanied by commentary with Bernie Williams; Bonus Program: THE PRISONER VIDEO COMPANION; Rare, Alternate Version of the Episode "The Chimes of Big Ben"; Rarely Seen "Foreign File Cabinet" Footage; Rarely Seen "Textless" Intro & Outro; Original Broadcast Trailers; Original Series Promotional Trailer; Gallery of Original Production and Promotional Materials; Production Stills Galleries; Interactive Map of the Village; Prisoner Trivia; Interactive Menus; Scene Selection NEW LIMITED EDITION COLLECTOR?S BOOKLET: 60 Fully Illustrated Pages; Hidden Mysteries Surrounding THE PRISONER; Complete Series Guide of All 17 Episodes; Detailed Color Fold-out Map of The Village

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