The Man in the Iron Mask
by Randall Wallace
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Actor: Gérard Depardieu, Gabriel Byrne, Jeremy Irons, John Malkovich, Leonardo DiCaprioDirector: Randall Wallace
Brand: DICAPRIO,LEONARDO
Producer: Randall Wallace
Writer: Randall Wallace
Producer: Alan Ladd Jr.
Producer: Paul Hitchcock
Producer: René Dupont
Producer: Russell Smith
Writer: Alexandre Dumas père
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 5.1; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 2.0 Surround
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, Full Screen, NTSC, Widescreen
Picture Format: Anamorphic Widescreen, 1.85:1
Running Time: 132 minutes
DVD Release Date: 1998-08-12
Audience Rating: PG-13 (Parental Guidance Suggested)
Studio: MGM (Video & DVD)
DVD Reviews of The Man in the Iron Mask
DVD Review: A film done with pride and conviction...
Summary: 4 Stars
Without ever attaining indisputable literary merit, Alexandre Dumas, succeeded in gaining a great reputation first as a dramatist and then as a historical novelist, especially for such works as 'The Count of Monte Cristo,' and 'The Three Musketeers.' He was among the first, along with Honoré de Balzac and Eugène Sue, who fully presented a rich, detailed picture of life in early 19th century - France, creating characters of formidable individuality and willpower...
'The Man in the Iron Mask' takes place in 1662, where a spoiled young king rules in decadent luxury while his subjects are starving in the streets... His armies fight unjust wars... His selfish actions result in deep resentment by the people... He is currently under siege by rebellions... His tyrannical disposition prompts the original 'Three Musketeers' to believe that France will never prosper unless a change is made... Our musketeers have all grown into middle age, and their exploits have become legendary...
When the son of Athos is sent to the front lines of battle, and killed the aging 'Three Musketeers' (Athos, Porthos and Aramis ) are forced to haul out their old uniforms into active rebellion against the crown... They come up with a plan to expel the tyrant from his throne... A carefully guarded secret works to their advantage...
Aramis knows of an enigmatic Bastille prisoner, a helpless victim of the king's justice, whose true identity and existence is unknown to most... This mysterious young man has been thrown into loneliness and pain in a dungeon for six years, forced to wear an affixed iron mask so no-one can notice how much he looks like the king...
In a risky maneuver to save France, the 'Three Musketeers' break the title character out of prison, teach him to behave exactly like the king, and then set off to make the 'switch' in a masquerade ball...
As their plan unfolds, they must confront their friend, the great D'Artagan, one-time "fourth Musketeer," now head of the king's bodyguards, who has sworn an oath to protect the king with his life...
DiCaprio plays two characters so distinctly and effectively that you absolutely hate one and love the other...
He is King Louis, a non-caring leader who lets his subjects starve and riot in the streets of Paris... He is a vile ice-hearted seducer mostly interested in bedding attractive young women... He displays, with talent, King Louis' arrogance and cruelty... DiCaprio is also the gentle Philippe, the polar opposite of Louis... Philippe has the heart of a king, with eyes asking too much...
Gerard Depardieu is delightful as the old and weak Porthos, the womanizer, more concerned with the pains of growing older... Porthos feels useless unable even to "straighten his sword" when in the hay with three women...
John Malkovich is the straightforward Athos, now an impulsive widower and an angry father who has his own need for revenge against the King's treachery... Two time Oscar nominee for "Places in the Heart" and "In the Line of Fire," Malkovich makes the point that ideally, they should have a king worthy of their service...
Jeremy Irons is the contemplative Aramis, the justice leader of a silent rebellion.... As the Jesuits oppose Louis' wars, and the starvation that results, Aramis is ordered to discover the true identity of the general of the Jesuit's order and to execute him... In one moment, Jeremy Irons (an Oscar winner for 1990's "Reversal of Fortune"), dignifies the true mission of a Musketeer when he states: 'When we were young men, and we saw injustice, we fought it!'
Gabriel Byrne is the faithful D'Artagnan who carries a mysterious secret with him... His dark romantic secrets are hidden in his sad look... Byrne has the right combination of gravity and flair for the conflicted D'Artagnan, especially in the scene where he placates an angry mob... He projects his character's romantic frustration and his crisis of conscience, and desperately tries to find a balance between his loyalty to the king and his ability to live up to the code of the Musketeers...
Anne Parillaud is the twins' mother, Anne d'Autriche, torn between her passion and her maternal love toward a son completely far from the path of compassion and honor...
Judith Godrèche is the damsel in distress, the beautiful Christine torn between being faithful to her dead love and helping out her poor family by basically selling her body to a lusting king...
The film's authenticity and visual presentation are as glorious in the decadent luxury surrounding the King of France as grotesque in the terrible place occupied by the man in the iron mask...
Randall Wallace (Oscar-nominated for "Braveheart's" script) brings the great palace of Versailles to life with elegance and finesse... The beauty of the gardens defies verbal explanation... The music is beautiful and epic, and the motion picture is done with pride and conviction...
The masked prisoner actually existed in reality... But his identity was never known and it's of little consequence here... The film, however, is not exactly faithful when it comes to historical facts... It has been created for pleasant entertainment purposes... Louis XIV of France, whose great prestige earned him the title of 'the Sun King', ruled France in one of its most brilliant periods and remains the symbol of absolute monarchy of the classic age...
Description of The Man in the Iron Mask
The self-serving King Louis XIV is all-powerful and fears no one except the man he condemned to wear an iron mask and imprisoned for life. Retired Musketeers vow to free the mysterious prisoner who may be France's only hope for survival.Genre: Feature Film-Drama
Rating: PG13
Release Date: 6-MAR-2001
Media Type: DVD
Footnotes in movie books are likely to reduce this swashbuckling adventure down to a simple description: it was the first movie to star Leonardo DiCaprio after the phenomenal success of Titanic. As such it automatically attracted a box-office stampede of Leo's young female fans, but critical reaction was deservedly mixed. Having earned his directorial debut after writing the Oscar-winning script for Mel Gibson's Braveheart, Randall Wallace wrote and directed this ambitious version of the often-filmed classic novel by Alexandre Dumas. DiCaprio plays dual roles as the despotic King Louis XIV, who rules France with an iron fist, and the king's twin brother, Philippe, who languishes in prison under an iron mask, his identity concealed to prevent an overthrow of Louis' throne. But Louis' abuse of power ultimately enrages Athos (John Malkovich), one of the original Four Musketeers, who recruits his former partners (Gabriel Byrne, Gérard Depardieu, and Jeremy Irons) in a plot to liberate Philippe and install him as the king's identical replacement. Once this plot is set in motion and the Musketeers are each given moments in the spotlight, the film kicks into gear and offers plenty of entertainment in the grand style of vintage swashbucklers. But it's also sidetracked by excessive length and disposable subplots, and for all his post-Titanic star power, the boyish DiCaprio just isn't yet "man" enough to be fully convincing in his title role. Still, this is an entertaining movie, no less enjoyable for falling short of the greatness to which it aspired. --Jeff Shannon
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