The Lover
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DVD details
Actor: Arnaud Giovaninetti, Frédérique Meininger, Jane March, Melvil Poupaud, Tony Leung Ka FaiBrand: Sony
Writer: Jean-Jacques Annaud
Writer: Gérard Brach
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Stereo; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Stereo; French (Original Language), Dolby Digital 2.0 Stereo; French (Dubbed), Dolby Digital 2.0 Stereo
Format: Anamorphic, Closed-captioned, Color, Dolby, Dubbed, DVD, NTSC, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 115 minutes
DVD Release Date: 2001-12-11
Audience Rating: R (Restricted)
Studio: MGM Home Entertainment
DVD Reviews of The Lover
DVD Review: Of boundaries and borders
Summary: 5 Stars
Before being a cinematographic success The Lover (fr. l'Amant) is a masterpiece of literature, an autobiographical novel written by Marguerite Duras in 1984, in which the author reveals her torrid adolescent relationship with an older and affluent Chinese man in the Saigon of the 1930s. Very few adaptations of novels to the screen have ever been rendered so faithfully. Annaud is known for the meticulousness with which he approaches the details of his films, including the historical ones, and The Lover is no exception
The story is an interior monologue so laconically written that the film's characters aren't even named. Jane Marsh, la jeune fille ("the girl"), acting is effortless and natural, portraying perfectly the ferocious individuality of the adolescent girl. Her resemblance to young Duras is uncanny. Tony Leung Ka Fai, the "Chinaman," is convincing in the role of the vulnerable aristocratic.
The soundtrack, by Gabriel Yared, follows the action well, complementing the scenes, without overwhelming them. The theme, "l'Amant," is equally poetic and lyrical as the text. The dialogue is the manifestation of Duras's writing, and the voice-over sequences are taken verbatim from the novel. The genius of Annaud is again apparent in his choice of Jeanne Moreau for the narrator's part. Moreau's world-weary, destroyed voice could not have been better for conveying the tone of Duras's lyrical writing.
I was rather disappointed while reading more than a dozen American reviews of this film penned by professional film critics. Only one reviewer seemed to be knowledgeable about the author and the position she occupies in world literature. Even one of the most respected film critics, Roger Ebert, seems to have missed the point of the film altogether, and dismissed it lightly. The majority of the film critics concentrated somewhat obsessively on the sexual scenes (which I must admit are rather explicit), to the exclusion of the other themes, and pronounced it soft-core pornography. Since the running time of the film is 111 minutes, and only eight percent of it (a total of nine minutes) shows the two protagonists in explicitly sexual situations, including four and one half of actual lovemaking, I personally think the film hardly qualifies as soft-porn. In my opinion, these movie reviews are the result of the genetic, generic puritan attitude that prevails in the American society. Or maybe the reviewers were asleep during most of the film and only woke up for the "good parts?" So, let's put to bed (no pun intended) the question that this film is somehow pornographic
The Lover is a powerful emotional text, probing deep into the past of the narrator and into France's own colonial past. It explores the intimate relationship between a young, poor white schoolgirl and her rich Chinese lover in the setting of the colonial society of the late 1920s Saigon. It uncovers transgression, desire, separation, and death, the ecstatic and dangerous appeal of the mysterious "other."
The other, arguably as important, theme of the film is relationships -- with her school friend, Helene Lagonelle, the ambivalent tie between the girl and her mother, and the girl's disturbing relationships with her two brothers
Finally, there is an undercurrent theme which runs throughout the film, which is that of boundaries and borders. The film opens with a ferry ride across the Mekong and ends with an ocean crossing, signaling the constant crossing of frontiers and borders: geographic of course, but also racial, cultural, and sexual. These are confronted and sometimes dissolved as the poor white girl of French parentage meets her wealthy Chinese lover in the Cholon, the ill-repute Chinese district of Saigon. She, a white girl, was raised among natives, almost as a native. He is a native who experienced the western culture and somehow longs for it.
There is also the transitory period of the girl's adolescence, between what remains of her childhood, and the onset of her womanhood. On the ferry and on the steam liner, the girl wears a child's pigtails, but she is dressed in women's clothes. The gender roles are somewhat blurred, too: she wears a woman's dress, but also a man's hat, in a color that signifies femininity. The boarding school in Saigon is home mainly to the abandoned mixed-blood daughters of local women and French fathers. The girl has an intimate friendship with Helene Lagonelle, which is ambivalent and perhaps sexually charged. The girl is unable to treat the Chinaman with even a modicum of courtesy when she is with her brothers because he is Chinese, not white. In the public bus, she rides in front, separated from the locals, yet in her private home, she lived as a native. In the cocoon of the garconniere, she is separated from the crowd on the street by only thin cotton blinds. There is even a meta-boundary crossed, as Duras takes her memories and feelings and externalizes them in the form of her writing. What has been internal and private becomes external and public.
The Lover is an autobiographical love story set in a post-colonial environment. We owe the remarkable transcription of this literary masterpiece to the artistry and creativity of Jean-Jacques Annaud. In this production, he has successfully combined two art forms, the beauty of the written word with the fascination of the image. I believe that the film has been, for the most part, misunderstood in this country, and I would recommend a second, more open-minded look at it. It will be a worthwhile experience.
Description of The Lover
A poor french teenager embarks on a torrid love affair with a wealthy chinese man in 1929 french colonial vietnam and becomes the target of her societys wrath. Studio: Tcfhe/mgm Release Date: 01/15/2008 Run time: 115 minutes Rating: NrBestsellers in DVD
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