The Future Is Unwritten

The Future Is Unwritten
by Julian Temple

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DVD details

Actor: Joe Strummer
Director: Julian Temple
Brand: Sony
DVD: Region Code 1
Audio: English (Original Language)
Format: Anamorphic, Color, Dolby, DVD, Explicit Lyrics, HiFi Sound, NTSC, Surround Sound, THX, Widescreen
Picture Format: 1.33:1
Running Time: 120 minutes
DVD Release Date: 2008-07-08
Audience Rating: NR (Not Rated)
Studio: Sony Legacy

DVD Reviews of The Future Is Unwritten

DVD Review: affectionate and revealing documentary
Summary: 4 Stars

On December 22, 2002, at the ripe young age of 50, John Graham Mellor - better known as Joe Strummer, co-founder, lyricist, rhythm guitarist and lead singer for the group The Clash - died, rather prosaically, of a heart attack. I say "prosaically" because one would reasonably have envisioned a somewhat more "exotic" and "respectable" end for a punk rock artist of Joe Strummer`s caliber. Yet, perhaps it's not quite so strange after all, for like many of his musical contemporaries, Strummer lived his life in the fast lane, perhaps burning so intensely for such a brief period of time that his battered and overstretched heart simply couldn`t keep up with all the demands placed on it after awhile (actually, we`re told he suffered from a congenital heart condition of which he had no knowledge and which could have taken his life at any time).

Whatever the cause of his demise, the documentary "Joe Strummer: The Future is Unwritten" provides a compelling and really quite exhaustive look into the life and career of this punk music legend. The movie starts at the beginning with Mellor's birth in Ankara, Turkey, to a father who was a British diplomat and a mother who was a nurse. He had a generally unhappy childhood, being whisked from one country to another before eventually being deposited in a British boarding school, seeing very little of his parents during the seven year period in which they were living abroad.

The movie then goes on to chronicle the death of his older brother by suicide; Mellor's enrollment in art college (where he changed his name to Woody and formed his first band, The Vultures); his time living as a squator in some abandoned row houses in West London with a group of fellow musicians with whom he formed his second band, the 101's; and his eventual turning away from Rockabilly and towards punk when The Sex Pistols opened for his group one night and forever altered Mellor's view of what music could be and do. By this time he had already changed his name a second time - now he was to be known as Joe Strummer - and had become extremely adept at writing lyrics and playing rhythm guitar.

It was at this point in 1976 that he essentially abandoned his former friends and hooked up with Mick Jones, Paul Simonon and Nicky Headon to form the band The Clash. The film then records the rise of that group, emphasizing the driving energy and social commentary of its music, as Strummer, through his lyrics, boldly took on the political and military establishment, decrying civil injustice and examining the very nature of authority itself. In fact, the movie makes it clear that the punk movement itself represented a revolt not just against society as a whole but against previous styles of music and fashion - and even one's old friends and way of life, including, in Strummer's case, his pre-Clash band mates, many of whom agreed to be interviewed for this film.

In the latter stages, the movie explores the paradox of success and celebrity, especially for performers who base their art on railing against the very things they find themselves endorsing in the end: namely, conformity, commercialism, fame and self-indulgence. For The Clash this was exemplified by the "sellouts" of going to America, of achieving international acclaim with their 1979 album "London Calling," and of writing "hit" songs (most notably, of course, "Rock the Casbah"). This accelerating artistic ambiguity led to increased personal tension among the members of the band and the eventual dissolution of the group. Towards the end of his life, Joe turned to marriage and fatherhood and a career in the film industry both as an actor and a composer. But any attempt to revive his career as a singer, at least at first, ended in failure - some would suggest a failure largely calculated and imposed by the man himself. Yet, in his final years, a much more tranquil and mellow Joe began to emerge, managing to make "peace" between the hippies and the punkers by establishing outdoor music fests - affectionately labeled "Joe's Campfires" - to help bridge the gap. And, as an appropriate finale to his life, he embarked on a well-received tour with his last band, The Mescaleros.

Director Julien Temple has put together a surprisingly dense and visually imaginative film, one that is heavily reflective of the turbulent times in which it is set. In addition to interviews with former lovers and friends of Strummer, the movie provides generous helpings of file footage and home movies, as well as clips from films like "If...," "Animal Farm," "1984," etc. whose subject matters parallel elements of Joe's life and the era in which he lived. Temple also frequently interjects into the narrative animated versions of cartoons Joe himself drew over the years. Moreover, a number of familiar faces - Bono, Matt Dillon, Steve Buscemi, John Cusack, Jim Jarmusch, Courtney Love (who appeared with Strummer in the movie "Straight to Hell"), even Johnny Depp in full Jack Sparrow regalia - stop by to throw their two-cents-worth in as to how profoundly they were influenced by Joe and the music of the Clash. And, of course, above it all there is the music...

But the true coup here is getting Joe himself to comment posthumously on his own life, thanks to the ready availability of interviews he gave at crucial moments during his career. This allows us to hear the man relate his own story in his own words. It may be a story that ends sadly, but not before Joe seems to find some genuine peace in his life. And, seriously, how many documentaries about a rock star can one say THAT about?

DVD Review: Must-Have for Clash Fans
Summary: 4 Stars

This film is essential for fans of The Clash and probably entertaining for any lover of music documentaries. The obligatory Clash music is there, but so is a lot of other music that Joe Strummer liked or considered influential, and his own voice DJ-ing his "London Calling" satellite radio show provides occasional narration, talking directly to his listeners and to us watching this film. For a guy who was filled with alot of anger early in his career, he had a very calming presence near the end and Julian Temple did a good job building that story line. Another technique that was really original and refreshing was how all of the "celebrity" interviews were mixed in with friends and neighbors and fellow musicians and none of them were identified when they spoke. Everyone just sat around the campfire--different campfires around the world--talking music and telling stories about Joe Strummer and The Clash. Turn this one up LOUD, sit back and enjoy.

DVD Review: For Clash lovers
Summary: 3 Stars

I enjoyed this film when I saw it at a theater with a bunch of rowdy patrons. However, upon second viewing it seemed boring and completely formulaic.

DVD Review: Joe was flawed but awesome.
Summary: 4 Stars

Great to see a lot of pre- & post-Clash Joe in this doc. His band got too big for it's own good/ethos & he was torn up by that. Seeing him wade back into music near the end was really cool to watch. Like Neil Diamond sang, "done too soon." RIP Joe.

DVD Review: cool tribute
Summary: 5 Stars

They gathered old friends and acquaintances around the fire to tell us about Joe Strummer. And at first I was wondering why they were all sitting around actual camp fires until it got into Strummer's latter years of which I didn't know too much. I didn't know much about his formative years either, actually. I just liked The Clash. This documentary covers The Clash years and the years before and after really well it seems to me. I felt I learned a lot about the guy after listening to all these people who knew him. There is a lot of footage included. Highly recommended to fans of contemporary music and Joe Strummer and those that just enjoy a good documentary.

Description of The Future Is Unwritten

As the frontman of The Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In acclaimed filmmaker Julien Temple's 'The Future Is Unwritten', Joe Strummer is revealed not just as a legend or a musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship that developed during the last years of Joe Strummer's life, Julien Temple's film is a celebration of Joe Strummer--before, during, and after The Clash.

Julien Temple, one of the early documentarians of the London punk scene and director of the 2000 Sex Pistols film The Filth and the Fury, turns his attention now to that other seminal British band: The Clash--or more accurately, to the band's co-founder, lyricist, rhythm guitarist and lead singer, Joe Strummer. The Future is Unwritten is more than just a biography of Strummer; it is a tribute and exploration of a musician, artist and devoted humanist. Though Temple respects and admires Strummer (his influence is exalted by close friends, peers and fans like Bono and John Cusack), he doesn't romanticize this larger-than-life personality and presents Strummer honestly and not always in flattering light, though the director's fondness for his subject is constant. Most movingly, Strummer himself provides the narration via reassembled excerpts from a variety of interviews and the BBC radio show he hosted during the nineties. In the wrong hands, this could be contrived, but in this masterful documentary it serves as a testament to not just Joe Strummer the myth, but Joe Strummer the man, telling us his story in vivid detail. The Future is Unwritten is a moving and personal portrait of a musician who helped shaped not just punk, but modern music as a whole. --Kira Canny

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