The Entertainer
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DVD details
Actor: Alan Bates, Brenda De Banzie, Joan Plowright, Laurence Olivier, Roger LiveseyBrand: Sony
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Mono; Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Mono
Format: Black & White, Closed-captioned, DVD, Letterboxed, NTSC, Subtitled, Widescreen
Picture Format: 1.66:1
Running Time: 96 minutes
DVD Release Date: 2001-06-19
Audience Rating: NR (Not Rated)
Studio: MGM (Video & DVD)
DVD Reviews of The Entertainer
DVD Review: You don't look at the mantelpiece when you poke the fire
Summary: 2 Stars
This was a very strange film developed in the 1960s. The dark themes of love, money, greed, and overall the protagonist's dream of being the next big sensation were chilling. This film was a perfect example of a very depressing story that never had a glimmer of light. Sure, there are several times we think that Archie will taste success, but before he is able to put the symbolic spoon into the bowl, he is shot down harder and faster than before. There is never a big break for Archie. He represents the human in even the smallest entertainer. As I read my local paper and see that Tom Cruise and Steven Spielberg stopped at a local DQ earlier in the month, I can't help but realize the fact that this film is trying to show. They are human. While they may have more money and seen by more people, they are still human and have to deal with the human drama that we cope with daily. Archie is no exemption, and his struggles with love, money, family, and success are just stronger realizations of his human element. Add to this mix Archie's father and you see the true element of which I speak. Archie's father represents a dying breed of actors that do not live grandiose lifestyles, but somehow live on just their name alone. They have spent their money and rely on the kindness of strangers for favors. This is where Archie lacks. His kindness is only to women, and they continually hurt him in the long run.
Outside of the "human entertainer" concept, this is a very flat and shallow film. From the opening scene until the end, we are never quite given the big picture of this family or our surroundings. I never quite understood the scenes. Where were we? Why were we here? Who are the people that do visit Archie's shows? This builds a horrible background for our characters to live within. Without the proper structure behind our characters this forces them to crumble with the slightest bit of force. Archie's daughter Jean, the self-appointed narrator of the family, never seems to fit into her role. Plowright never seems comfortable with her character and is constantly giving off the wrong emotion during the scene. There was one part when I swore I saw her laughing. She is a distraction and a downfall for this film. Secondly, Olivier needed to contain his character a bit. I know that he was to portray an entertainer on the edge of reality, but it never showed. He needed more control over his emotions and really build a human element to his character. He was neither believable nor enjoyable to watch. From the beginning of this film I never once felt like he could be successful, and when he is the character we are trying to rejoice over, we need to feel that sensation. I needed to feel like he could really make this show work, instead of constantly being pulled deeper into his depression. This goes with Archie's father as well. It is possible to play too senile, and this is a perfect example. The entire cake scene (when you see it you will see) was laughable instead of emotional. The only character that worked decently well in this film was Phoebe. She had a touch character to grapple with and it felt like Brenda De Banzie was the only one carrying her weight in this film. Her emotion and power made some of the scenes worth watching instead of completely unbearable.
Finally, I would like to say that with the background taking second fiddle to the actors, and the actors taking second fiddle to the background, this band needed longer hours practicing. Not only was this film confusing, but it also only allowed us to see one segment of the story. I needed more pre-story information or possibly a better ending to really allow me to connection with Archie. There was nothing forcing me to feel sympathy for the main character. I didn't know enough about him, nor did I really feel comfortable with the family dynamics between him and Phoebe. What was their relationship? Plutonic? Who knows? All I do know is that director Tony Richardson did not have control over this film. He seemed to slip between what his star player of the film (Laurence Olivier) and a developed story. I do not see why Laurence was nominated for an Oscar for this role. There was nothing spectacular.
Overall, maybe I missed the boat on this film. Perhaps I was expecting my first Laurence Olivier film to blow me out of the water, but instead all I found was a jumbled mess of papers. I understand that the world of entertainment is not as glamorous as we think it is, but it is not as depressing as Richardson shows in this film. I needed a stronger balance and a better cast to make this film work for me. I needed to see some reason for me to attach myself to Archie, but sadly there was nothing. This film failed for me, but I will not give up on Olivier, I think he can prevail.
On a side note, maybe it is just me, but I thought that Olivier in this film resembled Robin Williams in not only the way that he spoke, but also the facial mannerisms. Odd, maybe it is just me...
Grade: ** out of *****
Description of The Entertainer
Screen legend Laurence Olivier (Wuthering Heights) delivers an OscarÂ(r)-nominated*,"smashing performance" (Time) in this riveting film that brought him his "greatest contemporary role" (Pauline Kael). Co-starring Albert Finney and Alan Bates (in their screen debuts), this powerful, thought-provoking and vividly theatrical film, true to its name, is supremely entertaining. Career first. Everything else second. According to vaudevillian Archie Rice, the show must go oneven if it means stringing along his fellow performers, exploiting the hopes and money of a starlet and neglecting his own family. This is Archie's world but not everyone wants to live in it. His only daughter (Joan Plowright) will do everything she can to break through and bring him around if only she can make him listen. *1960: ActorLaurence Olivier broke with the theatrical poise of previous roles to play seedy music-hall entertainer Archie Rice in John Osborne's acclaimed play, The Entertainer, reprising the role in Tony Richardson's 1960 screen version and earning an Oscar nomination for his performance. Olivier gives his all as the gap-toothed vaudevillian living in the shadow of his music-hall-legend father Billy Rice (Roger Livesey), spitting out pithy wisecracks and mugging pathetically for bored audiences in seaside dives. Under the life-of-the-party patter, however, is a pathetic music-hall dinosaur trying too hard for his moment in the spotlight, nursing his wounded humiliation in trysts with naïve young girls and pouring out his passion in his finale tune, "Why Should I Care." "I have an affinity with Archie Rice," Olivier once opined. "It's what I really am. I'm not like Hamlet."
Shot on location on the boardwalk carnivals and holiday camps of the British seaside, the shabby show-biz world is beautifully photographed but never quite shakes off its origins on the stage. It's the vivid performances that drive the drama: Joan Plowright (who married Olivier in 1961) as his pragmatic daughter; Alan Bates and Albert Finney (making their film debuts) as his sons, a next-generation show-biz hustler and a soldier shipped off to the Suez, respectively; and Brenda de Banzie as Archie's long-suffering wife. "You've been a good audience. Let me know where you're playing tomorrow and I'll come see you." --Sean Axmaker
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