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The Curse of Frankenstein by Terence Fisher
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DVD detailsActor: Christopher Lee, Hazel Court, Melvyn Hayes, Peter Cushing, Robert Urquhart Director: Terence Fisher Brand: Warner Brothers Cinematographer: Jack Asher Producer: Anthony Hinds Producer: Anthony Nelson Keys Producer: Max Rosenberg Producer: Michael Carreras Writer: Jimmy Sangster Writer: Mary Shelley DVD: Region Code 1 Audio: English (Subtitled); Spanish (Subtitled); French (Subtitled); Portuguese (Subtitled); English (Original Language), Dolby Digital 2.0 Mono; French (Original Language), Dolby Digital 2.0 Mono Format: Anamorphic, Color, DVD, NTSC Picture Format: 1.85:1 Running Time: 82 minutes DVD Release Date: 2002-10-01 Audience Rating: Unrated Model: 11066 Studio: Warner Home Video Product features: - In this re-telling of theic horror tale, Baron Victor Frankenstein becomes friends with one of his teachers, Paul Krempe. At first, both men are fascinated by the potential of their re-animating experiments. Eventually, though, Krempe refuses to help with Frankenstien's human experiments. However, he is drawn back into the plot when Frankenstein's creature kills a member of the house staff.Running
DVD Reviews of The Curse of FrankensteinDVD Review: Get out of his way.....IF YOU CAN! Summary: 3 Stars
...as quoted from the original 1957 trailer to this, the first of many British produced Horror Classics. The real treat for audiences, after years of viewing films from Universal's camp in black and white is it being rich in technicolor. Director Terence Fisher, a veteran director of cult classics crafted this well-adapted version which would follow a myriad of future films, yet like many other originals this stands out as the best.WARNING: POSSIBLE SPOILERS AHEAD!!! As expected, the screenplay strays greatly from Mary Shelley's original novel, like James Whale's 1931 production, yet it effectively avoids rehashing plot elements from the earlier films. Peter Cushing stars as Baron Victor Frankenstein who is held in prison for murder and his execution is imminent. When he is visited by a Priest, he tells his tale of being obsessed with creating life following inheritance of his family name with the death of his Father. Enter Paul Krempe (Robert Urquhart) who tutors Victor in the process. After they restore a dead puppy, they resolve to recreate a man - and thus Victor's obsession, and Paul's reluctance ensues. Trouble begins as Victor's cousin Elizabeth (a very young, and very lovely Hazel Court) comes to stay at the Castle, and Victor has a secret love affair with Justine the maid (Valerie Gaunt, also the Vampiress in HORROR OF DRACULA). Things are guaranteed to get out of hand even more when the Creature awakens! Although it is stiff and very slow-paced at times, a clever blend of suspense and camp is woven into the script. For instance, there are graphic close-ups of severed hands, assembled body organs, and although seen only very briefly mentions of halfway decayed cadavers. Thus Victor forms the creation out of several different people. The body from that of a murderer who was hanged. The head and hands from an artist, and the brain from a Professor and Colleague. One must wonder how he seems strongly unrepulsed by this work. Christopher Lee, although never with a word of dialogue, and reported hated the role, delivers a pretty good performance as the Creature. Gigantic, confused, and tortured. Like the 1931 Frankenstein, he is practically tortured by his Creator. So when he awakens it is only logical for him, having the brain of the man he killed to create him, to identify his killer and attack. Thus Christopher Lee's monster deliberately avoids copying patent Karloff's monster make-up. Artist Phil Leakey designs a network of scars and putty to resemble something out of traffic accident. One eye larger than the other, a sewed up cranium, and incredibly strong. For collectors of Horror fans this is definite must, but no where near as good as HORROR OF DRACULA, featuring many of the same cast and crew. 1970's HORROR OF FRANKENSTEIN followed this film eerily well, so no doubt it made a strong influence in films to come. You almost get around this so well because Peter Cushing portrays the role with such authority that Hammer Studios effectively brings an entirely different personification of Dr. Frankenstein never quite visualized before. He is cold, ruthless, remorseless, and a murderer to boot - HE is the true monster of the film, not the pitiable disfigured hulk played by Christopher Lee.
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Description of The Curse of FrankensteinVICTOR FRANKENSTEIN BUILDS A CREATURE AND BRINGS IT TO LIFE. BUTHIS CREATURE BEHAVES NOT AS HE INTENDED. Britain's Hammer Studios had been making films for decades before they suddenly redefined themselves with this lurid remake of the Universal Studios horror classic. Prohibited by Universal from copying their blocky makeup (and their script, for that matter), Hammer returned to Mary Shelley's novel for inspiration, and then went in its own direction. Peter Cushing plays Dr. Frankenstein as the rational scientist turned cold-blooded criminal in his campaign to discover the secret of life, committing murder to further his ends, or to remove an inconvenient mistress. Christopher Lee is the pitiable creature, a terrified behemoth more innocent newborn than malevolent monster. His pale, pallid, grotesquely scarred face was so thickly applied that he emotes almost exclusively with his eyes and his awkward, stumbling gestures. The not-so-good Dr. Frankenstein is the true monster, a ruthless scientist whose rejection of superstition extends to all moral considerations. Shot in blood-red color by Hammer stalwart Terence Fisher, the stylish, often salacious film became Hammer's biggest success to date, made horror stars out of the classically trained Cushing and Lee, and transformed the B studio into the Hammer we know and love today: the house that dripped blood. The Horror of Dracula immediately followed, reuniting the winning team of Cushing and Lee, and Cushing returned in four of six Frankenstein sequels. --Sean Axmaker
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