Tan Dun: The First Emperor (The Metropolitan Opera HD Live Series)

Tan Dun: The First Emperor (The Metropolitan Opera HD Live Series)
by Zhang Yimou, Brian Large

Tan Dun: The First Emperor (The Metropolitan Opera HD Live Series)
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DVD details

Actor: Elizabeth Futral, Hao Jiang Tian, Michelle DeYoung, Paul Groves, Placido Domingo
Director: Brian Large, Zhang Yimou
DVD: Region Code 0
Audio: English (Unknown), DTS 5.1; English (Subtitled); German (Subtitled); French (Subtitled); Italian (Subtitled); Spanish (Subtitled); English (Original Language), DTS 5.1
Format: Classical, Color, DVD, NTSC
Picture Format: 1.78:1
Running Time: 176 minutes
DVD Release Date: 2008-09-16
Audience Rating: NR (Not Rated)
Studio: EMI Classics

Description of Tan Dun: The First Emperor (The Metropolitan Opera HD Live Series)

The Metropolitan Opera's acclaimed Live in High-Definition series, which projects live performances into theaters across the globe, has met with unprecedented critical and commercial success and has made opera convenient and affordable to millions of viewers worldwide. Now, EMI Classics is proud to collaborate with The Met to release 6 new DVDs made from these broadcast performances.

Legendary tenor Plácido Domingo leads an all-star cast in this visually stunning opera by Academy Award-winning composer Tan Dun (Crouching Tiger Hidden Dragon). Commissioned by The Met in the mid-1990s, this spectacular new production was one of the most highly-anticipated cultural events of the 2006-07 Metropolitan Opera season, combining the expressive power of traditional ancient Chinese singing with the long musical lines of Italian Opera. Conducted by Tan Dun himself, with revered Chinese filmmaker Zhang Yimou (Hero, Raise the Red Lantern) directing and Oscar-winner Emi Wada designing the costumes. A remarkable performance!
The First Emperor is one of those spectacular MET stagings, bursting with colorful costumes and striking sets in noted film director Zhang Yimou?s production. It?s been billed as a "global opera" in its mixture of traditional Chinese and Western music written by Tan Dun, who has successfully bridged the two in his compositions, perhaps most effectively in his film music. The opera?s based on supposed incidents in the life of Qin Shi Huang, whose military conquests unified China in 221 BC. He?s credited with building a centralized state, constructing the Great Wall, codifying the laws, and standardizing weights and measures. His efficiency also extended to ruthlessly suppressing dissent and murdering scholars, which could indicate a subtext that makes him a stand-in for Mao Zedong. The libretto, by the composer and Ha Jin, largely conforms to Western epic opera traditions, revolving around the tribulations of an ambitious power-seeker, his daughter?s love for the composer Jianli, and the Emperor?s desire for her to marry a general for political reasons. The bloody ending involves the death of the three members of the love triangle and the Emperor?s ascension to the throne where he hears the anthem composed for the occasion by Jianli, which turns out to be the song of the slaves building the Great Wall.

The opera opens with a promising scene based on traditional Chinese music and employing traditional instruments to great effect. A narrator, the Yin-Yang Master, sensationally done by the Peking Opera performer Wu Hsing-Kuo, outlines the story we are about to see in a striking mixture of singing, dancing, and acrobatics against a backdrop of Chinese drummers and a chorus. After that, the principals enter and the music becomes predominately western with the Chinese instruments relegated to marginal exotica. The singers are forced to struggle with a libretto that seems unsingable, words resisting the melodies to which they?re set. Set piece arias are predominately slow, accentuating the static effect of the staging in most of the scenes. As the Emperor, Placido Domingo, more baritonal than usual, often sounds strained but retains his stage presence. As his daughter, soprano Elizbeth Futral sings very well indeed, especially given the ungrateful material she?s given. Tenor Paul Graves sings her lover, the composer Jianli. He?s perhaps the most effective cast member, singing with color and firm tone. His rival for the princess, General Wang, is well sung by Hao Jiang Tian, and the excellent mezzo, Michelle DeYoung is a suitably scary Shaman, costumed like a Halloween witch, super-long fingernails to the fore. Tan Dun conducts the MET orchestra, whose music is fairly tepid when the assisting Chinese instruments fall silent. The enthusiastic reception of the audience at the end of this 2007 performance suggests that the opera, or at least the production, is a crowd pleaser. Home theatre audiences will welcome the blaze of colors and innovative production details, in a contemporary opera featuring some fine singers. --Dan Davis

The First Emperor is an all-regions disc in 16:9 ratio. Sound options include PCM Stereo and DTS 5.1 Surround. Sung in English, subtitles include English, French, German, Italian and Spanish. Extras include a brief introduction by Zhang Ziyi, a Beverly Sills interview of Placido Domingo, and a 20-minute rehearsal film.

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