Sweet Bird of Youth
by Richard Brooks
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Actor: Ed Begley, Geraldine Page, Paul Newman, Rip Torn, Shirley KnightDirector: Richard Brooks
Brand: Warner Brothers
Cinematographer: Milton R. Krasner
Writer: Richard Brooks
Editor: Henry Berman
Writer: Tennessee Williams
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Mono; French (Dubbed), Dolby Digital 2.0 Mono
Format: Closed-captioned, Color, Dubbed, DVD, NTSC, Original recording remastered, Subtitled, Widescreen
Picture Format: 2.35:1
Running Time: 120 minutes
DVD Release Date: 2006-05-02
Audience Rating: Unrated
Studio: Metro-Goldwyn-Mayer (MGM)
DVD Reviews of Sweet Bird of Youth
DVD Review: The Fickle Bird Of Youth
Summary: 5 Stars
The first couple of paragraphs here have been used as introduction to other plays written by Tennessee Williams and reviewed in this space. This review applies to both the stage play and the film versions with differences noted as part of the review
Perhaps, as is the case with this reviewer, if you have come to the works of the excellent American playwright Tennessee Williams through adaptations of his plays to commercially distributed film you too will have missed some of the more controversial and intriguing aspects of his plays that had placed him at that time along with Eugene O'Neill and Arthur Miller as America's finest serious playwrights. Although some of the films have their own charms I want to address the written plays in this entry first (along with, when appropriate, commentary about Williams' extensive and detailed directing instructions).
That said, there are certain limitations for a political commentator like this reviewer on the works of Williams. Although his plays, at least his best and most well-known ones, take place in the steamy South or its environs, there is virtually no acknowledgement of the race question that dominated Southern life during the period of the plays; and, for that matter was beginning to dominate national life. Thus, although it is possible to pay homage to his work on its artistic merits, I am very, very tentative about giving fulsome praise to that work on its political merits. With that proviso Williams nevertheless has created a very modern stage on which to address social questions at the personal level like homosexuality, incest and the dysfunctional family that only began to get addressed widely well after his ground-breaking work hit the stage.
"Sweet Bird Of Youth" is a case in point. Not for the first time, a seemingly 1950's style All- American boy Chance who has left his hometown, his home town girl and his roots behind to drift in that endless spiral toward fame- Hollywood and the movies, naturally- comes back to claim what is his by right. On this little hometown reunion Chance is in the service of one aging and fretful actress who has her own issues with that elusive `bird of youth'. In his return to town it appears that Chance has stirred up a hornet's nest with the local political establishment in the person of one red-neck preacher turned politician in order to better do "god's work", old Tom Findley. The object of this dispute is one Heavenly Findley, old Ton's daughter and Chance's left behind paramour who is now the subject of some scandal (due to the amorphously stated need for female-related medical treatment due to Chance's irresponsibility). Along the way we get to see how political power is distributed in a small Southern town as well as the inevitable tempting of the fates by Chance in order to win the `brass ring' before it is too late (apparently somewhere over thirty, by my reckoning). At play's end though, where he is between a rock and a hard place, Chance may not get the chance to be Chance at thirty. Oh, that fickle bird of youth. Still, Chance, go for it.
In the movie version the recently departed excellent actor Paul Newman, a classic example of a 1950's All-American boy type (among his other acting talents), as the movie star `wannabe' and Geraldine Page as the aging actress recreated their stage performances although with a greater screen presence for Ms. Page. Moreover, Chance's strivings to reconnect with Heavenly are more central to the plot. More importantly, the endings differ in that, despite some mauling by Tom Findley's boys Chance takes my advice from the play version and runs, with Heavenly, just as far and as fast as his now aging legs can carry him.
Description of Sweet Bird of Youth
SWEET BIRD OF YOUTH - DVD MovieSweet Bird of Youth has the Tennessee Williams penchant for provocation and Southern depravity--although at this point, the bloom is somewhat off the hothouse flower. Paul Newman is a cad who dreams of glory; he's returned to his hometown towing a dissolute, over-the-hill Hollywood star (Geraldine Page re-creates her Broadway role), certain she'll be his meal ticket. He's ruined the only girl he really loved (day-dreamy Shirley Knight), who just happens to be the daughter of the town's boss (Ed Begley, in an Oscar®-winning role). The play's more shocking elements have been euphemized, in the custom of the era's Williams movie adaptations. Director Richard Brooks handles it with intensity, and Rip Torn (who was married to Page) has some wicked moments, but the movie is bound to its theatrical roots and its inability to mention racism, syphilis, or castration. And that's Tennessee Williams without the hot sauce. --Robert Horton
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