Spy Game (Widescreen Edition)
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DVD details
Actor: Brad Pitt, Robert RedfordBrand: Universal
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Spanish (Subtitled); English (Original Language); French (Original Language)
Format: Closed-captioned, Collector's Edition, Color, Dolby, DTS Surround Sound, DVD, NTSC, Subtitled, Widescreen
Picture Format: 2.35:1
Running Time: 126 minutes
Published: 2002-04-01
DVD Release Date: 2002-04-09
Audience Rating: R (Restricted)
Studio: Universal Studios
DVD Reviews of Spy Game (Widescreen Edition)
DVD Review: Well-done, fast-paced spy thriller with an outstanding cast.
Summary: 4 Stars
I am not a great action movie fan - but I will watch almost anything associated with Robert Redford, whose "Three Days of the Condor" and "All the President's Men" are among my all-time favorites; as is "A River Runs Through It," his first collaboration with Brad Pitt. So, I figured, with these two in co-starring roles I couldn't really go wrong with "Spy Game"; and I certainly wasn't disappointed.
Told from a 1991 perspective - two years after the fall of the Berlin Wall, when the CIA changed from an agency run by operatives with field experience to one run by "suits" - "Spy Game" flashes back to the cold war, when American politics' overriding goal was to outmaneuver the Russian-controlled communist block; although Middle Eastern politics eventually did add more complexity. (Shot before, but released after September 11, 2001, as director Tony Scott and producers Douglas Wick and Marc Abraham note on the DVD's commentary tracks, the WTC attack had some effect on the editing process). The story begins with CIA operative Tom Bishop (Pitt)'s capture during an unauthorized rescue attempt in a Chinese prison, resulting in his former supervisor Nathan Muir (Redford)'s summons, on his last day in office, to a meeting of the agency's top brass, for an account of their operations between 1975 (their first meeting in Vietnam) and 1985 (their last operation in Beirut). However, already tipped off to Bishop's capture by an old confidant in the U.S. embassy in Hong Kong, as Muir gives his report his suspicion is quickly confirmed that his information won't be used to save Bishop but to construe a reason to let the Chinese execute him. So it is left to Muir, several thousand miles away, to come to his former protege's aid; and in so doing, break all his rules of survival: Put away some money to retire in a warm spot, never touch that money for anyone, never risk your life or career for an outsider, and if an agent goes "off the reservation" (engages in an unauthorized operation), don't go after him trying to pull him out.
Of course, most of this has been done before; in the aforementioned Redford movies, countless other celluloid tales of the past 50 years and the novels of writers who have built entire careers on this kind of material, from John le Carre to Tom Clancy and Frederick Forsyth. But "Spy Game" was directed by Tony Scott, who, like his brother Ridley, has already left his mark on the genre (see "Enemy of the State" and "Crimson Tide") and, with his arts and advertising background, understands that action movies are about visuals at least as much as about plot and character development: weak editing and camerawork will sink an action thriller as assuredly as weak acting. And Scott's direction is spot-on, in his choice of camera angles, movement and even coloring (providing every chapter with a unique color scheme), as well as his editing, so fast-paced that there are several details you only pick up on in your second or third viewing. Even in the largely static scenes in the CIA conference room, thanks to numerous small tricks, great dialogue and a cast of outstanding actors - including Stephen Dillane as Muir's intra-agency opponent Harker and Larry Bryggman as CIA vice-director Folger - Scott never loses the viewer's interest.
I do have a few issues with "Spy Game" - leaving aside that, as in most spy flicks, there are some sequences where I have to suspend just a bit too much of my disbelief (like the East Berlin sequences of the operation used to set up American mole Anne Cathcart [Charlotte Rampling] and parts of Muir's rescue operation for Bishop), I think it is a pity that a director/producer team otherwise so focused on authenticity didn't realize how many people would remember Robert Redford's looks in films like the above-mentioned ones, i.e. from the mid-1970s, coinciding with this movie's Vietnam and Berlin episodes; for although Redford has definitely gained in class and authority with his growing number of facial lines, which well behoove Tom Bishop's mentor, arguably there should have been at least some visible age difference between Muir's 1975 and 1991 looks. And just as an aside, from a native Berliner: Guys, much as I applaud your choice to substitute nightly Budapest streets for those of cold-war East Berlin, you shouldn't also have filmed the rooftop scene there, because neither the city's overall look nor its topography pans out to those who actually knew Berlin then. (Not to mention the "vopos"' obvious Hungarian accents and a few other details I won't go into here.)
But overall this movie is certainly a cut above the rest of its class, due to great directorial work as much as that of Redford, Pitt and Catherine McCormack as Elizabeth Hadley, the woman who finally comes between them in Beirut: Redford as the inscrutable, controlling master spy - whose past is, unlike in the original screenplay, kept suitably ambiguous -, Pitt as the young gun, aptly codenamed "Boy Scout," who is not above exploiting "assets" for an operation's sake but does fall in love with the wrong woman at last, and McCormack as the tough, no-frills activist whose feelings for Bishop ultimately endanger not only him but also herself. - Last but not least, Harry Gregson-Williams's soundtrack deserves special mention: With an excellent blend of classic rock tunes (Joe Walsh's "Rocky Mountain Way" and Dire Straits' "Brothers in Arms" ... where are these on the soundtrack CD???) and a score alternating between middle eastern and Asian melodies, a boy soprano (Bishop & Hadley's love theme) and techno grooves, it is always in tune with the action and provides a perfect frame for the movie's voyage from Langley to Vietnam, Berlin, Beirut and China. This may not be one of film history's all-time greatest moments - but it is a well-crafted thriller and definitely worth watching if you're looking for some action.
Also recommended:
Three Days of the Condor
Sneakers (Collector's Edition)
The Recruit
The Spy Who Came in from the Cold
Tinker Tailor Soldier Spy
Smiley's People
The Day of the Jackal
The Fist of God
Shibumi: A Novel
A River Runs Through It (Deluxe Edition)
Description of Spy Game (Widescreen Edition)
When a top-secret unauthorized mission goes bad cia agent tom bishop is captured and sentenced to dies. With just 24 hours to get him out alive bishops boss nathan muir must battle enemies abroad and the system inside the cia to save his friend. Now the clock is ticking and the race is on. Studio: Uni Dist Corp. (mca) Release Date: 05/23/2006 Starring: Brad Pitt Robert Redford Run time: 127 minutes Rating: R Director: Tony ScottA thinking person's thriller, Spy Game employs dense plotting without sacrificing the kinetic momentum that is director Tony Scott's trademark. The film has the byzantine scope of a novel, focusing on veteran CIA operative Nathan Muir (Robert Redford), whose protégé Tom Bishop (Brad Pitt) is scheduled for execution in a Chinese prison. It's Muir's last day before retiring (cliché alert!), and Bishop is being deliberately sacrificed by oily CIA officials to ensure healthy trade with China. Muir has 24 hours to rescue Bishop and his perfunctory love interest (Catherine McCormack), and Spy Game connects the mentor's end-run strategy to flashbacks of his student's exploits in Berlin, Beirut, and beyond. Ambitious but emotionally bland--and not as exciting as Scott's Enemy of the State--Spy Game offers pass-the-torch humor between leather-faced Redford and pretty boy Pitt, and although their dialogue is occasionally limp, the movie compensates with efficient style and substance. --Jeff Shannon
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