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Ship of Fools by Stanley Kramer
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DVD detailsActor: José Ferrer, Lee Marvin, Oskar Werner, Simone Signoret, Vivien Leigh Director: Stanley Kramer Brand: Sony Cinematographer: Ernest Laszlo Editor: Robert C. Jones Writer: Katherine Anne Porter Writer: Abby Mann DVD: Region Code 99 Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Subtitled); French (Subtitled); Japanese (Subtitled); English (Original Language), Dolby Digital 2.0 Mono Format: Black & White, Closed-captioned, DVD, Full Screen, NTSC, Subtitled Picture Format: Anamorphic Widescreen, 1.33:1 Running Time: 149 minutes DVD Release Date: 2003-12-02 Audience Rating: Unrated Studio: Sony Pictures Home Entertainment
DVD Reviews of Ship of FoolsDVD Review: Shipboard Microcosm Ignited by Werner and Signoret Summary: 4 Stars
An ocean liner in a movie usually signals some impending disaster as our cinematic sensibilities have become accustomed to special-effects-laden epics like "The Poseidon Adventure" and "Titanic". That's what probably makes director Stanley Kramer's 1965 "Ship of Fools" look all the more old-fashioned with its omnibus international cast and heavy emphasis on dialogue, and neither an iceberg nor a tidal wave to be seen within its lengthy 149-minute running time. In fact, the whole point of the film is to show a diverse group of people share a 1933 voyage between Veracruz and Bremerhaven in the midst of the rise of the Third Reich in Germany. Consequently the film focuses on messages of political intolerance, anti-Semitism, racism and class distinctions. It all sounds heavy, which fits snugly into Kramer's oeuvre, but actually what still resonates after forty years is a literate script by the estimable Abby Mann and the presence of well-cast actors, some quite exceptional in their roles.
Vivien Leigh is the nominal star, but she doesn't dominate the story. Looking gaunt and acting especially brittle, she gives age-fearing Mary Treadwell a Tennessee Williams makeover complete with a scene of desperate drunkenness beginning with an impromptu Charleston and ending with a merciless beating of Lee Marvin's even more drunken character with her shoe. Leigh's work was so infrequent at the time that this sadly became her last film. Marvin effectively plays Bill Tenny, an obnoxious Texan reliving his baseball glory days and lumbering around the ship looking for women. His best scene is in an empty dining room with Carl Glocken, embodied by the superb Michael Dunn, the story's narrator and an erudite man who happens to be a dwarf (a "sawed-off intellectual" according to Tenny). José Ferrer portrays an abrasive anti-Semitic publisher with his typical stentorian fervor, who ironically has to share a cabin with Jewish salesman Julius Lowenthal, played with contrasting gentility by Heinz Rühmann. Their scenes are rather comical until they come to bond, and Lowenthal spouts his Pollyanna view of the fate of the Jews in Germany. A very young and brooding George Segal and an ingenuous Elizabeth Ashley play David and Jenny, lovers conflicted about their differing priorities.
But best of all are the mature illicit lovers, Oskar Werner as Schumann, the married, ailing ship's doctor and Simone Signoret as La Condesa, the drug-addicted woman en route to a Cuban prison for her role in leading Mexicans to a social uprising. Their scenes together elevate the film into something quite remarkable as their relationship moves from hesitant, almost light-hearted seduction to deep-seeded love, all performed with emotional economy that makes their inevitable parting even more painful to watch. Werner bares Schumann's soul with precision until his final breath, and Signoret combines her unique blend of world-weariness and subtle coquettishness into a morally ambiguous yet magnetic character. Kramer paces the film well, and he also has some nice cinematic shots, like the sight of hundreds of Cuban refugees awaiting the ship to dock, but the constant use of fake backdrops lends an unwelcome staginess to the proceedings. All in all, this is a worthwhile journey to take, in particular, to see Werner and Signoret at their zenith.
More Ship of Fools reviews: 1 2 3 4 5 6 7
Description of Ship of FoolsSHIP OF FOOLS - DVD Movie An all-star drama in the grandest of Hollywood traditions, Ship of Fools is now a glossy, Oscar®-nominated relic from a bygone era, when actors were valued more than special effects. "Prestige" is the keyword in describing this high-toned Stanley Kramer production, and the passage of time brings the pros and cons of Kramer's filmmaking into stark relief. In adapting Katherine Anne Porter's acclaimed novel set aboard a German liner sailing from Mexico to Germany, Kramer and screenwriter Abby Mann (who shifted the story from 1931 to 1933) attempted to display the oncoming horror of Nazi Germany in microcosm, as represented by the ship's colorful variety of passengers, including maritally combative artists (George Segal, Elizabeth Ashley); a has-been baseball star (Lee Marvin); a pair of illicit lovers (Oskar Werner, Simone Signoret); a despondent divorcée (Vivien Leigh, shockingly garish in her final film); and several others who play symbolic roles with varying degrees of obviousness. Porter's potent themes are somewhat deflated by Kramer's pompous, heavy-handed approach, but powerful acting remains. Having lost what relevance it had in 1965, Ship of Fools is still fascinating as a showcase for well-drawn characters (including an observant dwarf, played by the late, great Michael Dunn) whose inner lives and outward interactions reflect a turbulent world irrevocably headed for war. --Jeff Shannon
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