Roberto Rossellini's War Trilogy (Rome Open City / Paisan / Germany Year Zero) (The Criterion Collection)
by Roberto Rossellini
List Price:
Our Price: $46.06
You Save: $33.89 (42%)
Availability: Usually ships in 1-2 business days
Buy Used: from $24.95 (click here)
Category: DVD
See more DVD details
Buy this DVD movie at online store in your country
Canada
Canada
DVD details
Actor: Aldo Fabrizi, Anna Magnani, Carmela Sazio, Gar Moore, William TubbsDirector: Roberto Rossellini
Brand: Image Entertainment
Writer: Alberto Consiglio
Writer: Alfred Hayes
Writer: Carlo Lizzani
Writer: Federico Fellini
Writer: Klaus Mann
Writer: Marcello Pagliero
Writer: Max Kolpé
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Italian (Original Language)
Format: Black & White, Box set, DVD, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 302 minutes
DVD Release Date: 2010-01-26
Audience Rating: NR (Not Rated)
Studio: Criterion
DVD Reviews of Roberto Rossellini's War Trilogy (Rome Open City / Paisan / Germany Year Zero) (The Criterion Collection)
DVD Review: A wonderful presentation of great films
Summary: 5 Stars
Two of these three Rossellini films made at the very end of WWll are considered classics: Rome, Open City, and Paisan. The third film, the disturbing Germany Year Zero has always been controversial and was a failure, though it is loved dearly by some.
The copies of the films are fantastic, especially Rome, Open City and Germany Year Zero, pristine, sharply focused black and white and Rossellini's great mastery of light, shadow and intensity and contrast of that palette is astoundingly captured. Paisan is a very good copy, though some shots are a little dim or faded looking. For those who know Rome and Paisan from VHS copies that circulated there is no comparison in any sense -- these are tremendously vivid, absolutely complete (the VHS copies I owned clipped small sections and had jumpy cuts), with superb sound tracks (that means tolerating Rossellini's brother's music which can be intrusive, especially in Paisan though one must assume auteur Rossellini wanted this since he was notoriously a complete control freak.)
Most people with any interest in film will know that Rome, Open City stunned Europe and was credited with creating a movement called 'neo-realism', though one of the late interviews with Rossellini included in the many invaluable extras shows him mocking the term. Whatever one calls it, much that happened in European film in the late forties and early 50's was influenced by both this film and Paisan -- Godard and Truffaut not to mention Fellini (who had his first serious film jobs assisting Rossellini on Rome and Paisan), De Sica and a host of others all traced their choices back to Rossellini's courage and vision.
Rossellini in that interview is a little defensive about Rome, Open City and the extras include the flamboyant stories of its making -- not all true (electricity was stolen -- true -- film stock had to be begged, borrowed or stolen and there was very little available, much of it of poor quality -- true; the film, contrary to standard claims, was not improvised at all, there was a completely written script shot precisely as written. Only a few of the prominent actors were amateurs, the great Anna Magnani was a well known film and stage actress and Aldo Fabrizi, the priest, was a big movie star though as a comic -- it was on his fame that Rossellini was able to raise his tiny budget). All the interiors were shot in a small film studio, not on location; the few exterior shots included serious risks though the one where Magnani chases after her finance who the Germans have seized and herded into a truck along with other men only to be shot as he screams at her to go back has to be one of the most memorable scenes in all of movie history even if her performance is a little operatic. Fabrizi is clearly more comfortable and convincing in the mildly quirky or funny scenes (probably written by Fellini)than when he needs to be very serious or righteous in facing the Nazi villain (glycerine tears are clearly used for him in one scene). But the scenes of his execution are very moving and the final image of his pupils, they've sneaked out of the city to see him die, slowly roaming off back to Rome is another unforgettable image.
Paisan is a different matter. This was entirely improvised though Klaus Mann (son of Thomas) had written a detailed scenario and another American, Alfred Hayes, had written a script. Rossellini discarded both except for a sequence in Rome written by Hayes -- the weakest stretch of the movie. It is six episodes, all short stories, though only a few have a neat beginning, middle and end. All but one of the performers was an amateur, the Italians were found in the different locations. The best of these are the story in Naples where a black G.I. meets up with a street urchin who is not to be trusted. The ruins of Naples, the drunk G.I. stumbling into a traditional Neapolitan puppet show (I suspect a Fellini idea), the street life of the jammed but ruined city and the devastating final scene are amazing. The final story where a group of Partisans and GI's (all cast from life) are hemmed in and eventually slaughtered by a small group of ruthless Germans on the marshes of the Po is stunning from every angle and was a tremendous influence on post war avant-garde film making.
Germany Year Zero is so horrifying it's hard to get to grips with. A young boy in a devastated Berlin where the Germans are starving is the sole support of a dysfunctional family and eventually takes drastic action. The story seems forced to some but the way it is shot and Rossellini's evident identification with the desperate, terrified and confused child carries one through some obvious contrivances. This has several brilliantly managed exterior scenes of the boy wandering in despair through the bombed out city that are tough to sit through but worth it.
The features are amazing, consistently interesting, sophisticated, enormously informative even when commentators contradict one another. A film about how the movies were assembled is revelatory. A photo montage of Rossellini's until now mysterious affair with a German woman (while he was married and seeing other women, he left her for the impossible Magnani much to his eventual regret) is stunning and moving.
When the films were shown on French TV Rossellini recorded introductions (watch the movies first) and those are invaluable. But some issues about Rossellini are scanted -- his earlier work in the Fascist film industry, which eventually cost him much of his popularity in Italy when it was revealed, the details of his monstrously difficult personality are left a little vague (though the letters written to and read by his only Italian collaborator on Germany year Zero, which include references to his idiosyncratic interaction with the slightly crazy Marlene Dietrich certainly convey a lot).
There is also his use of homosexuality to demonstrate the most unthinkable of all evils (the swishy but vicious Gestapo officer, his looming lesbian sidekick in Rome, Open City -- as though the Nazis tolerated open or even suspected homosexuals, they imprisoned or killed those they caught and none could have made a career in the Gestapo of all organizations, the pedophiles in Germany year Zero -- more plausible, maybe, but handled with a heavy hand) -- that's disturbing (in one of the late interviews Rossellini seems to apologize for this but doesn't go into detail). So he wasn't perfect or simple...
But this is the sort of treatment all great films should get and I can't imagine being without it.
More Roberto Rossellini's War Trilogy (Rome Open City / Paisan / Germany Year Zero) (The Criterion Collection) reviews:
1 2
1 2
Description of Roberto Rossellini's War Trilogy (Rome Open City / Paisan / Germany Year Zero) (The Criterion Collection)
Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II ? Rome Open City, Paisan, and Germany Ground Zero ? that he left his first transformative mark on cinema. With their stripped-down aesthetic, largely nonprofessional casts, and unorthodox approaches to storytelling, these intensely emotional works were international sensations and effectively launched the neorealist movement. Shot in battle-ravaged Italy and Germany, these three films are some of our most lasting, humane documents of devastated postwar Europe, containing universal images that encompass both tragedy and hope.Rome Open City
This was Roberto Rossellini?s revelation, a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. Though told with a bit more melodramatic flair than the other films that would form this trilogy and starring well-known actors ? Aldo Fabrizi as a priest helping the partisan cause and Anna Magnani in her breakthrough role as the fiancée of a resistance member ? Rome Open City (Roma città aperta) is a shockingly authentic experience, conceived and directed amid the ruin of World War II, with immediacy in every frame. Marking a watershed moment in Italian cinema, this galvanic work was an international sensation, garnering awards around the globe and leaving the beginnings of a new film movement in its wake.
Paisan
Roberto Rossellini?s follow-up to his breakout Rome Open City was the ambitious, enormously moving Paisan (Paisà), which consists of six episodes set during the liberation of Italy at the end of World War II, taking place across the country, from Sicily to the northern Po Valley. With its documentary-like visuals and its intermingled cast of actors and nonprofessionals, Italians and their American liberators, this look at the struggles of different cultures to communicate and of people to live their everyday lives in extreme circumstances is equal parts charming sentiment and vivid reality. A long-missing treasure of Italian cinema, Paisan is available here for the first time in its full original release version.
Germany Year Zero
The concluding chapter of Roberto Rossellini?s War Trilogy is the most devastating, a portrait of an obliterated Berlin shown through the eyes of a twelve-year-old boy. Living in a bombed-out apartment building with a sick father and two older siblings, young Edmund is mostly left to wander unsupervised, getting ensnared in the black-market schemes of a group of teenagers and coming under the nefarious influence of a Nazi-sympathizing ex-teacher. Germany Year Zero (Deutschland im Jahre Null) is a daring, gut-wrenching look at the consequences of fascism, for society and the individual.
Bestsellers in DVD
![The Story of Jeremiah [VHS] Image](/images/noimg.gif)
The Story of Jeremiah [VHS]Vision Video; VHS Tape; VHS Video
Wresting With God [VHS]by Vision Video
Vision Video; Published: 1990-10-01; VHS Tape; VHS Video
Price in other shops:
Study Bible Video with Workbook [VHS]Spring Arbor Distributors; VHS Tape; VHS Video
Best price: $7.95
Price in other shops:
Tempo:Childrens TV Favourites Video [VHS]HarperCollins Audio; VHS Tape; VHS Video
Best price: $9.17
Price in other shops:
Tempo.Herbs:Parseley'Sb/ Party Video [VHS]HarperCollins Audio; VHS Tape; VHS Video
![Strike the Original Match [VHS] Image](/images/Strike-the-Original-Match-VHS-0001374079-X.jpg)
Strike the Original Match [VHS]New Liberty Films; VHS Tape; VHS Video
Price in other shops:
![Medjugorje The Miracles and the Message [VHS] Image](/images/Medjugorje-The-Miracles-and-the-Message-VHS-0001373293-X.jpg)
Medjugorje The Miracles and the Message [VHS]JPN Film Production; Release date: 1995-12-15; VHS Tape; VHS Video
Best price: $29.99
Mayo Clinic Echocardiography Review Course for Boards and Recertification DVD 2008by Mayo
DVD
Price in other shops:
Pediatric Diagnostic Imaging DVD: Single Userby Oakstone
DVD
Price in other shops:
Cost Accounting [VHS]by Charles T. Horngren, George Foster, Srikant M. Datar, Howard Teall
Pearson Canada, Toronto; VHS Tape; VHS Video
Similar DVDs, VHS Video, Audio CDs
Journey to ItalyRelease date: 2010-02-06; DVD
Best price: $9.86
Price in other shops:
The 400 Blows (The Criterion Collection)Image Entertainment; Release date: 2006-05-09; DVD
Best price: $16.00
Price in other shops:
Three Silent Classics by Josef Von Sternberg (Underworld / Last Command / Docks of New York) (The Criterion Collection)IMG; Release date: 2010-08-24; DVD
Best price: $47.99
Price in other shops:
8 1/ 2 (The Criterion Collection)HVC; Release date: 2001-12-04; DVD
Best price: $19.49
Price in other shops:
Design for Living (Criterion Collection)IMG; Release date: 2011-12-06; DVD
Best price: $18.99
Price in other shops:
The Rules of the Game (The Criterion Collection)Image Entertainment; Release date: 2004-01-20; DVD
Best price: $20.49
Price in other shops:
Umberto D. (The Criterion Collection)Image Entertainment; Release date: 2003-07-22; DVD
Best price: $17.50
Price in other shops:
ShoeshineE1E; Release date: 2011-05-17; DVD
Best price: $16.36
Price in other shops:
La Dolce Vita (2-Disc Collector's Edition)Koch International; Release date: 2004-09-21; DVD
Best price: $12.98
Price in other shops:
The Bicycle ThiefImage Entertainment; Release date: 1998-11-24; DVD
Best price: $13.48
Price in other shops: