Pom Poko
by Isao Takahata
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DVD details
Actor: Makoto Nonomura, Nijiko Kiyokawa, Norihei Miki, Shinchô Kokontei, Yuriko IshidaDirector: Isao Takahata
Brand: Buena Vista Home Video
Writer: Isao Takahata
Editor: Takeshi Seyama
Producer: Hayao Miyazaki
Writer: Hayao Miyazaki
Producer: Ned Lott
Producer: Toshio Suzuki
Producer: Yasuyoshi Tokuma
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Surround; English (Original Language), Dolby Digital 2.0 Surround; Japanese (Original Language), Dolby Digital 2.0 Surround
Format: Animated, Closed-captioned, Color, DVD, NTSC, Widescreen
Picture Format: 1.85:1
Running Time: 119 minutes
DVD Release Date: 2005-08-16
Audience Rating: PG (Parental Guidance Suggested)
Studio: Walt Disney Home Entertainment
DVD Reviews of Pom Poko
DVD Review: Foreign at the surface, lovely at the core.
Summary: 4 Stars
Fans who remember Isao Takahata best for his relentless tearjerker, GRAVE OF THE FIREFLIES, could very well react with surprise and shock upon viewing POM POKO. This lavishly animated tale about raccoons battling for their homeland (which was the biggest hit of 1994 in Japan) isn't so much a heartwrenching tragedy as it is an interesting amalgam of humor, drama, and action--all delivered in a way that is daringly original for animation. At times, the viewer gets treated to scenes which recall the one-two-three emotional punch of GRAVE OF THE FIREFLIES, but even though the tone of the movie is somber, a handful of lighthearted moments elevate the overall production out of depression.
As this is a Studio Ghibli film, production values are spectacular. Backgrounds are painted with a tasteful mixture of simplicity and art, and the raccoons are as cuddlesome as you would expect--especially when they shape-shift from "ordinary" animals to Saturday-morning-cartoon style critters in the style of shows such as CARE BEARS. (If you're scratching your head while reading this, don't be alarmed--according to Japanese folklore, raccoons have the power to transform into anything--including human beings!) The actual animation is as colorful and imaginative as you might expect from a Ghibli movie--and there is one scene where we are treated to cameo appearances by Porco Rosso, Kiki, and Totoro.
While POM POKO has a story to tell and a meaningful message for one to think about, its character and plot aspects may come across as a bit off-putting to viewers expecting a typical animated feature. Indeed, while some raccoons identify themselves with distinguishable names and/or personalities (for example, Gonta is a burly, rough-and-ready raccoon who is always looking for a fight, while Oroku is the "wise woman" of the tribe), the story offers little in the way of character development. In fact, most of the action in the story is narrated (by Maurice LaMarche in English, Kokondei Shinchou in Japanese), which elevates the overall effect of the movie to that of a semi-documentary. For the most part, this approach works to a very interesting degree and is a refreshing change of pace. However, there were some scenes in the movie where I wished the narration could have been reduced a little bit, as it sometimes gets in the way of appreciating the beauty of the visuals onscreen.
Aside from this, the biggest controversy about POM POKO seems to be centered on several scenes where the raccoons can inflate and/or transform their testicles(!) for multiple purposes. One particular scene involves a raccoon flattening his testicles against a truck, causing its driver to crash. Such moments may be alarming to children, but it is important to remember that while we see the testicles at times, the movie is, after all, animated. Even still, while a Japanese audience may take such scenes naturally, squeamish viewers in America could react differently. In fact, as a solution to handling this kind of translation issue, the English language version (produced once again by Disney) refers to the testicles as "pouches". That's a somewhat awkward decision, but it sure beats digitally removing the testicles from the scenes they're in.
POM POKO was obviously a nightmare for English dub writers Cindy and Donald Hewitt to translate (especially since much of the movie is rooted in Japanese culture), but I really have to commend them for their efforts. There is some Americanizing here and there, but there was little, if any, that I could find missing in their script. In fact, I was most impressed at how they handled the songs; while at least two of them come across as a little contrived and/or corny, others flow so naturally that you never would have sworn that these were originally Japanese folksongs.
Another interesting aspect of the dub is the voice acting. With the exception of Jonathan Taylor Thomas (star of TV's HOME IMPROVEMENT), the cast consists of veteran performers who are known for cartoon voice work; Tress MacNeille, John DiMaggio, Russi Taylor, Andre Stojka, and Clancy Brown, to name a few. Whether this was done to cut down on costs for big-name stars or for avoiding aural distraction is unclear, but when listening to the spirit and energy that the aforementioned voice artists give their characters, it really doesn't matter. For purists, though, the original Japanese language track IS included on the DVD, as is a gorgeous visual transfer (and a disappointingly skimpy supply of extras--the only low point of this otherwise top-notch presentation from Disney).
POM POKO may be an unusual entry from Isao Takahata, and its foreign aspects may not appeal to everyone, but if given a chance, the film offers a colorful display of imagination and pathos as well as an experience unlike many that one will find from ordinary cartoons.
Description of Pom Poko
Walt Disney Home Entertainment Presents A Studio Ghibli Film. POM POKO is a tale of the clash between modern civilization and the natural world. The Raccoons of the Tama Hills are being forced from their homes by the rapid development of houses and shopping malls. As it becomes harder to find food and shelter, they decide to band together and fight back. The Raccoons practice and perfect the ancient art of transformation until they are even able to appear as humans. In often hilarious ways, the Raccoons use their powers to try to scare off the advancement of civilization. But will it be enough? Or will the Raccoons learn how to live in balance with the modern world? Celebrate the magic of the forest and the beauty of the creatures who live among us in POM POKO ? on DVD for the first time ever.~(c)1994 Hatake Jimusho · GNH (c)Buena Vista Home Entertainment, Inc.~~Isao Takahata's outré ecological fable Pom Poko was the no. 1 domestic film in Japan in 1994, and the first animated feature to be submitted for the Oscar for Foreign Language Film. In 1967, the raccoons in the Tama Hills find their homes are threatened with destruction when developers turn the rural area into suburbs. Under the leadership of their tribal elders the animals fight back with every resource at their disposal. Raccoons are shape-shifters in Japanese folk tales, and the members of this tribe can transform into objects, other creatures and even humans.
Unlike Takahata's deeply moving The Grave of the Fireflies, Pom Poko (the sound made by thumping the tummy of a comfortably full raccoon) is a broad comedy. The raccoons' efforts to understand humans, their evocations of traditional ghost stories to frighten construction crews, and their internecine quarrels offers plenty of laughs. But the story rambles, and the characters lack the depth needed to sustain the audience's interest until the film's belated, downbeat conclusion. The extras include Takahata's storyboards, which are interesting, but lack the magic of Hayao Miyazaki's drawings on other Studio Ghibli discs. Note: male raccoons have prominent testicles, which are shown in Japanese art, including the designs for Pom Poko. When the characters grow desperate, they swell their scrotums to enormous size and use them as weapons. (Rated PG, Parental Guidance Suggested: violence, scary images and thematic elements) --Charles Solomon
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