Point Blank

Point Blank
by John Boorman

Point Blank
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DVD details

Actor: Angie Dickinson, Carroll O'Connor, Keenan Wynn, Lee Marvin, Lloyd Bochner
Director: John Boorman
Brand: Warner Brothers
Cinematographer: Philip H. Lathrop
Producer: Judd Bernard
Producer: Robert Chartoff
Writer: Alexander Jacobs
Writer: David Newhouse
Writer: Donald E. Westlake
Writer: Rafe Newhouse
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 2.0 Mono; English (Subtitled); Spanish (Subtitled); French (Subtitled); French (Dubbed), Dolby Digital 2.0 Mono
Format: Closed-captioned, Color, Dubbed, DVD-Video, NTSC, Subtitled, Widescreen
Picture Format: 2.35:1
Running Time: 92 minutes
DVD Release Date: 2005-07-05
Audience Rating: Unrated
Studio: Warner Home Video

DVD Reviews of Point Blank

DVD Review: The Great Boorman and Marvin at Their Best
Summary: 5 Stars

Point Blank is a hard-edged existential classic reflecting the talents of two very intelligent creative artists: John Boorman and Lee Marvin. It is amazing that a major studio like MGM allowed such a hard-boiled and somewhat challenging story presentation without the usual meddling for commercialism and political correctness (though the term PC hadn't been invented in 1967). A perfect meshing of style, plot, acting. Ex-USMC leatherneck Marvin is the real deal. Angie Dickinson is still at her prime and you can see why Jack and Bobby Kennedy, among notable others, had the hots for her. Influential and worth repeated viewings.

DVD Review: Somewhere between beat and hippie
Summary: 4 Stars

What a wild portrayal of this period. FUN! I get where is shows the transition from beatnik to hippie. Something you might see at a Beatnik Coffee House. Cool man, cool!

DVD Review: Most accidents happen within three miles of home
Summary: 3 Stars

I dunno, I sense an approach at "style", but it's still early in this director's career...and it just hasn't jelled yet. Compared to "Bullett", released a year later, this film is kinda thin. A viewer can allow himself to be drawn in, but for me the whole thing is not fully realised. You want it to work, but it doesn't reach cruising altitude. Mr Marvin was born for this role, but his stoic silence doesn't create any kind of character beyond the revenge angle. Perhaps that's the point. That's his "Point", and he is "Blank" (!) I will admit there is a consistant feeling of unreality, that fits in with the theory that it is all a dying man's fever dream. Actually, this might be a "ghost" film, predating "The Sixth Sense". It's worth watching, and repeat viewings may reward.

DVD Review: Donald Westlake
Summary: 1 Stars

Like all Donald Westlake stories -- it's fantastic.

A great representation of the genre' and of San Francisco in the late sixty's / early seventy's.

Lee Marvin would have made a great Dourtmunder!!


DVD Review: Point Blank Blank
Summary: 3 Stars

The movie arrived quickly, but there was no chapter list and the copy was a tad dark.

Description of Point Blank

Studio: Warner Home Video Release Date: 09/26/2006 Run time: 92 minutes Rating: Nr
Walker (Lee Marvin) strides through Los Angeles with the steel-eyed stare of a stone-cold killer, or perhaps a ghost. Betrayed by his wife and best friend, who gun him down point-blank and leave him for dead after a successful heist, Walker blasts his way up the criminal food chain in a quest for revenge. Did he survive the shooting or return from the grave, or is it all a dying dream? The question is left in the air in John Boorman's modern film noir, a brutal revenge thriller based on Richard Stark's novel The Hunter (remade by Brian Helgeland as Payback), set in the impersonal concrete and steel canyons of Los Angeles and eerily empty cells of Alcatraz. Walker kills without remorse, guided by shadowy "informant" Keenan Wynn, whose own agenda is carefully concealed, and assisted by Angie Dickinson, as he desperately searches for someone, anyone, who can just give him his money. But if Walker is an extreme incarnation of the revenge-driven noir antihero, the modern syndicate has been transformed into a world of paper jungles and corporate businessmen, an alienating concept to the two-fisted, gun-wielding gangster. Boorman creates a hard, austere look for the film and fragments the story with flashes of painful memory, grafting the New Wave onto old genres with confidence and style. Haunting and brutal, Point Blank remains one of the most distinctive crime thrillers ever made. --Sean Axmaker

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