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Playtime [ NON-USA FORMAT, PAL, Reg.0 Import - Australia ] by Jacques Tati
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Canada
DVD detailsDirector: Jacques Tati Primary Contributor: Jacques Tati Primary Contributor: Barbara Dennek Primary Contributor: Erika Dentzler Primary Contributor: France Delahalle Primary Contributor: France Rumilly Primary Contributor: Jacqueline Lecomte Primary Contributor: Nicole Ray Primary Contributor: Rita Maiden Primary Contributor: Val?rie Camille Primary Contributor: Yvette Ducreux Commentary: CategoryClassicFilms Commentary: CategoryFrance Commentary: CategoryItaly Commentary: film movie Classic Commentary: film movie Foreign Commentary: film movie France French Commentary: film movie Italy Italian DVD: Region Code 0 Audio: English (Unknown); French (Unknown); German (Unknown); English (Subtitled) Format: Import, PAL, Widescreen Running Time: 119 minutes Studio: AV Channel Product features: - THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
Description of Playtime [ NON-USA FORMAT, PAL, Reg.0 Import - Australia ]Australia released, PAL/Region 0 DVD:it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ),French ( Dolby Digital 2.0 ),German ( Dolby Digital 2.0 ),English ( Subtitles ),WIDESCREEN, SPECIAL FEATURES: Interactive Menu, Scene Access, Short Film, Trailer(s),SYNOPSIS: Arriving nearly a decade after Mon Oncle, Playtime continues the adventures of M. Hulot. More than a decade seems to have passed since its predecessor, however. The colorful Paris of Mon Oncle, last seen being slowly chipped away by progress, has now vanished almost entirely. Playtime takes as its setting an ultra-modern Paris where familiar landmarks appear only as fleeting reflections in the new buildings of glass and steel. Alternating between Hulot and a group of American tourists, Tati exploits the chaos just below the overly ordered surface of this brave new world. Again moving from one nearly wordless episode to another, Tati sends his alter ego off to make an appointment in a whirring, featureless office complex. He subsequently moves on to an exhibition of new inventions, meets an old friend at an aquarium-like apartment, wreaks havoc in a snooty new restaurant, and, again, almost falls in love. The most ambitious and technically complex of the Hulot films, it proved unprofitable and helped usher in the financial difficulties that would plague Tati late in life before later getting the recognition it enjoys today.
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