No More To Say And Nothing To Weep For - An Elegy for Allen Ginsberg 1926-1997 / Patti Smith, Paul McCartney, Philip Glass, Peter Orlovsky

No More To Say And Nothing To Weep For - An Elegy for Allen Ginsberg 1926-1997 / Patti Smith, Paul McCartney, Philip Glass, Peter Orlovsky

No More To Say And Nothing To Weep For - An Elegy for Allen Ginsberg 1926-1997 / Patti Smith, Paul McCartney, Philip Glass, Peter Orlovsky
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DVD details

Artist: Allen Ginsberg
Brand: Kultur
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); French (Subtitled); German (Subtitled); Spanish (Subtitled); English (Original Language)
Format: Color, Dolby, DVD, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 50 minutes
DVD Release Date: 2006-11-21
Audience Rating: NR (Not Rated)
Studio: Kultur Video

DVD Reviews of No More To Say And Nothing To Weep For - An Elegy for Allen Ginsberg 1926-1997 / Patti Smith, Paul McCartney, Philip Glass, Peter Orlovsky

DVD Review: Ode To The OM Man
Summary: 5 Stars

If a rough dictionary definition of an elegy is a poem of lament and praises for the dead then this little documentary tribute to the seemingly very inelegant Allen Ginsberg is the correct term here in celebration of his life that ended in 1997. I have discussed in other entries the central role that Ginsberg played in both the "beat" literary movement of the 1950s and as the 'godfather' of the "hippie" countercultural movement of the 1960s. I have also mentioned the influence that he had over his fellow literary figures from the earlier period, Jack Kerouac, William Burroughs, Gary Snyder, Neal Cassady and too many others to list here properly (they in turn had great influence over him as more materials from this period, especially his "Journals", have come to publication).

I have also spoken about the influence and affect such classic Ginsberg poems as "Howl" and "Kaddish" had on me when I first read and then heard them. No, not at the time they were written and read, especially that famous (or infamous) reading of "Howl" in that `garage' in San Francisco in 1956. What could a ten year old boy from the housing projects make of a Whitmanesque plea to rethink the contours of modern American industrial society? Especially of a then pious Catholic boy in regard to a Jewish writer whose work bubbled over with swear words and talked about homosexuality in a positive sense, to boot. Moreover, he did not "speak" to me even during the height of the "hippie" movement but rather a little latter when I actually heard his work read both by himself and others. That essentially blues-driven rhythm that I believe influenced and drove his work finally meshed with the blues beat in my own head.

And that point from the last sentence is exactly the point the producers of this effect have tried to reach for by bringing many of the poets from Ginsberg's time, most importantly Lawrence Ferlinghetti and Gary Snyder, and some of those who were influenced by him to read from his work and share their recollections. Additionally, as seems to be just right for a poet who, whatever his vast literary abilities, was very aware of the need to play the troubadour to get his work before the public there are plenty of segments of his reading himself, especially the lyrical "death" poem which ends the presentation. Kudos to all kinds of people here from the poem readers to those, like Anne Charters, who have spent their whole academic careers trying to get the word out about the importance of the "beats" to the modern American literary tradition. "Beat" and blues that is the essential Ginsberg language. That language might be under-appreciated now, but we need to hear it more than ever as we face the "monster" of today's version of the American post-industrial society that Allen Ginsberg so feared back then.
More No More To Say And Nothing To Weep For - An Elegy for Allen Ginsberg 1926-1997 / Patti Smith, Paul McCartney, Philip Glass, Peter Orlovsky reviews:
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Description of No More To Say And Nothing To Weep For - An Elegy for Allen Ginsberg 1926-1997 / Patti Smith, Paul McCartney, Philip Glass, Peter Orlovsky

No More To Say & Nothing To Weep For - An Elegy For Allen Ginsberg 1926 ? 1997

A portrait of the American Beat poet, Buddhist and counter-cultural hero, who died in New York in 1997, this revealing documentary includes his last television interview as well as extraordinary footage of his final days. Participants include his family and friends, fellow poets and performers, Patti Smith and Paul McCartney. Composer and collaborator Philip Glass also appears and there is a rare interview with Ginsberg?s life-long partner Peter Orlovsky.

Ginsberg candidly discusses his personal life and literary career in the film and provides access to home movies of himself as a child. Archive footage provides a fascinating overview of the poet?s eventful life: his 1965 reading at the Royal Albert Hall, his chanting at the 1968 Democratic Convention and at the Rocky Flats plutonium plant and TV interviews with William Buckley and Dick Cavett. There is also a chance to see previously unseen film of him in performance with Paul McCartney as well as Patti Smith?s poignant New York memorial service tribute.

Ginsberg was always interested in the idea of death and invited Jonas Mekas (a leading light of the US underground cinema) to film his final moments. The last sequence shows Ginsberg on his deathbed in his loft in New York.

Allen Ginsberg was born in New Jersey in 1926, the son of a well-known poet and teacher. As a student at Columbia in the 1940s he struck up friendships with William Burroughs, Jack Kerouac and Neal Cassady. Ginsberg became associated with the Beat movement in the 1950s and published his first volume of poetry Howl and Other Poems in 1956. Howl overcame censorship trials to become one of the most widely read poems of the century. A great lover of music, Ginsberg collaborated with Bob Dylan, Paul McCartney and Philip Glass.

Subtitles: English, French, German, Italian, Spanish

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