Miller's Crossing
by Ethan Coen, Joel Coen
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DVD details
Actor: Albert Finney, Gabriel Byrne, John Turturro, Jon Polito, Marcia Gay HardenDirector: Ethan Coen, Joel Coen
Brand: BYRNE,GABRIEL
Producer: Ethan Coen
Writer: Ethan Coen
Writer: Joel Coen
Producer: Ben Barenholtz
Producer: Graham Place
Writer: Dashiell Hammett
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 4.0; Spanish (Original Language), Dolby Digital 2.0 Stereo; English (Subtitled); Spanish (Subtitled); French (Dubbed), Dolby Digital 2.0 Surround
Format: Anamorphic, Closed-captioned, Color, DVD, NTSC, Widescreen
Picture Format: 1.85:1
Running Time: 115 minutes
DVD Release Date: 2003-05-20
Audience Rating: R (Restricted)
Studio: 20th Century Fox
DVD Reviews of Miller's Crossing
DVD Review: The Jewish touch in gangster land
Summary: 5 Stars
A strange little film. Once again the Coen Brothers want to make an anti-genre film. This time they attack the genre of the gangster mafia in an eastern city that does not need a name but has to be big during prohibition. That mafia is working in clubs with bars and gambling tables, and in racketeering for protection. Two rival gangs and one chap taken in between Irish and Italian bosses or would-like-to-be-sole bosses. He has an affair with the girl friend of the Irish man and he shifts to the other side but then he is demanded to execute the brother of the woman, which he fakes and then this brother turns against him and he finally manages, after many sessions of punching and upper cutting that leave him every time healthy and strong, to trick and trap the brother who belongs to the Irish gang and the Italian boss into confronting each other at his own place and the brother kills the Italian boss and our man kills the brother and disguises the two deaths in a mutual gun fight and killing. He is back with his first boss the surviving Irish man who is going to marry the woman of before and forgives our man. But this one refuses that forgiveness that he has not asked and walks away. We will note a slight touch of Jewishness on that Irish man for the funeral of the brother. The cops in that prohibition situation are providing the street entertainment and the cleaning sessions in some clubs that are so wide open that a whole brigade of cops could run in without breaking the slightest piece of glass. But the best part remains the machine gun fights between the Irish boss and the hit men sent to assassinate him by the competitor. The chandelier turns into a "windmill" that is in fact a "bullet mill" and it is funny though it lasts only a second. Overkill is the motto and so many bullets and noise for just nothing is like using the space shuttle to go buy your daily bread at the next block bakery.
Dr Jacques COULARDEAU, University Paris 1 Pantheon Sorbonne, University Paris 12 Cr?teil, CEGID
DVD Review: Best mob movie!
Summary: 5 Stars
Millers Crossing remains my favorite mob movie. You might need to watch it a couple times to pickup some of the names, dialog and plot connections. That's what makes it a great movie. It has some detail to it. It isn't a cheesy Hollywood cookie cutter plot. The Cohen Bros. at their best.
The dialog is classic. Get it!
DVD Review: Handsome
Summary: 4 Stars
A handsome movie about men in hats, was how the Coens described this movie. That's exactly it. One of their best. A slick, ersatz 1920s era gangster movie, the Coens know how to respect the conventions of the genre and when to subvert them. The plot is complex and slippery, but never unravels as it pings between the main characters - Tom, the Irish gangster caught in a war between two prohibition era mafia bosses - Leo and Johnny, also messed about by a corrupt bookie.
The acting is slick and powerful, right down to the minor characters including Steve Buscemi as a homosexual bookie who double crosses his colleagues.
One of the Coen's top films.
DVD Review: Freaking fantastic.
Summary: 5 Stars
Everything's good about this film, man. The storyline leaves you hanging throughout, while still entertaining you immensely, and it reveals itself to be insanely clever right until the climactic ending.
The characters are very, very precise and likable, all of them entertaining to watch--people you'd want to be in a room with (or maybe not) for hours.
This film does require some listening and thinking while you're watching it. This isn't for people who want to be absolutely braindead for an hour and a half. It's not hard to really get into this movie, but you do need to really get into this movie to enjoy it. And you will enjoy it a lot.
DVD Review: Ok Coen Brothers Film That Didn't Move Me
Summary: 3 Stars
I found this film relies on its music and cinematography more than its story. It didn't move me as it did others. I find it boring and meandering. There are great actors and great scenery. It just wasn't my cup of tea.
Description of Miller's Crossing
Leo is the benevolent Irish gangster and political boss who rules an Easter city with the help of Tom, his trusted lieutenant and counselor. But their control of the town is challenged by an over-reaching Italian underboss and his ruthless henchman. Just as this threat erupts, Leo and Tom have a falling out over the same woman. Tom, caught in the jaws of a gangland violent outcome.Arguably the best film by Joel and Ethan Coen, the 1990 Miller's Crossing stars Gabriel Byrne as Tom, a loyal lieutenant of a crime boss named Leo (Albert Finney) who is in a Prohibition-era turf war with his major rival, Johnny Caspar (Jon Polito). A man of principle, Tom nevertheless is romantically involved with Leo's lover (Marcia Gay Harden), whose screwy brother (John Turturro) escapes a hit ordered by Caspar only to become Tom's problem. Making matters worse, Tom has outstanding gambling debts he can't pay, which keeps him in regular touch with a punishing enforcer. With all the energy the Coens put into their films, and all their focused appreciation of genre conventions and rules, and all their efforts to turn their movies into ironic appreciations of archetypes in American fiction, they never got their formula so right as with Miller's Crossing. With its Hammett-like dialogue and Byzantine plot and moral chaos mitigated by one hero's personal code, the film so transcends its self-scrutiny as a retro-crime thriller that it is a deserved classic in its own right. --Tom Keogh
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