Marked for Death

Marked for Death
by Dwight H. Little

Marked for Death
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DVD details

Actor: Basil Wallace, Joanna Pacula, Keith David, Steven Seagal, Tom Wright
Director: Dwight H. Little
Brand: Twentieth Century Fox
Producer: John Todgya
Producer: Julius R. Nasso
Producer: Mark Victor
Writer: Mark Victor
Producer: Michael Grais
Writer: Michael Grais
Producer: Peter Macgregor-Scott
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 2.0 Surround; English (Subtitled); Spanish (Subtitled); Spanish (Dubbed), Dolby Digital 2.0 Surround
Format: Closed-captioned, Color, DVD, Letterboxed, NTSC, Widescreen
Picture Format: Letterbox, 2.35:1
Running Time: 94 minutes
DVD Release Date: 2002-05-21
Audience Rating: R (Restricted)
Studio: 20th Century Fox

DVD Reviews of Marked for Death

DVD Review: Marked for Death DVD Review
Summary: 3 Stars

This Steven Seagal film is entertaining; however, the 2.35:1 widescreen DVD is not enhanced for 16:9 TVs, which makes the viewing somewhat unpleasant. As I recall, James Newton Howard's score is good.

DVD Review: Marked For Greatness
Summary: 4 Stars

"Marked For Death" is a lot of fun. This is what drives the movie: fun. Many of Steven Seagal's other films are fun, but are driven by a different agenda: "Above the Law" was politically conscious, "On Deadly Ground" focused on environmental issues, and even "Under Siege" was a morality play, to some extent. The largely unremembered "Marked For Death", however, has no pretenses, simply the simple equation of "Seagal + Jamaican posses ? guns, cars, and swords = fun fun fun". I mean, what else do you call a film with psychotic, sword-wielding cultists, enough ammo to carpet a gymnasium, cool martial arts, and Seagal in tip-top shape? - besides a personal favorite, that is

John Hatcher (Seagal) is a DEA agent who's become jaded of his work. After witnessing the death of his partner in Colombia, he resigns from the force and vows to return to family life in a quiet neighborhood of Chicago. However, he arrives to find his hometown teeming with Jamaican drug dealers, headed by the psychotic voodoo cultist Screwface (Basil Wallace). Though he does his best to ignore the impending danger, Hatcher finds both himself and his family in the dealers' sights after interfering in an assassination attempt, prompting him to team up with an old military comrade (Keith David, "Pitch Black") and take the fight to the criminals.

Being an earlier theatrical release of Steven's, we needn't worry about the production quality like we would with a DTV outing of his, and can focus on the film's strengths. For starters, this film is probably as close to pure action as one can get: the movie begins with an on-foot chase through the streets of darktown Colombia, and goes on to feature no less than five shootouts, about four hand-to-hand encounters, a car chase,a couple big explosions, and a swordfight...and those are only the big scenes. The action is some of the best work that Seagal has done: and the swordfight wouldn't be topped by our hero for a long time, and the four-on-one fight in Screwface's layer is second to none in showing aikido at work.

Speaking of which, it needs to be said: Screwface is the most original villain that Seagal has ever fought. I'd go as far to say that he's the best ever featured in a Seagal picture: aside from being more explosive, animated, and bombastic than Henry Silva, William Forsythe, Tommy Lee Jones, Gary Busey, or Michael Caine ever were, the highly-underutilized Basil Wallace is the first nemesis who truly seems to get under our hero's thick skin, and makes it more personal than Steven's feuds tend to be. His ability to personally take the fight to Seagal is unparalleled...as is the "twist" about him that tops off the story.

Alas, this film is not perfect, but thankfully, it's not an overall incompetence that perpetuates through the picture. Regarding Seagal, he performs with the same non-flair that we're used to (thank goodness for the rest of the cast), but in addition, his character's initial reluctance to not get involved in the drug problem spreading through his hometown is both uncharacteristic and unfounded, seeing as he retains his tough-guy air even while saying "no". Then there's the silly scene in which Seagal's gladness to be home is expressed by having him clean a concealable pistol while sentimental music plays in the background. There are a few more instances like that, but thankfully not enough to damage the film.

It's a shame that this movie isn't recalled as readily as some of our hero's more well-known work, since it supplies the adrenaline just as well. It's a slice of quality 80s/90s action cinema at the very least, and should be on the wishlist of every Seagal fan and action-lover around. This is one you really shouldn't hesitate to introduce your buddies to Seagal with.

DVD Review: "IF YOU CAN'T KILL HIM, I GO KILL HIM....DEN I GO KILL YOU!"
Summary: 4 Stars

'Marked for Death' is the type of manly-man popcorn movie that will never win an Oscar nor the adoration of such tools as Leonard Maltin and Roger Ebert (who pretty much lost all credibility when he bashed 'I Spit on Your Grave' as "disgusting" yet praised 'The Last House on the Left', when they had practically the exact same content'). But never minding the fact that the latter is actually a compliment, it's these movies that are proof that the most mindless and action-packed flicks are usually the most entertaining.

This 1990 entry has Seagal starring and John Hatcher, an ex-DEA agent who teams up with his high school football coach buddy and a couple disgruntled cops to take on a vicious Jamaican drug cartel led by Screwface (portrayed by Basil Wallace in an Oscar-worthy display of wild-eyed hilarity), who is quite possibly the campiest and greatest villian in action movie history (he's up there along with Bennett from 'Commando' and Fraker from 'Death Wish 3'). There are so many hilarious scenes with Screwface, including one where he is playing cards with some of his henchman and another one enters the room (walking slowly in obvious fear) to tell him that one of his men was killed. He flips the table and slugs one of his own henchman with it for no reason at all. THAT, my friends, is entertainment. That's also why it sucks to be a lowly henchman with such a terrifying boss. In addition, Screwface suffers what is possibly the most over-the-top, painful, and hilarious death in action movie history. I won't spoil it. There's also a funny twist to it as well.

In short, one of the most action-packed and unintentionally hilarious Seagal movies ever. Seriously, amazing movie.

DVD Review: It lacked a lot by the not showing full screen
Summary: 3 Stars

The movie is sorta old so guess that is why it was not a full screen. Sometimes you could not see full bodies just waist up. So not one I was 2 pleased with from all my other movies. Even though it was the last movie I needed to complete my Steven Seagal movies. So I still will shop at Amazon hoping the next ones do not be so small. Also I know I have a couple old movies on there I am getting ready to purchase by Chuck Norris to finish his collection I have. You could start putting some info on your movies to make sure you are getting the ones you are looking for. What you have does not say much lucky I know my movies. By being a paraplegic and not getting out much I do rely on the DVD's and your help to find my needs to keep me busy.

DVD Review: One thought he was invincible... the other thought he could fly...They were both wrong.
Summary: 5 Stars

This is probably the second most violent Seagal Movie I've seen so far (the first being Out For Justice). The Aikido fight scenes and the shootouts are extremely violent; much more then the previous Seagal entries. Not just the violence but the drug content is more noticeable here than it was in Above the Law and Hard to Kill.

Seagal this time plays John Hatcher, a cop that has seen to much violence in his day, and is eager to retire after seeing his partner get brutally murdered in an assignment. Hatcher takes a leave and goes to live with his sister and niece. While there Hatcher begins to notice that there is drug dealing in the area by Jamaicans and Columbians. A feud later occurs between both dealers; Hatcher gets too close and kills many of the Jamaican drug dealers. Now the Leader of the Jamaican drug gang (Screw face) wants to eliminate Hatcher out of the way. He and his family are now Marked For Death, hence the name of the movie.

The fight scenes in this movie are arguably the best I've seen; unfortunately the story isn't that original. But the fight sequences are quite graphic, specifically the last scene with Seagal fighting Screw face...Gosh its quite strong to watch that scene, even by today's standards its pretty violent. This is Seagal while he was still in shape and not as cocky as his future films. The acting is good from Seagal's part, so is the Aikido fights, the story as I said could have been a bit smarter, but hey we watch Seagal for the action not much for the plot. Definitely worth owning by any Seagal fan.

MY PERSONAL RATING: 4 ? OUT OF 5

Description of Marked for Death

Furiously paced and visually striking, Marked for Death puts action star Steven Seagal up against a deadly Jamaican drug posse. Just retired from the Drug Enforcement Agency, John Hatcher (Seagal) returns to his hometown and quickly discovers that drugs have infiltrated his old neighborhood. Determined to drive the dealers out, Hatcher crosses paths with a ferocious Jamaican druglord who vows that hatcher and his family are now marked for death.
The glowering brutality that is aikido headbanger Steven Seagal's substitute for a star persona at least gives us a rancid taste of authenticity in this cookie-cutter action picture. This glum lug seems to really enjoy hurting people; he snaps limbs and shatters noses with visible relish. Pitted against a crew of Jamaican gangsters who invade his (white ethnic) Chicago neighborhood and threaten his family, retired DEA agent John Hatcher sets out to solve the case with robotic efficiency, kicking butt in just about every scene. Not quite as pudgy in this 1990 outing as he became a few films later, Seagal looks like the genuine, lethal article in the fight sequences, but like a hopeless amateur when he tries to act his way out of the waterlogged-paper-bag of a script. So what else is new? The one bright spot here is Basil Wallace, a mostly unsung actor who throws himself into the showy role of the Rasta gang-boss Screwface, a garishly scarred psycho with piercing ice-blue eyes. --David Chute

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