Make Way for Tomorrow (The Criterion Collection)
by Leo McCarey
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DVD details
Actor: Beulah Bondi, Fay Bainter, Porter Hall, Thomas Mitchell, Victor MooreDirector: Leo McCarey
Brand: Image Entertainment
DVD: Region Code 1
Audio: English (Unknown); English (Original Language)
Format: Black & White, DVD, Full Screen, NTSC, Special Edition
Picture Format: 1.33:1
Running Time: 91 minutes
DVD Release Date: 2010-02-23
Audience Rating: NR (Not Rated)
Studio: Criterion
DVD Reviews of Make Way for Tomorrow (The Criterion Collection)
DVD Review: A touching yet heartbreaking Leo McCarey classic.
Summary: 4 Stars
In the 1930's, both Leo McCarey and Frank Capra are held to the highest regard.
Legendary American film critic Andrew Sarris wrote of McCarey, "McCarey represents a principle of improvisation in the history of the American film. Noted less for his rigorous direction than for his relaxed digressions, McCarey has distilled a unique blend of farce and sentimentality in his best efforts." (The American Cinema: Directors and Directions 1929-1968, Andrew Sarris)
For many classic cinema fans, McCarey was known for his directorial efforts in silent films for Hal Roach's Little Rascals, Charley Chase's silent shorts to directing many popular hits for Laurel and Hardy and also the Marx Brothers.
As McCarey is known for classic films such as his Academy Award winning films "The Awful Truth" (1937) and "Going My Way" (1944) in 1937, McCarey received recognition for his film "Make Way for Tomorrow" (1937).
Unfortunately, due to America was still suffering the sting of the Depression, American cinema faced major challenges in attracting people to the box office and despite receiving critical praise, the film was a box office failure. But since its theatrical release in 1937, the film has been considered one of the greatest American films of all time and a film that would inspire screenwriter Kogo Noda in writing the 1953 film "Tokyo Story" directed by Yasujiro Ozu.
McCarey believed that "Make Way for Tomorrow" was his finest film created and in his Academy Award acceptance speech for Best Director for "The Awful Truth", McCarey said, "Thanks, but you gave it to me for the wrong picture.".
VIDEO:
"Make Way for Tomorrow - THE CRITERION COLLECTION #505' is presented in 1:33:1 black and white. For a film released in 1937, the picture quality of this film is very well done. There is a fine layer of grain and scratches are quite light. Blacks and grays show a very good contrast and for the most part, the film looks very good on DVD.
According to the Criterion Collection, the picture has been slightly windowboxed to ensure that the maximum image is visible on all monitors. This new high-definition transfer was created on a Spirit Datacine from a 35mm fine-grain master positive. Thousands of instances of dirt, debris, scratches, splices, warps, jitter and flicker were manually removed using MTI's DRS ssytem and Pixel Farm's PFClean system, while Digital Vision's DVNR system was used for small dirt, grain and noise reduction.
AUDIO:
"Make Way for Tomorrow - THE CRITERION COLLECTION #505' is presented in Dolby Digital monaural. Dialogue is clear but I have to admit that at times, there was certain dialogue spoken by Victor Cooper I couldn't tell what he was saying (more because of the way he was saying the dialogue), I had to rewind and turn on the English subtitles to find out what was said. But that is more about me having difficulty understanding the dialogue clearly.
According to the Criterion Collection, the monaural soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Clicks, thumps, hiss and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated audio workstation.
Subtitles are in English SDH.
SPECIAL FEATURES:
"Make Way for Tomorrow - THE CRITERION COLLECTION #505" comes with the following special features:
* Tomorrow, Yesterday and Today - (19:53) A new video interview featuring filmmaker Peter Bogdanovich discussing the career of Leo McCarey and "Make Way for Tomorrow".
* Gary Giddins - (20:09) New video interview with critic Gary Giddins in which he talks about McCarey's artistry and the political and social context of the film
EXTRAS:
"Make Way for Tomorrow - THE CRITERION COLLECTION #505" comes with a 30-page booklet booklet featuring new essays by critic Tag Gallagher and filmmaker Bertrand Tavernier, and an excerpt from film scholar Robin Wood's 1998 piece "Leo McCarey and `Family Values".
JUDGMENT CALL:
"Make Way for Tomorrow" is an excellent Leo McCarey film that will always resonate strongly with me.
From the magnificent and heartbreaking performance by Victor Moore and Beulah Bondi, to the well-planned camera shots showing the emotions of the characters and most of all, the pacing of the film and not showing that one person is to blame but it's a part of life that families need to deal with.
The issue of aging parents have been featured in quite a few films in the past but it was McCarey's that really struck a chord with the audience and because of the film's nature, released during a time of the Great Depression, Americans were just not in the mood to deal with a realistic and heavy issue, no matter how critically acclaimed the film was. It's the type of film that many people just don't want to deal with until that time comes.
And that was in 1937, flashforward 73-years-later to 2010 and its still a major issue today.
But the film tries to make the viewer sympathetic. Granted, you would expect the children to be a little more understanding and helpful after all their parents did for them, raising them and you want to see that same type of respect from the children to their parents but realistically, not many people in America are like that. We look at George's family who has to take care of her mother and immediately, we know that things are not going to work out.
When George's wife Anita tries to teach Bridge to her students who are wearing tuxedos and nice dresses, all Lucy wants is companionship because her husband is not there and no one else in the family is willing to communicate with her. So, she does what is natural. She tries to sit and be quiet and watch them play, but her rocking chair makes too loud of a noise for the students to concentrate and embarrasses Anita. But possibly one of the most interesting and saddest scenes in the film is when Lucy receives a call from her husband and you can feel the sadness in her voice of being away from her husband and really missing him. And just that moment where the students can not play because they are entranced to her conversation with her husband, it was a sad scene of the film.
But what is probably the most difficult scene is to see both Lucy and Victor together, as they visit the city and reminisce of the locations they one shared when they were younger. These scenes are not just fun to watch but it's also very sad that knowing what will become of the two. During 1937, there was so social security, there was no government programs to assist the elderly and their children have their own lives and none of them have the extra room to take in both parents. Some of the children are willing to take one, others are not willing to do anything anymore knowing that having their parent in their house is a big responsibility.
And what is so sad is that parents have to go through so much in order to raise their children when they are young. But when it's reverse and the children have to take care of their parents, too many decide its not worth their stress and none are willing to take on that responsibility. And for both Lucy and Victor, they know that. They know it's an inconvenience and they know that what is going to happen next in their life, they know they may have to take on these challenges alone rather than together.
You can watch "Make Way for Tomorrow", watch the excellent performance by Bondi and Moore and just see the faces on both Lucy and Victor's face as they spend which may be their final day together as husband and wife. It's heartbreaking and it was very noble of director Leo McCarey of going through with this film despite the studio wanting him to change the ending.
I have seen many Leo McCarey films and none have resonated this strongly with me than "Make Way for Tomorrow" and I know people tend to misuse the word "masterpiece" when describing a film but the truth is "Make Way for Tomorrow" is a masterpiece filmed and released during the depression-era. As heartbreaking as Ozu's "Tokyo Story" or De Sica's "Umberto D." was in the '50s and "Bicycle Thieves" was in the late '40s, "Make Way for Tomorrow" was an American film during the Golden Era of Hollywood that really captured a storyline of family and aging parents successfully.
As for the DVD, the picture quality for this DVD release is very good and the two special features and the 30-page booklet were very good. Leo McCarey fans should be happy with this release as well as any Criterion Collection fan. It's definitely a worthy release worth checking out!
Overall, "Make Way for Tomorrow" is a magnificent film that will stand the test of time and will continue to be relevant for many generations to come. Definitely recommended!
NOTE: Masters of Cinema will be releasing a Blu-ray release of this film in late 2010.
Description of Make Way for Tomorrow (The Criterion Collection)
Leo McCarey?s Make Way for Tomorrow is one of the great unsung Hollywood masterpieces, an enormously moving Depression-era depiction of the frustrations of family, aging, and the generation gap. Victor Moore and Beulah Bondi headline a cast of incomparable character actors, starring as an elderly couple who must move in with their grown children after the bank takes their home, yet end up separated and subject to their offspring?s selfish whims. An inspiration for Ozu?s Tokyo Story, Make Way for Tomorrow is among American cinema?s purest tearjerkers, all the way to its unflinching ending, which McCarey refused to change despite studio pressure.Stills from Make Way for Tomorrow
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