Longtime Companion

Longtime Companion

Longtime Companion
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DVD details

Actor: Campbell Scott, John Dossett, Mary-Louise Parker, Patrick Cassidy, Stephen Caffrey
Brand: Sony
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0; Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0; Spanish (Original Language), Dolby Digital 2.0
Format: Closed-captioned, Color, DVD, Letterboxed, NTSC, Widescreen
Picture Format: 1.85:1
Running Time: 100 minutes
DVD Release Date: 2001-01-23
Audience Rating: R (Restricted)
Studio: MGM (Video & DVD)

DVD Reviews of Longtime Companion

DVD Review: Social document recalls dark chapter in gay history
Summary: 3 Stars


LONGTIME COMPANION

(USA - 1990)

Aspect ratio: 1.85:1
Theatrical soundtrack: Mono

Initially conceived as a response to Hollywood's hypocritical reluctance to depict the AIDS crisis within mainstream cinema, LONGTIME COMPANION limped into production in 1989 on half the projected $3 million budget, generously donated by producer Lindsay Law and the American Playhouse company, only to face another uphill struggle as soon as the movie was completed. Until the Samuel Goldwyn company bought worldwide distribution rights (somewhat reluctantly, it must be said), most mainstream and independent distributors were disinclined to tackle a movie which concentrates exclusively on the devastating effects of AIDS on a group of middle-class gay men from the years 1981 to 1988. Apparently, it's OK if the drama involves a cute kid who was accidentally infected by a tainted blood transfusion, or if it features a teary-eyed heterosexual mom who inadvertently 'contaminates' her big butch heterosexual husband, but not if it's about a bunch of (gays). Aware of this sickening double standard, writer Craig Lucas and debut director Norman René held back on the explicit love scenes and aimed their film at the widest possible audience.

That it still works is due in large part to a fantastic ensemble cast headlined by Bruce Davison as the 'mother hen' figure who holds court over a disparate group of writers, actors, businessmen, and their various friends and associates. Davison was Oscar-nominated for his strong performance, though he's matched every step of the way by Campbell Scott (son of George C.) as a young man who struggles desperately to hide from the reality of the horrors around him after his best friend (Dermot Mulroney) becomes one of the first casualties. Beefcake is provided by Patrick Cassidy and John Dossett as a loving couple whose lives are torn apart by the disease, while Mary-Louise Parker portrays one of the few straight characters in the group, a woman whose life revolves around her dwindling circle of gay friends.

Lucas' insightful script uses these characters to describe the progressive response of the gay community to the unfolding crisis, from the casual dismissals which greeted the first reports of a 'gay cancer' which appeared in 1981, through to the fear and confusion which descended as the disease began to dominate daily life. Hope breeds a certain amount of naivety in some of the early scenes (one character's philosophy is basically 'think happy thoughts and everything will be fine'), until the threat is finally absorbed and accepted, culminating in militant action against an ultra-conservative Establishment which seems determined to ignore the unfolding situation.

Lip service is paid to some of the important social issues which arose from the AIDS epidemic, but the film refuses to become sidelined by politics - Reagan is mentioned but not criticized, and there's a brief tirade against a health care system which seems more concerned with insurance than patient welfare - and instead focusses its attentions on people whose lives are ravaged by circumstances beyond their control. Director René, who had worked almost exclusively in theatre beforehand, is reluctant to allow sentiment to prevail, to the point where even the heaviest scenes are almost drained of genuine emotion, and some of the many dialogue exchanges which make up the bulk of the film should have been tightened during the editing process. But the cast breathes life into a broad range of recognizable characters, and the film survives primarily as an invaluable record of a dark chapter in gay history.

If the drama seems a little dated by subsequent advances in the treatment of HIV and AIDS, and if the subject no longer commands the same level of attention which existed when the movie first opened, its educational value remains intact. One gets the sense from this kind of movie that, even when a cure is eventually found, very little will change in the short term. Too many wonderful people have died and taken all their priceless ideosyncracies with them to the grave, and too many others have lost precious companions and loved ones for the sudden discovery of a cure to make much of a difference. But when future generations are finally released from the tyranny of AIDS, movies like LONGTIME COMPANION will always be there to remind them of a time when the world wasn't such a carefree place, and when the kindness and compassion of devoted friends was no guarantee of immunity from loss and devastation.
More Longtime Companion reviews:
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Description of Longtime Companion

Hailed as the first mainstream film to put a human face on the AIDS epidemic, Longtime Companion is a "remarkable" (Newsweek) drama that takes an honest, unflinching look at how this devastating disease changes everyone it touches. "Intelligent, unflinching and unpatronizing" (Boxoffice), and starring a "terrific ensemble cast" (Time), including OscarĀ(r) nominee* and Golden Globe winner** Bruce Davison, Campbell Scott, Dermot Mulroney and Mary-Louise Parker,this heartrending yet triumphant film "is an illuminating, deeply moving experience" (Los Angeles Times). During the summer of 1981, a group of friends in New York are completely unprepared for the onslaught of AIDS. What starts as a rumor about a mysterious "gay cancer" soon turns into a major crisis as, one by one, some of the friends begin to fall ill, leaving the others to panic about who will be next. As death takes its toll, the lives of these friends are forever redefinedby an unconditional display, of love, hope and courage. *1990: Supporting Actor, Longtime Companion **1990: Supporting Actor, Longtime Companion
The late director Norman Rene and writer Craig Lucas made a pretty fine creative team on the stage and in the movies, and this 1990 drama about the evolving impact of AIDS on gay New Yorkers is their best cinematic achievement. The ensemble story follows the lives of nine or so characters as word of the so-called "gay cancer" eventually becomes a real force, killing several of them as the years go by. The film works well on a number of levels, not least of which is the enviable closeness of the characters, the script's wit, the bittersweet experience of loss, and a celebratory attitude at the end mixing wisdom with defiance. --Tom Keogh
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