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Letters from Iwo Jima (Two-Disc Special Edition) by Clint Eastwood
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DVD detailsActor: Kazunari Ninomiya, Ken Watanabe, Ryo Kase, Shido Nakamura, Tsuyoshi Ihara Director: Clint Eastwood Brand: Warner Brothers DVD: Region Code 1 Audio: Japanese (Original Language), Dolby Digital 5.1; Japanese (Unknown), Dolby Digital 5.1; English (Subtitled); Spanish (Subtitled); French (Subtitled); Japanese (Dubbed), Dolby Digital 5.1; Japanese (Published), Dolby Digital 5.1 Format: NTSC, Widescreen Picture Format: 2.40:1 Running Time: 140 minutes DVD Release Date: 2007-05-22 Audience Rating: R (Restricted) Studio: Warner Home Video
DVD Reviews of Letters from Iwo Jima (Two-Disc Special Edition)DVD Review: I just don't believe this movie Summary: 2 Stars****Some Spoilers*****
When I say I don't believe this movie, this means that I see this as an overly sentimentallized, not very realistic, portrayal of the events and some of the people involved in the event.
I think Clint as tried so hard to "humanize" the Japanese in this film,that he has done the opposite. There are only two types of characters in this film: sentimental "Americans", like the General and the baker, but who just happen to look and sound Japanese, or automatons--those for steadfast passion towards their Emperor, are ruthless or basically just blow themselves up. There seems no middle ground. Even the "shocking" scene with two Americans coldly killing the two Japanese who had surrendered seemed contrived and just there to make us know that this was going to be a "fair" movie.
The fact, in the extras that came with the DVD, all the Japanese in the cast or production basically said that this period wasn't taught to them in schools, so the fact that the screenplay was by a Japanese, why should I accept that this is a realistic portrayal of the Japanese side of the battle? And with an American (and as an Amerian icon as they come)like Clint directing, why should I buy his take? Because he can be so politically correct, like Kevin Costner was with Dances with Wolves, another highly successful but not very accurate portrayal of non-American culture? When are film "artists" going to start portraying people realistically instead of sentimentally? Because Joe American Public won't pay to see realism, especially not these days.
Sorry, I just didn't buy it. I could tell I was in trouble with the "haunting" trumpet music of the score in the beginning--so American sounding--and so like "haunting" trumpet music in so many other scores for movies like this, it's become cliche.
The only director who really tried to take risks by showing war unsentimental was Stanley Kubrick in "Full Metal Jacket"--and of course, that film will never be as "beloved" as this one--in fact those that love this movie probably hate that one (let me know if I'm wrong).
Perhaps Clint should next do a two-movie project about D-Day--from the point of view of both the Americans (which, of course, we have seen quit a bit already)--and also, of the Germans!!! Can he sentimentalize them and get away with it? I think the reason Clink got away with it here is because the true history is not available and the Japanese culture, so different from Western culture, allows the avoidance of real scrutiny.
DVD Review: The Brave and the Dead Summary: 5 StarsI guess my response to this excellent war movie is well enough covered by reviewer, 'Darth Rad'. Eastwood is to be commended for the innovative tactic of shooting both sides of the war simultaneously and bringing an even-handed weighting to both. The drive of the narrative is not the epic, grand heroics of so much war stuff. These are given ample footage while the lives, up close and personal, of various levels of the Japanese military machine, are tended with gracious detail. This is a very moving account. Mistakenly, I thought I was watching the Eastwood when initially looking at similarily titled, Iwo Jima, 36 days in Hell. Suffice to say that for all its archival truths, it doesn't bear up to Eastwood's flick. If this war film takes your fancy you might look for 'The Bridge', or some of the Russian, Sukurov's films.
DVD Review: not true depiction of the Japanese Sioldier Summary: 3 StarsI am Japanese and although the movie was entertaining...it did not in any way depict how Japanese soldiers actually fought. The Samurai or Bushido spirit was notably absent - the scenes of suicide by grenades were done terribly. Japanese Soldiers were among the fiercest ever witnessed in battle - they fought to the death and rarely ever surrenderred. Japanese Soldiers were hardcore assasin's and this movie did not do justice showing that. Movies like Tora Tora Tora, FArewell to Manzanar and the Japanese Movie Yamato are more true to how the Japanese Soldier thought and acted than this movie by Eastwood - it was a good try but was not an accurate portrayal....
DVD Review: Simple fact checking would show you that this movie is nothing but lies Summary: 1 StarsCompletely revisionist history. Pure fictional garbage sold to the mindless masses as truth - look at all the positive reviews. These people foolishly pour accolades upon this film as if it was a historical documentary. Ridiculous! The Japanese committed countless horrific atrocities against most of Asia and were without honor and integrity in the way they treated POW's. They made the Germans seem merciful and tame in comparison. Just ask any WW II vet.
The Japanese, even to this day are in denial of the truth and re-write their grammar school textbooks, omitting the atrocities and painting themselves as defenders and war heroes instead of the imperialist instigators that they truly were - thanks Clint for helping them to continue perpetuating the lies by making this movie. Most Japanese even deny that the Rape of Nanking ever occurred - one of the most detestable acts of genocide ever committed. Raping women, even pregnant women and then bayoneting them and the unborn babies to death. Whatever horrific act you can imagine, the Japanese committed it and then some. Just google Unit 731 if you don't believe me. All of this is in stark contrast to Germans, who very adamantly teach their kids about the Holocaust and why it was wrong in hopes that something like that will never happen again. The Japanese just want to white wash history and have no interest in perpetuating the truth.
This movie is an inane melodramatic tall tale, but far worse than that, it is a horrible slap in the face of all the American and allied soldiers that defended our freedom and justice.
DVD Review: Letters from Iwo Jima Summary: 1 StarsThis product was not what I expected, I expected the english version not the Japanese version. I do want a refund for the product....
Description of Letters from Iwo Jima (Two-Disc Special Edition)Nominated for 4 Academy Awards including Best Picture, Clint Eastwood's Letters from Iwo Jima tells the untold story of the Japanese soldiers who defended their homeland against invading American forces during World War II. With little defense other than sheer will and the volcanic rock of Iwo Jima itself, the unprecedented tactics of General Tadamichi Kuribayashi (Ken Watanabe, The Last Samurai) and his men transform what was predicted to be a swift defeat into nearly 40 days of heroic and resourceful combat. Their sacrifices, struggles, courage and compassion live on in the taut, gripping film Rolling Stone calls "unique and unforgettable." It is the powerful companion piece to Flags of Our Fathers. Critically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers. Where the earlier film employed a complex non-linear structure and epic-scale production values to dramatize one of the bloodiest battles of World War II and its traumatic impact on American soldiers, Letters reveals the battle of Iwo Jima from the tunnel- and cave-dwelling perspective of the Japanese, hopelessly outnumbered, deprived of reinforcements, and doomed to die in inevitable defeat. While maintaining many of the traditions of the conventional war drama, Eastwood extends his sympathetic touch to humanize "the enemy," revealing the internal and external conflicts of soldiers and officers alike, forced by circumstance to sacrifice themselves or defend their honor against insurmountable odds. From the weary reluctance of a young recruit named Saigo (Kazunari Ninomiya) to the dignified yet desperately anguished strategy of Japanese commander Tadamichi Kuribayashi (played by Oscar-nominated The Last Samurai costar Ken Watanabe), whose letters home inspired the film's title and present-day framing device, Letters from Iwo Jima (which conveys the bleakness of battle through a near-total absence of color) steadfastly avoids the glorification of war while paying honorable tribute to ill-fated men who can only dream of the comforts of home. --Jeff Shannon On the DVDs Like the film itself, the two-disc special edition of Letters from Iwo Jima is predominantly Japanese in content, and that's as it should be. Disc 1 presents the film in a flawless widescreen transfer, with a Dolby Digital 5.1 Surround soundtrack that perfectly captures the film's wide dynamic range. The optional subtitles can be turned off for those wishing to immerse themselves in a completely Japanese viewing experience. Disc 2 opens with "Red Sun, Black Sand: The Making of Letters from Iwo Jima," a 20-minute behind-the-scenes documentary that concisely covers all aspects of production, from director Clint Eastwood's initial decision to create a companion piece to Flags of Our Fathers, to interview comments from principal cast and crew, the latter including Flags screenwriters Paul Haggis and Letters screenwriter Iris Yamashita, costume designer Deborah Hopper, editor Joel Cox, cinematographer Tom Stern, production designer James Murakami (taking over for the ailing Henry Bumstead), and coproducer Rob Lorenz. "The Faces of Combat" is an 18-minute featurette about selecting the Japanese (and Japanese-American) cast of Letters, and how they were chosen through the international collaboration of Eastwood's long-time casting director Phyllis Huffman (who turned over some of her duties to her son while struggling with terminal illness) and Japanese casting associate Yumi Takada, who filled important roles with Japanese celebrities (like pop star Kazunari Ninomiya, who plays "Saigo") and unknown actors alike. "Images from the Frontlines" is a 3.5-minute montage of images from the film and behind-the-scenes, set to the sparse piano theme of Eastwood's original score. The remaining bonus features chronicle the world premiere of Letters in Tokyo on November 15, 2006. The premiere itself is covered in a 16-minute featurette taped at the famous Budokan arena, where we see the red-carpet procession, a full-capacity audience despite cold November weather, and introductory comments from the film's primary cast and crew, many of them quite moving with regard to the satisfaction of working on a film that helps Japanese viewers come to terms with a painful chapter of their history. The following day's press conference (at the Grand Hyatt Tokyo hotel) is a 24-minute Q&A session covering much of the same territory, with additional testimony from principal cast & crew. Throughout this two-day event, it's clear that Eastwood (referring to himself as "a Japanese director who doesn't speak the Japanese language") was warmly embraced by the Japanese, and that Letters from Iwo Jima had served its intended purpose, reminding us of the horrors of war while uniting both Japanese and Americans in somber reflection, 61 years after the battle of Iwo Jima. --Jeff Shannon
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