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Land of the Dead (Unrated Director's Cut) (Combo HD DVD and Standard DVD) by George A. Romero
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DVD detailsActor: Asia Argento, Dennis Hopper, John Leguizamo, Robert Joy, Simon Baker Director: George A. Romero Brand: Universal Pictures Writer: George A. Romero Producer: Bernie Goldmann Producer: David Resnick Producer: Dennis E. Jones Producer: Lynwood Spinks Producer: Mark Canton Producer: Neil Canton DVD: Region Code 0 Audio: English (Unknown); English (Subtitled); French (Subtitled); Spanish (Subtitled); English (Original Language); French (Original Language); Italian (Original Language); Polish (Original Language); Spanish (Original Language); Spanish (Dubbed) Format: Anamorphic, Color, Dolby, Subtitled, Widescreen Picture Format: 2.35:1 Running Time: 93 minutes DVD Release Date: 2006-09-26 Audience Rating: Unrated Studio: Universal Studios Home Entertainment Product features: - Apply dry for a silky-sweet day look, or wet for those bold diva nights
DVD Reviews of Land of the Dead (Unrated Director's Cut) (Combo HD DVD and Standard DVD)DVD Review: George A. Romero proves that zombies still creep us out Summary: 4 Stars
We should have known that if George A. Romero was going to go back to the well of the living dead another time he was going to come up with something different. What "George A. Romero's Land of the Dead" (the director's name goes up top so you know this is not merely another remake of one of his zombie films, like last year's "Dawn of the Dead") offers is two variations on the familiar theme. The first is in this brave new world humanity has found a way of perpetuating the old divide between the "haves" and "haves not," even when there are all those zombies out there suggest it should now be "us" versus "them." Kaufman (Dennis Hopper) has set up Fiddler's Green, a luxury high rise on an island between a couple of rivers (think the location of Three River Stadium in Romero's old stomping ground of Pittsburgh even though the movie is shot in Toronto). There the "haves" live while the rest of the island has the "have nots," some of whom are hired as mercenaries to go out into the world and bring back "necessities." Apparently money still matters in the "Land of the Dead," or perhaps people are merely trying to hold on to the old way of life, because the poor are not listening to those advocating going and taking away from the rich.
Consequently, humanity has found a way to survive. You can compare the more active approach of "Land of the Dead" with the mall rats of "Dawn of the Dead," who found a passive means of existence. Kaufman has built Dead Reckoning, a gigantic armored vehicle that leads foraging parties out into the world. These parties are led by Riley (Simon Baker), whose primary goal is getting everybody back alive, which does not always happen. That is because he works with Cholo (John Leguizamo), who has a different idea of necessities, one attuned to the fine tastes of Kaufman. Both men believe they are on their last mission at the start of this 2005 film, Riley because he will have now earned enough to pay for a car to get out of town and Cholo because he believes he has now earned the chance to move on up to Fiddler's Green. Both are wrong and that sets up the conflict to come.
This is where the second variation comes into play. Kaufman not only created a high rise where the "haves" are protected from that "have nots," some of whom actually help the "haves" have even more, but the entire island is zombie proof. This forces Romero to change the zombie part of the equation, and so we are introduced to Big Daddy (Eugene Clark), who runs a gas station and has a moment akin to when the ape looks at the thigh bone in "2001: A Space Odyssey." Just to help us along the voice over at the start of the film warn us that if the zombies ever develop anything approaching rudimentary thinking skills that would be a bad thing, a very bad thing indeed. So, of course, that is what happens. After all, if you can have bad humans, then you can have good zombies (Joss Whedon has convinced me being dead does not make a character inherently bad).
Having a zombie to root for is quite a different experience, but Romero also delivers on the guts and gore when the zombies go into their patented feeding frenzy. The narrative can offer all the sly social satire it wants, we watch these movies to be disgusted by the bloody scenes of cannibalism. The people Romero hires to do makeup and special effects are clearly on the cutting edge when it comes to this type of work. Even when you watch the DVD special features and you see what they are doing in bright light most of it will still creep you out, so the scenes in the film shot at night or in the shadows with the liberal application of blood and other things it is even worse (which is a good thing in a zombie movie).
The bottom line is that Romero delivers just what his fans want with this movie so that there is not a problem with failing to meet expectations. No, "Land of the Dead" is not the best of the bunch, but for my money nothing will surpass the original "Night of the Living Dead." The important thing is that here we are four films into the series, limiting ourselves to just the Romero helmed ones, and the series is certainly going a lot strong than the other comparable horror series, all of which have been abandoned by their creators (which is either a cause or effect). Final Note: Look for Simon Pegg and Edgar Wright of "Shaun of the Dead" fame as the photo booth zombies in one of the classic cameos of the early 21st century.
More Land of the Dead (Unrated Director's Cut) (Combo HD DVD and Standard DVD) reviews: 1
Description of Land of the Dead (Unrated Director's Cut) (Combo HD DVD and Standard DVD)Universal Pictures Land of the Dead (Unrated Director's Cut) (Combo HD DVD and Standard DVD)Packed with more heart-pounding and blood-curdling thrills than any theater could show this special Unrated Director s Cut unleashes the ultimate vision of George A. Romero s latest living-dead shock-fest! Starring Simon Baker Dennis Hopper and John Leguizamo Land of the Dead finds humanity s last remnants battling to survive the unspeakable truth: The ravenous zombie hordes besieging their fortified city are evolving! Bolstered by the success of 28 Days Later, Shaun of the Dead, the Resident Evil movies and the hit remake of his own Dawn of the Dead, George A. Romero returns to the horror subgenre he invented with Land of the Dead. The fourth installment in Romero's zombie cycle (and the first since 1985's Day of the Dead) presents a logical progression of events since 1968's horror classic Night of the Living Dead: Zombies (also known as "stenches" for their rotting odor) are the dominant population, and they've begun to show signs of undead intelligence and gathering power. The wealthiest survivors live comfortably in a luxury high-rise within a barricaded safe zone, ignoring the horrors of the outside world while armed scavengers stage raids in the zombie-zone to gather much-needed food and supplies. Simon Baker and John Leguizamo play mercenaries-for-hire; Dennis Hopper is their nefarious boss; and horror favorite Asia Argento (daughter of Suspiria director Dario Argento) plays a former hooker recruited into Baker's scavenger squad. While none of this seems particularly fresh or inspired, Land of the Dead benefits from hints of the social satire that made Romero's earlier zombie films so memorable. Not so much funny as gruesomely peculiar, Romero's plot isn't as inventive as it could've been, but as a big-scale B-movie, Land of the Dead delivers a handful of shocks and horror-celebrity cameos (including gore-masters Tom Savini and Greg Nicotero) that should keep horror buffs happy until the next zombie opus comes along. --Jeff Shannon
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