Joe the King
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DVD details
Actor: Alice Blythe, James Costa, Lori Eastside, Richard Bright, Rob BergenstockBrand: Lions Gate
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 2.0 Surround; English (Subtitled); Spanish (Subtitled); French (Subtitled)
Format: Closed-captioned, Color, DVD, Letterboxed, NTSC, Widescreen
Picture Format: Letterbox, 1.85:1
Running Time: 93 minutes
DVD Release Date: 2000-02-15
Audience Rating: R (Restricted)
Studio: Lions Gate
DVD Reviews of Joe the King
DVD Review: Remember Johnnie Ray?
Summary: 5 Stars
This was a small budget sleeper that I really enjoy. Val Kilmer, a little on the heavy side plays the father of a young man who keeps getting into trouble. Val is an alcoholic and is in no way a good father. The boy turns into a small time thief and gets caught. He is a Johnnie Ray fan (a singing star of the '50's) and Johnnie's songs are played in parts of the film. It is a small budget film but one that will win your heart. I'm glad to see it on DVD. A good choice for collectors.DVD Review: A gem
Summary: 5 Stars
I ran across this DVD in the local rental store by accident and am pleased that I watched it. It has a first-rate cast and they all give exceptional performances. Noah Fleiss plays Joe who has to deal with abusive dad, shame for his dad, shunning by his older brother, and eventually being caught for stealing. This is a superb film with honest performances. I highly recommend buying this DVD.DVD Review: Frank Whaley attempts therapy on screen
Summary: 3 Stars
by Dane Youssef
Frank Whaley's "Joe The King" has been called by the filmmaker himself "semi-autobiographical." And such a story about so much pain and misery just makes to almost want to see it just to see how thie guy got where he is today.
It so damn downbeat, you have to ask yourself, "How does all this turn out? This poor little guy... Is there a happy ending?"
Like a lot of actor-helmed vehicles, this one is loaded with big name walk-ons. They work, but at the same time, they disapoint. None of the supporting/bit characters are on the screen enough to make enough of an impact.
"Joe The King" is chock-full of trite and truths to life--the lead that seems to be born into the hard-luck life, the abusive, alcoholic loser father, the weak-willed, weak-spirited, whimpering mother who doesn't care if her husband pounds on her kids as long as he doesn't pound on her, the guidance counselor who's all thumbs--aren't they all? Not just a cliche' in movies, but what guidance counselor has ever been worth in damn in life? Was yours?
There is a moment where it is "Careers Day" in an elementry class where it is revealed that Joe's dad is the janitor. He is ridiculed an lashes out (very mildly) at an obnoxious litle teacher's pet and the Dickensian teacher drags Joe and spanks him in front of the entire class. The knife is further pushed and twisted when she makes the whole thing personal by muttering angrily so he can hear, "Just like your father..."
Whaley is clearly dealing with old wounds and knows how to use them so they feel fresh and make you cringe (or worse, relate).
The movie is full of downbeat moments and times where life shows it's ugly face. It seems as if God is very skillfully finding ways to torture Joe... and then skewering it further in smaller ways. In a moment of desperation, Joe attempts to do what his parents can't seem to... save the day.
Joe is not only starving, he descends into petty theft. Then takes it even further. He attempts to dodge his father's outbursts and reach out to his brother, who is trying to eke his way into the "in-crowd" and doesn't want Joe's jinx streak to rub off on him, even to the point of at one point getting out of bed and going to go sleep the closet to get away from his brother's sad vibes.
But "Joe The King" is not just one long crying jag. There is humor, sweetness and tenderness. People may differ about the nature of the ending, but in the strangest, saddest way, it offers some hope.
The children swear in the tradition of "Stand By Me," the child-abuse or disregard in the tradition of "Radio Flyer" and the atmosphere is reminsent of many other films about working-class life. Unlike "That '70's Show" or "Detroit Rock City" or "Dick," this movie doesn't feel like it belongs solely in the era.
It takes place in the 1970's to be sure, but a story like this feels timeless.
Lead actor/title character Noah Fleiss gives on the the best performances he's probably ever given, although how many movies has he really made? And how many of them really have allowed him to shine? This is definately the one.
Val Kilmer gives a just plain awesome turn as Bob, Joe's stinking, deadbeat drunk of a dad who's one of the biggest problems in Joe's life. He owes money to more than half the town. He dodges his creditors like bullets, drinks himself into a pathetic stupor and lashes out monstrously at his family.
Kilmer, known for playing dazzling roles and pretty-boy parts, puts on a great deal of weight and shows nastier edges that he has since "The Doors."
Since writer/director Whaley and Kilmer first worked together in that film, Whaley obviously saw how powerfully Kilmer could play a violent sadist, always under the influence of drugs. Kilmer has had trouble getting working because he's so damn dificult to work with, so the two were clearly doing each other favors. Another pal of Whaley's, Ethan Hawke plays a friendly, but utterly useless guidance counselor who hopes to get Joe out of his slump at school. And because it's Joe, he makes things a lot worse.
Karen Young is adequate in a brief supporting part as Joe's mother. And hispanic wunderkind John Leguizamo, a natural comedic talent, takes a more dramatic turn here as a flamboyant busboy in an extended cameo at the local rathole diner where Joe is working illegally. When the s--t hits the fan and Joe is at the center of it, it doesn't really come as a surprise that he's the only one who knew all along.
Whaley seems to capture the flavor for this kind of working class life and he seems to bring out the best in child actors, as well as his more distinguished adult friends and peers. He also sends us back to the era without hitting us hard with period music on the soundtrack from the day.
I myself was kind of surprised that this screenplay won the Waldo Salt Screenwriting Award (along with Audrey Well's "Guinevere"). The Open Palm nomination for the film itself, that, I can see. The dialouge is altogether realistic, without being nessicarily sharp or too memorable. And the characters are believable without being too fresh.
Writer/director Whaley does an effective job of capturing the atmosphere of this Upstate New York working-class life and bring out the best in child actors and his big-name celebrity walk-throughs.
Whaley has said that much of the story is inspired by the childhood of himself and his older brother, Robert Whaley, who is featured on the soundtrack and has a bit part.
Good ol' Frank himself also has a directors cameo walk-on as one of many who the deadbeat Bob owes money to. He makes a personal house call, and he seems madder than the others Bob owes money to. He acts as a professional collector--the leg-breaking kind. He seems ready to kill Bob and after it's over, the sins of the father are, once again, visited on the son.
So this is the Whaley E! True Hollywood story. More or less.
There is a painful sadness that runs all throughout "Joe The King," and when you look at Frank Whaley, the roles he's taking on and heard him just talk as himself, you kind of see there's something here that Whaley has in him which he brings to his roles.
Whaley deserves extra kudos for getting as far as he did after being dealt such a bad hand. A backhand, even. What of Joe? What of his friends, family, enemies, acquaintences? If you drink in this one, you can't help but wonder...
"Joe The King" doesn't break any new ground whatsoever. But this is a slice-of-life film, and while technology, trends, art, ideas and ideals are constantly changing, some things remain trite and true no matter what era or part of the universe you're living in. Whaley chooses some appropriate music for his movie and some nice visuals.
"Joe The King" is kind of an acquired taste, like many coming-of-age stories. It's more of a confessional than anything else. If you've lived a life somewhat like this, or in this part of the world or in this enviorment remotely, you'll understand...
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DVD Review: BEAUTIFUL film!
Summary: 5 Stars
I LOVE this film to pieces!! I've watched it over and over and am so grateful that there is a commentary track. It's one of my favorite films in the world- haunting, strong, sincere performances by each of the children and adults in this movie. It really stayed with me the first time I saw it a few years ago- each time I see it I keep discovering all of these wonderful, subtle little things that Karen Young (my GOD!), Noah Fleiss, Max Ligosh, Val Kilmer, and everyone else does that I've missed- brilliant, overwhelmingly beautiful score thoughtfully placed through out. Lovely cinematography and lighting- just a pleasure to watch on all levels, really. And thank GOD for the writing- it's so realistic and not at all showy or false like 99.9% of film writing IS- that it goes entirely unnoticed and underappreciated until you actually take the time to remember that it all has actually been WRITTEN several viewings later. So much of why I like this film I don't know that there are even words for.DVD Review: Brilliant
Summary: 5 Stars
This is one of those little movies that probably had a limited release and was probably seen mostly by people who frequent film festivals. It is a real find because if you watch it, your immediate conclusion will be: an excellent piece of cinema. The film's message is your a product of your environment and background. Joe is not a great kid but your sympathy will lie with him by the end of this film. The question you will ask is does this boy have a chance in life with the deck of cards he has been dealt with. My question is why is Frank Whalley not making any more films? Val Kilmer has never been better but most people probably don't even know he made this little gem. I thought it was competently and fluidly directed, written and acted. Its a low budget roots are evident but that actually adds to its appeal because its a film about real people in realistc situations. It is the type of film that is made in Europe. This film has a lot of merit and needs to be seen and appreciated.
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