James Taylor Live at the Beacon Theatre
by Beth McCarthy-Miller
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DVD details
Actor: James Taylor, Valerie CarterDirector: Beth McCarthy-Miller
Brand: Taylor
Cinematographer: Kevin Mazur
Cinematographer: Mychal Watts
Editor: Wyatt Smith
Producer: Carol Donovan
Producer: Gary Borman
DVD: Region Code 0
Audio: English (Unknown), Dolby Digital 2.0 Stereo; English (Subtitled); English (Original Language), Dolby Digital 2.0 Stereo
Format: Color, Dolby, DVD, NTSC
Picture Format: 1.33:1
Running Time: 109 minutes
DVD Release Date: 1998-10-07
Audience Rating: NR (Not Rated)
Studio: Sony
Product features:
- James Taylor
- Beacon Theatre
DVD Reviews of James Taylor Live at the Beacon Theatre
DVD Review: Great performance, sound and picture - lousy MTV editing
Summary: 4 Stars
The performance is incredible, the sound fantastic and the picture quality is great. James Taylor - Live at the Beacon Theater has all the elements to make it one of the more outstanding musical events released on DVD. However it falls short, not because of the performer or the sound quality but because of the video editing.
Producer Carol Donovan and director Beth McCarthy subject us not to a video of a James Taylor concert but to a "music video" produced in MTV's ADD editing style. Filled with 2 and 3 second cuts and shots from moving cameras we are never given the opportunity to concentrate on James Taylor's performance. Apparently Donovan and McCarthy didn't take into account the audience that would be watching this video nor the performer. James Taylor is a man of enough talent that videos of his performances don't need to be packaged in the MTV style of quick cuts and constant motion. I don't think his fans want to watch him that way either.
The way things are edited in this DVD actually detracts from the experience. You won't see Taylor long enough in any one shot to visually appreciate his guitar playing nor will you see the expressions on his face long enough in a shot to truly convey the "soul" of this concert. Many times the camera isn't even on him or the shot is so long (far away) that you can't see him singing. What you will be treated to lots of "slick" shots. Shots from boom cameras moving from side to side, wide shots of the theater where you can't see Taylor (but you can see the folks walking down the aisle), useless audience shots and "artistic" shots through the drum kit or from behind the piano. If you ever wondered what the back of Taylor's head looks like you'll get the chance to find out - several times. You're never allowed to concentrate on Taylor and enjoy all the nuances of his performance, instead your eye is constantly being pulled in different directions. This producer / director team is the same one that brought us the Eagles - Hell Freezes Over concert DVD and I have to say they did a better job on that one simply by slowing everything down. ( Watch both and you recognize the camera angles and shots - it's put together using the same formula) If you're looking for something that's an intimate James Taylor performance you won't find it on this DVD. More likely you'll feel like you've just watched the MTV Video Awards. More isn't always better. I hope they re-edit this DVD one of these days.
Should you buy it? Yes, if your a JT fan it truly is a fantastic sounding DVD of a wonderful concert. If you can get past some of the visual things it's not bad to look at. Or do what I ended up doing - turning up the stereo and turning off the television. I think I'll look for that HBO special he did....
Some stats... One 3 minute song - 46 separate shots. Average shot length 3.9 seconds. 15 shots are from moving cameras. In 27 of them you can't see James Taylor's face. Only in 19 shots (41%) can you see him singing.
Description of James Taylor Live at the Beacon Theatre
Mint condition cover, disc and insert. Region 1 (USA & CANADA)Sensitive singer-songwriter, soft-rock poster boy, boomer troubadour: James Taylor has outlived the stereotypes offered by fans and critics alike by simply staying his musical course and continuing to refine his familiar, deceptively mellifluous style. This 1998 concert displays Taylor's craftsmanship and easy rapport with both his band and his audience to satisfying effect, offering a repertoire that draws from his entire career while providing a generous selection of songs from his Grammy-winning 1997 set, Hourglass. Fans will love it, of course, but even jaded listeners can find fresh feeling and formidable expertise here.
By now, Taylor's skill at low-key love songs is a given, making him an archetypal "sensitive New Age guy" on the strength of his canny mix of emotional vulnerability, romantic imagery, and understated delivery. Less obviously, Taylor has gradually transformed the shadows of disillusionment audible in his earliest songs into a nuanced acknowledgment of his own age. "Line 'Em Up," from Hourglass, typifies his skill at limning disarmingly lucid, frankly philosophical vignettes, here woven around a recollection of Richard Nixon's last hurrah, while "Jump Up Behind Me" affords a testament to self-determination ultimately as serious in theme as it is buoyant in its musical framework. Throughout, Taylor's stage band proves a thoroughbred, its accompaniment rock solid and delicately detailed, and perfectly matched to a crack backing chorus.
Among the first video concerts produced with DVD in mind, Live at the Beacon Theatre has been in heavy rotation in home demonstration suites ever since its release, an achievement understandable after hearing the crystalline 5.1 mix engineered by Frank Filipetti, who shared a Grammy as coproducer on Hourglass and snagged a second award for his engineering of that album. --Sam Sutherland
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