 |
I'll Sleep When I'm Dead by Mike Hodges
Buy this DVD movie at online store in your country
Canada
DVD detailsActor: Charlotte Rampling, Clive Owen, Jamie Foreman, Jonathan Rhys Meyers, Malcolm McDowell Director: Mike Hodges Producer: Eliza Mellor Producer: Marisa Polvino Producer: Michael Corrente Producer: Mike E. Kaplan Producer: Richard E. Johnson Producer: Robert O. Kaplan Writer: Trevor Preston DVD: Region Code 1 Audio: English (Original Language) Format: Color, Dolby, DVD-Video, NTSC, Surround Sound, Widescreen Picture Format: 1.33:1 Running Time: 103 minutes DVD Release Date: 2004-11-16 Audience Rating: R (Restricted) Studio: Paramount
DVD Reviews of I'll Sleep When I'm DeadDVD Review: not worth your time unless you need to see every Clive Owen film Summary: 2 StarsA movie about grieving and revenge that starts out a bit odd, has a shocking moment, and then pewters out. It's worth a look for shaggybeard!Clive Owen and then cleaned-up!Clive Owen.
DVD Review: MIKE HODGES, OPUS 9 Summary: 3 Stars**1/2 2003. Directed by British born director Mike Hodges. A former mob boss comes back to London when his brother commits suicide. Nothing new under the sun even if there are some great actors involved. Already forgotten.
DVD Review: I'll Sleep About an Hour Into It Summary: 2 StarsI assume that the title of this movie is taken from the Warren Zevon tune--a song, I might point out, that is about five thousand times more exciting than this dull, pedantic, pathetic, shiftless, soulless, sleep inducing film (I had to watch it over two nights as it lulled me to sleep after thirty minutes on the first viewing). How in the world do you make a Clive Owen, Malcom McDowell, Charlotte Rampling flick SO flat and pointless that it induces drowsiness? The acting is so deadpan and emotionless that it HAS to be good, right? Wow, and count those crime noir cliches in the script--is that a deep, meaningful commentary on the whole genre I smell? And what about all of those plot points (about half of the screen time in the film) that not only DON'T add to the main story but actually distract and detract the viewer's attention to confuse him or her as to what is actually going on--surely this is the sign of a truly meaningful movie experience, right? And let's not forget the lack of resolution for every single one of these meaningless sub-plots, including the old flame with a gun to her head. Oh, wait, I guess that was done so intelligent movie watchers, like myself, can inject a little thought and speculation into this, obviously, interactive experience. Maybe it is all meant to help solidify my strong homophobic worries and fears (just watch the movie and think about that comment). Is this a student art-for-arts-sake film disguised as crime noir? Or is this really just a flat, dull, dumb crime noir film? You be the judge--if you can stay awake.
Hey, in quick response to one of the other "glowing" reviewers--if the movie they DON'T show you is more interesting than the movie they DO show you--that's a pretty good indication it's a bad movie.
DVD Review: Listless Nonsense Summary: 1 StarsThis is a terrible movie. I equate it to trying to start your car after the battery has died. It "ain't" gonna start, no how no way. This movie has no "heart" whatsoever and can be best described as pointless nonsense. The "killer" in this movie gives the most mundane, stupid reasons for his crime imageable. Laughably predictable. The movie is a BORE. Please keep this one "across the pond". In America, we don't want it.
DVD Review: Interesting, but flawed Summary: 3 StarsI like this movie for a lot of reasons. It is visually very stylish and interesting. There are some very good performances, and the contrast between Clive Owen's character, Will Graham, and everyone else from the old neighborhood is fascinating. Will Graham is a character who has left his old life, not to start a new one, but to cut himself off completely from any life. He returns to find out why his younger brother killed himself. The ending, before he seeks his revenge, has a strange ritualistic quality that heightens the tension. In the final analysis, however, I didn't think that the story of Will's search for the reason for his brother's death was nearly as interesting as the story that takes place before the film begins - what happened to Will that led him to abandon everything and begin aimless travels in a beatup camper, spending most of his time by himself. His ex-lover, played by Charlotte Rampling, says he "had a breakdown," but that doesn't provide any insight into what caused this stark, dramatic, and ultimately solitary disappearance from life. Without any understanding of this change, "I'll Sleep When I'm Dead" is interesting , but emotionally unsatisfying.
Description of I'll Sleep When I'm DeadIn I'LL SLEEP WHEN I'M DEAD, Willie (Owen), a former mobster, comes back to town after he learns his younger brother Davey (Rhys Myers) has committed suicide. Upon learning that Davey was brutally raped by mobsters, Willie is determined to seek justice by finding the men who victimized him. While on the search for the mobsters, Willie comes face-to-face with Frank Scott, the local "bad boy" and conflict arises when Frank starts to believe that Willie is back in town to reclaim his status as the town's bad boy. Mike Hodges and Clive Owen, director and star of the stylish 1998 crime drama Croupier, team again in this moody, almost contemplative thriller about a former gangster, Will Graham (Owen), who returns to London after a lengthy self-exile. In a tragic coincidence, Will's brother, Davey (Jonathan Rhys-Meyers), has just committed suicide following a rape by a wealthy car dealer (Malcolm McDowell). Convinced there is more to Davey's death than meets the eye, Will--arguing he is nothing like his old, violent, urban self--slowly evolves again into a formidable criminal. Hodges and screenwriter Trevor Preston emphasize tone and spiritual inference over precise character motivation. Not everything that can be known about Will (especially his rocky psychological state and history with a former lover, played by Charlotte Rampling) is expressly stated. But one can feel his stifled nature rising, paradoxically, toward revenge, and his final actions have an existential power and mystery. --Tom Keogh
|
 |