Homicide - The Movie

Homicide - The Movie
by Jean de Segonzac

Homicide - The Movie
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DVD details

Actor: Andre Braugher, Daniel Baldwin, Ned Beatty, Reed Diamond, Richard Belzer
Director: Jean de Segonzac
Producer: Barry Levinson
Producer: Eric Overmyer
Writer: Eric Overmyer
Producer: Jim Finnerty
Producer: Mark A. Baker
Writer: James Yoshimura
Writer: Tom Fontana
DVD: Region Code 1
Audio: English (Unknown); English (Original Language)
Format: Closed-captioned, Color, DVD, NTSC
Picture Format: 1.33:1
Running Time: 89 minutes
Published: 2001-05-01
DVD Release Date: 2001-05-22
Audience Rating: PG-13 (Parental Guidance Suggested)
Studio: Lions Gate

DVD Reviews of Homicide - The Movie

DVD Review: "Who's the fourth chair for?"
Summary: 3 Stars

Returning on occasion to the job I left almost three years ago, and which I held for over four years, I am constantly reminded of how much things change. And the feeling of awkwardness and unease still permeates throughout each and every one of my visits. The place looks different. Many, if not most, of the faces have changed. Life has moved on without me there. Watching "Homicide: The Movie" evokes much the same feeling within me. The TV movie was produced only a short half-year after the series ended production, yet so much was different. The result is somewhat jarring, yet still acceptable. Life does, indeed, move on. Why should "Homicide" be any different?

The major driving force behind "Homicide: The Movie" was to reunite as many of "Homicide: Life on the Street's" cast members as possible. How does one accomplish this? The answer comes in the form of having a man that many of the characters liked (or at least respected) get shot down. Former Lt. Al Giardello (Yaphet Kotto) is running for mayor of Baltimore, when he is gunned down at a rally. He is rushed to the hospital, and news of his brush with death spreads quickly throughout the area. Soon, every single one of the living detectives who had worked in the Homicide unit during the series' run have returned to the squad room. Much has changed since the time that they were there. Only one of the show's original characters, Meldrick Lewis, is still an active detective in the unit. Stu Gharty, a man many people did not respect, is now the shift lieutenant. The squad room is painted blue. And Jason Priestley (of 90210 fame) has joined the cast as a brash, new detective.

The detectives (old and new) begin to investigate the shooting of Al Giardello. John Munch & Stanley Bolander (Richard Belzer & Ned Beatty) re-unite and work together, as do the popular Frank Pembleton & Tim Bayliss (Andre Braugher & Kyle Secor). If there is a problem with "Homicide: The Movie", it is that in its quest to bring together the over 20 regular and semi-regular (as well as guest-starring) members of the cast of the original show, the usage of that cast is spread very thin. In fact, as it was when the series was on the air, the plot basically revolves around Pembleton & Bayliss. This is not necessarily a bad thing, as they are two of the show's strongest characters. It is simply a matter of time allowance. It had been years since Ned Beatty had been on the show, and perhaps a bit more time devoted to his character wouldn't have been such a bad thing. Or that of Melissa Leo's strong role as Sgt. Kay Howard (another favorite). At any rate, it was interesting to see everyone come back together again, one last time -- even the "dead" characters.

There are some twists and turns in "Homicide: The Movie", as well as a couple of surprises. One of them is semi-predictable, if you'd followed the series up to its final episode. Still, it is devastating. The plot line of investigating Giardello's shooting progresses well enough, although sometimes it feels haphazard, as certain scenes are thrown in, simply for sake of providing something for each of the cast members to do. The last few scenes, once the shooting is solved, provide both a nice, and a not-so-nice coda for the characters that fans of the show grew to know and identify with over the series' seven season run.

In the end, "Homicide: The Movie" seems concerned with wrapping things up, and with tidying loose ends left over from the final episode. I'm not sure whether or not I like this. In many ways, the last episode left things in a way which seemed more natural. Not every answer was solved, not every character's destination was known. Now, with "The Movie", we have almost more answers and finality than I find desirable. It made me pine for the show's early years, when it was simply a deep, gritty, and heartfelt cop show. Ah, those were the days.

More Homicide - The Movie reviews:
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Description of Homicide - The Movie

A powerful coda to what many considered the best show on TV recalls "Homicide" at its best: prickly character tensions, sour office politics, raging emotions, and the camaraderie of the squad room. In "Homicide, the Movie" that squad room becomes unusually crowded when the entire cast, past and present, converges to hunt for the gunman who shot beloved former shift commander Al Giordello (Yaphet Kotto), now a controversial Baltimore mayoral candidate.\n The class reunion could have easily turned into a gimmicky series of cameos, and with such a sprawling cast many familiar faces are indeed little more than walk-ons, but the fiercely intelligent script anchors the investigation in the even more anticipated reunion of the tetchy, intense retired detective Frank Pembleton (Andre Braugher) and his former partner, Tim Bayliss (Kyle Secor). Never quite friends yet intimately trusted partners, the relationship of the most compelling duo in the show's history is pushed to the brink as the morally sure Pembleton digs around the guilt that haunts Bayliss in a devastating climax. All the hallmarks of the show are here--the vivid location shooting, the nervous you-are-there camerawork, the effective use of popular music--and the episode comes full circle in a lovely coda in which even the deceased make their appearances. It's an uncompromising piece of American television and a moving end to a great series. "--Sean Axmaker"
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