Harvest of Sorrow - Tony Palmer's Film About Sergei Rachmaninoff
by Tony Palmer
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DVD details
Actor: Rachmaninoff; Gielgud; GergievDirector: Tony Palmer
DVD: Region Code 1
Audio: English (Original Language); Russian (Original Language); English (Subtitled); Italian (Subtitled)
Format: Color, DVD, NTSC, Subtitled
Picture Format: 1.78:1
Running Time: 102 minutes
DVD Release Date: 2007-07-31
Audience Rating: NR (Not Rated)
Studio: KULTUR VIDEO
DVD Reviews of Harvest of Sorrow - Tony Palmer's Film About Sergei Rachmaninoff
DVD Review: But for Gielgud, I'd have merited it only two stars
Summary: 3 Stars
The voice of Sir John Gielgud alone made this DVD worthwhile for my money - plus some fascinating raw footage of this 6ft. 'scowl' and a few of the piano shots. But I was sorry that a man of Tony Palmer's caliber should bow to Hollywood-style gimmicks. The grotesque close-ups of Gergiev were particularly irritating and did a disservice to this great conductor. Why not a view from a few feet away for Heavan's sake, which would have much more effectively enhanced the drama of his interpretation. And the passe 1930's gimmick of soft-focussing the orchestra, bathing them in fuzzy light - hello! Maybe this is what film producers think today's public still wants, maybe it is! Ironically, in Rachmaninoff's own view of America: 'It is all about money.' DVD Review: Great documentary but, why Gielgud?
Summary: 5 Stars
This documentary is invaluable for the insights into Rachmaninoff the composer and family man offered by the home movies of the Rachmaninoff family, period shots and clips of places where Rachmaninoff lived or was otherwise engaged, the comments and insights of Valery Gergiev and his obvious affinity for the music as evidenced by generous samples of his performances.
Besides Gergiev, we are treated to some superb playing by the likes of Mikhail Pletnev, Alexander Toradze, Valentina Igoshina, the singing of Dmitry Hvorostovsky and others.
Somehow missing is any mention of Rachmaninoff's sojourn in Dresden, that beautiful city, capital of the Kingdom of Saxony that was senselessly (and arguably, criminally) incinerated by the RAF in 1945. Rachmaninoff and his family lived there for 3 years in a rented house on Sidonienstrasse, from the end of 1906 through 1909. He moved to the beautiful Saxon capital to allow himself time and space to work without interruption, and also because of its proximity to Leipzig and its musical life. He much admired the Gewandhaus and its conductor, Arthur Nikisch, whose Tchaikovsky 6th Rachmaninoff described as "... a work of genius. One cannot go beyond this". In Dresden, where he admired the opera, he composed such important works as the Piano Sonata no. 1, the gorgeous 2nd Symphony, the opera Mona Vanna (alas, never finished), some important piano transcriptions and others.
Some may find the breaking, whispery, raspy voice of Sir John Gielgud too distracting, even annoying. I was reminded of Robert Frost's poem "An Old Man's Winter Night". Maybe Rachmaninoff sounded that way in the last days of his life due to terminal illness and the finality of the realization that he was never going to see his beloved Russia again. Some may even approve of Gielgud's doom and gloom approach to speaking for Rachmaninoff. But he was not "6 foot 2 of Russian gloom", as Stravinsky once described him. This is evident from the footage presented and from the vivid testimony of his surviving relatives like that of Sofia Satina, his niece, seen towards the end of this documentary.
He once saw a performance of Franz Lehar's "The Merry Widow" and declared it "a work of genius" and that it made him "laugh like a fool". Likewise he laughed silly at Jewish and Armenian jokes. I think that there is a natural inclination in certain societies, particularly a society centered on slick entertainment and trivial pursuits, to commingle the concepts of seriousness with gloom. Rachmaninoff was a serious person, not necessarily a gloomy one.
Sofia Satina also mentions the fascination that church bells held for Rachmaninoff, whose sounds can be spotted in many of his compositions. As a child, he would go to listen to the church bells in the city of Novgorod, near his family home.
True, there is an element of gloom in some of his music like in the "Isle of the Dead", but Rachmaninoff has always been misunderstood (even underrated), especially by music critics. In the 60's and 70's I read more than a few music reviews that were dismissive of his music, presumably for being too musical (i.e., not modern). This one, from the 50's is typical:
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That is when I learned never to listen to music critics again.
Maybe these days when noise and cacophony pass for art and music, the melodies of Rachmaninoff may be an incongruity or anachronism. At the end of this documentary, Gergiev reminds us of the important contributions to music made by Serge Rachmaninoff with his piano playing and his melodic output and reminds us that it is not easy to create such long melodic lines, some as long as one minute, that manage also to hold the listener's interest and how these resolve into new melodies like doors that open to new wonders. Like in the Hermitage museum, I would add.
If you cannot stand the voice of Gielgud, then turn down the volume when he speaks, but this documentary is a must for all lovers of the music of Serge Rachmaninoff.
DVD Review: SPOKEN LENGUAGES
Summary: 1 Stars
THE SPOKEN LENGUAGES ARE JUST RUSSIAN AND ENGLISH. POEPLE WHO SPEAKS OTHER LENGAUGES CAN NOT UNDESTAND IT. DVD Review: Good performances, dubious modern-day material
Summary: 4 Stars
I agree with the person giving the DVD a one star rating and talking about mockery of the "motherland". While the performances are good and I WOULD buy this DVD again, the footage of modern-day Russia is very misplaced and does not add, rather detracts from one trying to get a sense of Rachmaninoff's Russia and I feel should have been left out. Footage of Rachmaninoff himself however has been extremely interesting to see.
I did not find the narration to be very informative. In conclusion, while the historical footage and the performances are excellent, modern-day Russia footage and narrative are disappointing and left me with a feeling that something was missing. I would've liked to learn more historical facts from Rachmaninoff's life, rather than just reading of his letters/diary, which are not always revealing. That's not to say they are uninteresting, just don't create a full enough picture.
DVD Review: Music Speaks to the Heart
Summary: 5 Stars
The Harvest of Sorrow is such a compelling DVD, that I have had guests over to watch it on several occasions. All of them have enjoyed it, and have remarked on its quality.
The dialogue mostly follows Rachmaninoff's own letters. Family pictures and news footage give authenticity. Sir John Gielgud actually becomes the older Rachmaninoff as he narrates. The best part of the DVD, though, is the way the music is handled.
There is no slipshod insertion of themes to grab the listener's attention (without actually getting into the music) as one might expect. The works are performed, if not in their entirity, in longer sections, and correspond to the filming. Gergiev and the other musicians speak to the hearts of listeners.
One cannot help but appreciate the historical background covered in the composer's lifespan -- late 19th century to 1943. This DVD is perfect for the person who appreciates accuracy and artistic ability in filming. It is also a tribute to a great composer, and a great man.
Music Enthusiast
Description of Harvest of Sorrow - Tony Palmer's Film About Sergei Rachmaninoff
Specially commissioned performances conducted by VALERY GERGIEV with the Kirov Orchestra and Chorus of The Mariinsky TheaterChorus Master Valery Borisov
Rachmaninoff s letters and other reminiscences spoken by Sir John Gielgud.
Used in films like Brief Encounter and Shine; on TV in The South Bank Show and Panorama; on radio in Semprini Serenade; and including some of the most famous melodies of the 20th century, Rachmaninoff s romantic, passionate music is as popular today as it has ever been. This 100-minute documentary film, shot in Russia, Switzerland and America, is made with the full participation of the composer s grandson, Alexander Rachmaninoff.
Featuring soloists Mikhail Pletnev (with the Berlin Philharmonic Orchestra conducted by Claudio Abbado, and his own Russian National Orchestra), Dmitri Hvorostovsky and young stars Valentina Igoshina, Peter Jablonski and Nikolai Putilin, the music is specially recorded with the great conductor Valery Gergiev and the Kirov Orchestra and Chorus of the Mariinsky Theater in St Petersburg, with which Rachmaninoff was intimately associated. Tony Palmer s film, with Rachmaninoff s own words spoken by Sir John Gielgud, is a unique and loving insight into a world long gone, but definitely not forgotten.
Extracts from home movies of Sergei Rachmaninoff ? Alexander Rachmaninoff used by kind permission of Alexander Rachmaninoff.
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