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Full Metal Jacket by Stanley Kubrick
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DVD detailsActor: Adam Baldwin, Dorian Harewood, Matthew Modine, R. Lee Ermey, Vincent D'Onofrio Director: Stanley Kubrick Writer: Stanley Kubrick Writer: Gustav Hasford Writer: Michael Herr DVD: Region Code 1 Audio: English (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Mono; French (Original Language), Dolby Digital 2.0 Mono Format: Closed-captioned, Color, DVD, NTSC Picture Format: 1.33:1 Running Time: 116 minutes DVD Release Date: 1999-06-29 Audience Rating: R (Restricted) Studio: Warner Home Video
DVD Reviews of Full Metal JacketDVD Review: Great Movie; Not Sure What To Think Of The DVD ... Summary: 3 Stars
I think many critics were too harsh on Stanley Kubrick's Vietnam movie, and still remember it as "must see" viewing when a high school student. Lee Ermy's drill instructor made our most sadistic phys ed teachers seem like Mr Rogers, and I will never forget the line from the Colonel that "Inside every Gook, there's an American trying to get out. We have to hold on to our senses until this "Peace Craze" passes over." Brilliant stuff and a Must Have for anyones war collection. But I agree with the critics who say that the film is disjointed, composed of set pieces, and really looses a lot of steam after Gomer Pyle and Lee Ermy are written out of the story. Their final confrontation is powerful material for the ages to be sure, but I would have been interested in seeing this tubby misfit turned killer set loose on the VC.But even "Charlie" doesn't seem to have much to do with the combat footage, which could have been set in any war. I also am not convinced that they are in Southeast Asia even with the palm trees Kubrick had planted to decorate his sets. The soldiers look too comfortable with their layers of clothing on, don't seem exhausted or scared enough, and it actually looks cold during the final shootout scenes. To a certain extent, I have always felt that Kubrick had sort of shot himself in the foot with various aspects of the movie, including the locations but most importantly by how uninteresting the narrative is once Joker gets in-country. There are some nice jabs at US military thinking and propaganda, but it's more like an echo of the preposterous situations from Dr Strangelove than any real new commentary from Kubrick. The American war in Vietnam was insane, barbaric, corrupt and cost lots of people their lives on both sides. Well, so what? What insight would Kubrick like us to take away from his movie, other than the fact that Joker is glad to be alive as the film ends? I'm glad to be alive every day ... you don't have to send me to war to figure that out. Yet I do appreciate the movie for what it offers -- Adam Baldwin's Animal Mother is hilarious and scary at the same time, the scene in the helicopter with the nutzo door gunner bragging about 52 confirmed dead water buffallo is so over the top it is perfect, and one really does get the impression that anyone who has survived sustained combat emerges a changed person, no matter how rational they were beforehand. My real puzzlement, though, comes from the "Stanley Kubrick Collection" DVD of the film, which he himself authorized to be presented in a full-screen format. The reason behind his decision is understandable, since the majority of home viewers seem to prefer the pan and scan full screen TV image, but I feel kind of cheated, and wish I had read more about just what I would be getting before shelling out the cash for it. I'm sure the trailers and other bonuses on the disc will delight "cultist" fans of the film, but frankly I wish I had saved myself ten bucks and just gotten a VHS tape. There is a special quality to watching a DVD film presented in widescreen format that I have never gotten from a VHS and kind of insist that any film I opt to invest in for DVD use be presented in a "letterboxed" format so I can see the movie in a form closest to what the director had intended. So since it was Kubrick's own decision to chop and reformat the image, one has to kind of live with it I guess. Then again nobody ever said that great artists don't sometimes make bad decisions on how to present their work. Kubrick seems to have shot himself in his foot twice, and the result is a puzzled, disatisfied viewer who feels like someone decided I wasn't smart enough to understand what a widescreen presentation was. I'd give the movie four stars out of five, but that chopped screen image just [unprintable] me off.
More Full Metal Jacket reviews: 1 2 3 4 5 6 7 8 9
Description of Full Metal JacketStanley Kubrick's 1987, penultimate film seemed to a lot of people to be contrived and out of touch with the '80s vogue for such intensely realistic portrayals of the Vietnam War as Platoon and The Deer Hunter. Certainly, Kubrick gave audiences plenty of reason to wonder why he made the film at all: essentially a two-part drama that begins on a Parris Island boot camp for rookie Marines and abruptly switches to Vietnam (actually shot on sound stages and locations near London), Full Metal Jacket comes across as a series of self-contained chapters in a story whose logical and thematic development is oblique at best. Then again, much the same was said about Kubrick's 2001: A Space Odyssey, a masterwork both enthralled with and satiric about the future's role in the unfinished business of human evolution. In a way, Full Metal Jacket is the wholly grim counterpart of 2001. While the latter is a truly 1960s film, both wide-eyed and wary, about the intertwining of progress and isolation (ending in our redemption, finally, by death), Full Metal Jacket is a cynical, Reagan-era view of the 1960s' hunger for experience and consciousness that fulfilled itself in violence. Lee Ermey made film history as the Marine drill instructor whose ritualized debasement of men in the name of tribal uniformity creates its darkest angel in a murderous half-wit (Vincent D'Onofrio). Matthew Modine gives a smart and savvy performance as Private Joker, the clowning, military journalist who yearns to get away from the propaganda machine and know firsthand the horrific revelation of the front line. In Full Metal Jacket, depravity and fulfillment go hand in hand, and it's no wonder Kubrick kept his steely distance from the material to make the point. --Tom Keogh
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