Flatland the Film
by Ladd P. Ehlinger Jr, Ladd Ehlinger Jr
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DVD details
Actor: Ashley Blackwell, Chris Carter, Greg Trent, Linda Meigs, Mark SlaterDirector: Ladd Ehlinger Jr, Ladd P. Ehlinger Jr
Producer: Karen Guelfo
DVD: Region Code 0
Audio: English (Original Language)
Format: DVD-ROM, Full length, Limited Edition, NTSC, Widescreen
Running Time: 98 minutes
Product features:
- NTSC, DVD-R Format
- Collector's Edition
- Widescreen
DVD Reviews of Flatland the Film
DVD Review: Two reviews in one
Summary: 4 Stars
This review covers both versions of "Flatland" released in 2007, one by Ladd Ehlinger, Jr. with a mostly unknown voice cast, and the other by Jeffrey Travis with some Hollywood big names providing the voices.
The source material for both is the 1884 novella by Edwin A. Abbott, but the approaches of the two films differ radically. The book is a staple of science fiction, and one of the few to address mathematical issues at its core. Being a product of its time, the book is technically naive, and politically incorrect based on current sensibilities.
The Travis film is visually slicker, but significantly shorter, and tackles philosophical issues relative to the passage of time from initial publication. As such, it tampers with the plot to mixed effect. Unlike some others, I have no problem with some of the revisions to the underlying plot since they do help bring some of the book's major issues into somewhat sharper focus. On the other hand, they also add a "feel good" and politically correct sensibility that seems out of place.
The Ehlinger film is much truer to its source material, which is both a strength and a weakness. Given a current perspective, its 19th century depiction of the political and social subjugation of women is a distraction that the Travis film avoids. It's also a longer film and could have been more effective with some of the same plot and editing license employed in the Travis film. Where it does tamper with the plot, some of the decisions are questionable as other reviewers have pointed out.
So which is better? In my opinion, the short answer is the Ehlinger film. Despite its length, political incorrectness, and technical inferiority (the animation of the Travis film is much more sophisticated), it resonates at a technical level to a degree that the Travis film can't match. As a scientist, this means a lot to me. On the other hand, the Travis film resonates on an emotional level that the Ehlinger film can't match. So the answer may be whether you're looking for technical insight or emotional satisfaction.
Most jarring in the Travis film is that, unlike the Ehlinger film, the animators never quite caught on to the implications of a two-dimensional universe. It is filled with objects which are instantly recognizable to us, yet would be clearly impossible or meaningless in the film's reality (e.g. the protagonist's daughter has toys which only make sense to someone with a 3-D perspective, and how does he open his briefcase?). The cover art is an obvious first impression example. The Travis film's characters look more human, but ask yourself how their eyes work. One detail of the book is that looking at a Flatlander from above, all of his internal organs are clearly visible, as they should be. Travis' animators hint at this, but don't meet it head-on. The Ehlinger film's animators may not have had the resources to make as slick a film as Travis', but they obviously gave a great deal of thought to what they were doing (or maybe not, since the necessary designs were all in the book). In short, Travis had the budget, but Ehlinger had the passion for the project - albeit perhaps a bit too much respect for the source to create a truly superior adaptation.
The differences reflect different target audiences, though. The Travis film is an educational short film which was obviously meant to be viewed by classrooms of middle school and high school students. As such, it had to be socially inoffensive while conveying concepts of geometry that would never occur to non-mathematicians. That it includes recognizable names voicing the characters will help it grab a bit more attention - an educational short film for the "X-Files" generation. The Ehlinger film would mostly appeal to people with a college level interest in mathematics, or others who are already familiar with the book.
Neither film is perfect, but I'm giving the Ehlinger film a rating of 4 and the Travis film a rating of 3. Depending on your sensibilities, your conclusion may be exactly opposite of mine, so I hope this review includes enough information to guide you to an informed selection.
Or, like me, you could simply buy both... ;-)
Description of Flatland the Film
Ladd Ehlinger Jr.'s feature length animated adaptation of Edwin Abbott's 1884 "Flatland." Screenwriter: Tom Whalen. Composer: Mark Slater. DVD-R Format. With penetrating satire, "Flatland the Film" takes us on a mind-expanding dimensional journey through an animated adaptation of Abbot's 19th century novel. A Square, Attorney-at-Law, inhabits a world that is flat and two-dimensional. Together with his wife Frau A Square, he tries to raise his children -5 pentagons and A Hexagon- as best he can in a rigid society governed by tyrannical triangles and pompous priest circles. It is three days until the much anticipated year 3000 in the Southern Republic of Flatland and A Square has a job to do. He must meet with his latest client, A Line, the first female Flatlander to be arrested for the taboo practice of Chromatism - the act of coloring one's sides in order to resemble a higher class of geometrical figure. During this meeting an entire rebellion of Chromatists is launched, and A Square must shield his family from the horrors of urban Flatlander war. Within this turmoil, a mysterious visitor from the third dimension arrives: A Sphere, CEO of Messiah, Inc. Flatlanders, according to A Sphere, must learn that there is another dimension called "height." A Square must spread the word as his Apostle of the Three Dimensions. But having been flat his entire life, A Square is unable to comprehend these "three dimensions." Out of desperation, A Sphere pulls A Square out of Flatland altogether to show him the true nature of Spaceland, and the universe. And in so doing, he risks the very fabric of space-time itself, potentially destroying all of creation. Will A Square make it home to Flatland? Will he be able to understand the Third Dimension? Will he be able to spread the gospel of the Third Dimension to his fellow Flatlanders - or will he be executed for blasphemy? The answers to these questions and more are to be found in "Flatland the Film!"Bestsellers in DVD
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