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Fingersmith by Aisling Walsh
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DVD detailsActor: David Troughton, Imelda Staunton, Karen Seacombe, Stephanie Middleton, Tallulah Pitt-Brown Director: Aisling Walsh Brand: STAUNTON/DANCE DVD: Region Code 1 Audio: English (Original Language), Dolby Digital 2.0 Stereo Format: Closed-captioned, Color, DVD-Video, NTSC, Widescreen Picture Format: 1.77:1 Running Time: 180 minutes DVD Release Date: 2005-09-13 Audience Rating: NR (Not Rated) Studio: Acorn Media
DVD Reviews of FingersmithDVD Review: The book is AMAZING -- the movie is NOT Summary: 2 StarsI absolutely loved reading Fingersmith. It is an incredible, complex, beautiful book with unexpected twists, rich characters, and a wonderful, suspenseful plot. It is one of my favorite books.
I was therefore very disappointed when I watched this movie. Basically the movie, though mostly sticking to Sarah Waters' plot, destroys the magic of the book. The pace is wrong, the whole thing plods along drudgingly. I had to stop watching it after the first disk, and couldn't bring myself to finish watching it for months. To be fair, the second disk is better than the first, but not by much. And it's not that I just dislike movie adaptations of great books. The film version of Tipping the Velvet is excellent. It's merely that this adaptation of Fingersmith is NOT.
My recommendation is to skip the terrible movie and read the book!
DVD Review: Another Lesbian Betrayal Flick Summary: 2 StarsI admit that I've not read this book and that I watched the movie purely to enjoy the love scenes which were well-reviewed. While the love scenes are indeed sweet and well done, they are ruined by the ending. Why is it so hard to find a film with sensual and sincere lesbian love scenes that are not invalidated at the end by death, doom, or betrayal?
DVD Review: A mystery within a puzzle wrapped inside an enigma... Summary: 4 StarsFingersmith (Aisling Walsh, 2005)
Fingersmith, actually a two-part British TV miniseries, came to America as a three-hour DVD. Based on Sarah Waters' novel of the same name, it details the dealings of Susan Smith (Sally Hawkins, recently of The Painted Veil), a thief (thus the title) in London in the nineteenth century who becomes involved in a complicated scheme to swindle a large sum of money out of Maud Lilly (The Others' Elaine Cassidy). Smith, through a series of intrigues, becomes Lilly's handmaiden, but the two of them quickly develop a friendship on top of that, and possibly something more (I haven't read the novel, so I don't know if it's explicit there; it's certainly implied here). The trick is, there's a great deal more to Maud Lilly than anyone realizes; once you hit the halfway point, the surprises here come thick and fast, and what looked to be a simple crime story blossoms into an all-out mystery/thriller that I was in no way expecting. And what a pleasant surprise it is.
It helps, of course, that both Hawkins and Cassidy are almost painfully beautiful, and that, plus the script's implications as to their relationship, certainly helps propel the first half of the film, which is half crime story and half Merchant/Ivory comedy of manners (a genre of film to which I have never been able to warm myself). At the halfway point, though, I stopped noticing, and for someone like me, that's saying something. How many red herrings can you throw into one script? How many little side perversions can you add without things becoming too overloaded for anyone to see your plot? How many twists and turns, how many character revelations, the whole bit? Yes, it does end up playing the Vitorian-melodrama card so loved by writers like Nathaniel Hawthorne (I heard a pretty strong echo of the last line of House of the Seven Gables in the last few minutes of this film, though it's not quite as deus ex machina as Hawthorne allowed himself; still, it's awfully convenient), but it's such an enchanting thrill ride getting there I actually didn't half mind. There's a great deal of fun to be had here, even if you're not a big fan of Victorian costume drama; a very entertaining little film, well worth watching. *** ?
DVD Review: Totally perplexed Summary: 2 StarsI never read the book. I rented the DVD and while I enjoyed the body of the movie, the ending and many parts of the movie left me saying, "Huh?! What's up?". To me the ending ruined the movie. What happened? Why did that happen? And what was the purpose of it?? It didn't make sense to me. What did Maud & Gentleman have to gain by it? What did they need Sue for if that's what they'd planned? I'm just confused by it.
DVD Review: Fingersmith - Fantastic Summary: 5 StarsI loved this beautiful love story. The backdrop was lovely and the acting by the leading ladies was suberb. Well recommended!
Description of FingersmithGrowing up as a foster child among a family of thieves, orphan Sue Trinder hopes to pay back that kindness by playing a key role in a swindle scheme devised by their leader, who is planning to con a fortune out of the naive Maud Lilly. No Track Information Available Media Type: DVD Artist: STAUNTON/DANCE Title: FINGERSMITH Street Release Date: 09/13/2005 Domestic Genre: DRAMA From Sarah Waters, author of Tipping the Velvet, comes this twisting and twisted Victorian-era thriller with an L-word charge. Sally Hawkins stars as Sue, an orphan who grows up among the reprobates of Lant Street to become an accomplished "fingersmith" (thief). Elaine Cassidy costars as Maud Lilly, an heiress who, as a young girl, was plucked from the madhouse and raised by her stern, bibliophile uncle (Charles Dance). He makes her wear gloves at all times so as not to smudge the precious tomes he makes her read every night. Enter Richard Rivers (Rupert Evans, the otherwise sterling cast's weakest link), an artist hired to give her painting lessons. But he has designs on Maude's fortune, and recruits Sue for an elaborate con. That's when the gloves really come off. Originally broadcast on the BBC, this riveting three-part tale of illicit passion and betaryal is by turns harrowing and quite erotic (the tasteful sex scenes manage to generate heat without baring a lot of skin). The literate script reveals its feminist leanings ("You are a man and might do everything," Maude tells Richard during their first meeting. "I am a woman and might do nothing."). The superb cast includes Academy Award-nominee Imelda Staunton (Vera Drake) as Mrs. Sucksby, a Fagin-esque character who mentored Sue, and has a few surprises for Maud, as well. --Donald Liebenson
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