Femme Fatale

Femme Fatale
by Brian De Palma

Femme Fatale
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DVD details

Actor: Antonio Banderas, Edouard Montoute, Eriq Ebouaney, Peter Coyote, Rebecca Romijn
Director: Brian De Palma
Brand: Warner Brothers
Cinematographer: Thierry Arbogast
Writer: Brian De Palma
Editor: Bill Pankow
Producer: Chris Soldo
Producer: Marina Gefter
Producer: Mark Lombardo
Producer: Tarak Ben Ammar
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 5.1; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 5.1; French (Dubbed), Dolby Digital 5.1
Format: Anamorphic, Closed-captioned, Color, Dolby, Dubbed, DVD, NTSC, Subtitled, Widescreen
Picture Format: 2.35:1
Running Time: 114 minutes
DVD Release Date: 2003-03-25
Audience Rating: R (Restricted)
Model: 24461
Studio: Warner Home Video
Product features:
  • Femme Fatale is a contemporary film noir about an alluring seductress (Rebecca Romijn-Stamos) suddenly exposed to the world -- and her enemies -- by a voyeuristic photographer (Antonio Banderas) who becomes ensnared in her surreal quest for revenge.Running Time: 115 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 085392446124 UPC: 085392446124 Manufac

DVD Reviews of Femme Fatale

DVD Review: A visual treat! Not perfect, but wicked and fun....
Summary: 4 Stars

Brian De Palma's movies seem to have a polarizing effect on its viewers as they either love them or hate them with very little room for anything in between. Although I understand why some find his work frustrating and criticize his tendency to focus on style over "substance", he has directed quite a few of my favorite movies, including "Blow Out", "Carrie", "Body Double", "Dressed To Kill", and "Carlito's Way", just to name a few.

I did not see this movie when it originally came out as most reviews, with the exception of Roger Ebert, tore it to shreds. While "Femme Fatale" may not be the most original or best acted movie, it is a big, juicy, sexy thriller and I have not had as much fun trying to figure what was going on since seeing "Memento" or "Ocean's Eleven". While this movie is not as original as "Memento", De Palma's technical progress as a director and love of film noire make this a treat for the eyes and ears. There are some insane plot twists which enter into surreal territory and strong surprise elements, including one which brigs together some of what I originally thought were huge holes in the story. I am purposely not saying much about the specifics of the movie as I hate it when reviewers spill then beans on important details.

De Palma has always been fascinated with voyeurism, misogyny, amazing action sequences, superb style, technology and the difficulty of making moral judgments and of separating reality from illusion. Many of his films deal with the creative process or the representation of reality and "Femme Fatale" does not deviate from the aforementioned. Some accuse De Palma of aping Alfred Hitchcock and now of aping himself, but while I can see how this perception may bother some, my ultimate determinant of whether a movie is good or not is if it kept me involved. The answer here is an easy yes and I loved how he used split screens and some amazing watery images that he has used before, BUT the technical bar has been raised in this movie and there are several extended sequences which set the movie in gear that involve almost no dialogue that may be some of the most entertaining and elegant pieces ever filmed. Ultimately the movie has nothing "profound" to say, but it leaves you with a sweet taste of having been challenged and entertained.

There are several clues along the way and I loved the way it tricked me fair and square, and on second viewing the attentive viewer will notice several clues to suggest what De Palma is up to. The performances are hard to judge as the movie is very light on dialogue, and many of the words that are spoken come across as if the characters are imitating movie actors, much like was done in "Far From Heaven." Some have destroyed Rebecca Romijn-Stamos acting, but while she may or may not be a great actress, I found her perfectly cast in this movie as she's gorgeous, icy, and fearless. I am not a fan of Antonio Banderas and this movie did little to change that, but luckily he is not on screen too much. Peter Coyote is his usual amazing self. The gorgeous Danish model Rie Rasmussen also brings not only her breathtaking beauty to the table, but manages to keep a straight face in several scenes that objectify her to a degree rarely reached by De Palma. Some will hate me for thinking that this is a good thing, but De Palma is masterful in bringing new visual perspectives to his recurring fetishes.

In a nutshell, if you have liked some of De Palma's previous movies, especially those that I mentioned above, you will quite likely love "Femme Fatale". I know that I did. While I sometimes wish that De Palma would up the ante on the originality of his stories to match the level of his craft, or that he would be less misogynistic, (and one could arguably add racist or homophobic to a certain degree in this particular movie), I had much more fun watching it than I expected and it easily earns 4 stars. De Palma, unlike many of today's directors, allows his personality, fetishes and quirky humor to come through without worrying about focus groups or political correctness. While one could argue that De Palma may be a screwed up guy who should move on to other subject matters/genres, I just hope that he continues to entertain us in a genre that I find to be very fascinating and that few manage to do well.

More Femme Fatale reviews:
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Description of Femme Fatale

Femme Fatale is a contemporary film noir about an alluring seductress (Rebecca Romijn-Stamos) suddenly exposed to the world -- and her enemies -- by a voyeuristic photographer (Antonio Banderas) who becomes ensnared in her surreal quest for revenge.
The sheer pleasure of watching movies is celebrated in Brian De Palma's dazzling Femme Fatale. Working from his own intricate screenplay, De Palma indulges all of his trademark obsessions, upping the ante on Hitchcock (again) with a Vertigo-like plot that begins with an audacious heist at the Cannes film festival (another sexy, violent tour de force for De Palma). From there, the stunning thief Laure (Rebecca Romijn-Stamos) assumes a new identity, marries a U.S. senator (Peter Coyote), and returns to Paris where a tenacious paparazzo (Antonio Banderas) becomes a patsy in her multilayered scheme. De Palma's weaving a web of nonsense, but his plotting is so exuberantly absurd--and his frame so full of visual clues and relevant detail--that Femme Fatale becomes a joyous thrill ride at first encounter, and a crazily logical (and grandly rewarding) movie on subsequent viewings. In her best role to date, Romijn-Stamos is everything you'd want a femme fatale to be, in a thriller that constantly challenges you to question what you're seeing. --Jeff Shannon
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