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Eyes Wide Shut (Unrated Edition) [HD DVD] by Stanley Kubrick
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DVD detailsActor: Madison Eginton, Nicole Kidman, Sydney Pollack, Todd Field, Tom Cruise Director: Stanley Kubrick Brand: Warner Cinematographer: Larry Smith Producer: Stanley Kubrick Writer: Stanley Kubrick Producer: Brian W. Cook Producer: Jan Harlan Writer: Arthur Schnitzler Writer: Frederic Raphael DVD: Region Code 0 Audio: English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language) Format: AC-3, Closed-captioned, Color, Dolby, Original recording remastered, Special Edition, Subtitled, Widescreen Picture Format: 1.85:1 Running Time: 159 minutes DVD Release Date: 2007-10-23 Audience Rating: Unrated Studio: Warner Home Video Product features:
DVD Reviews of Eyes Wide Shut (Unrated Edition) [HD DVD]DVD Review: Masterpiece Summary: 5 Stars
Kubrick's films are all unique and thought-provoking. This final entry into a brilliant career is a psychological masterpiece, with elements of voyeurism and controversy. The theme is that of psychological infidelity and how it affects the main character, played by Tom Cruise. From the moment his wife describes a fantasy she had at a hotel years before concerning another man, Cruise propels from one encounter to another, each becoming more and more dangerous. Several times, Cruise barely escapes bad situations as he wonders the seedier side of New York. Drugs, HIV, prostitutes, pedophiles, Masked Balls, this film has it all. It also has symbolism (notice the use of color) and a great cast of beautiful people including Nicole Kideman, LeeLee Sobieski and Julianne Davis. The story threads around a prostitute named Mandy Cruise meets at a party, who has "ODed" in his married friends bathroom. Later he encounters her at a Masked Ball, where a sex orgy is underway. Faced with getting an unrated film, Kubrick inserted shadows and Masked figures hiding all of the sexual activity for the Theatrical version. It plays well, leaving the viewer to their imagination. Having viewed the unrated edition, the removal of the CGI figures does not make the scenes any more erotic, and the viewer may prefer the hidden feel as imagination can be more compelling than seeing the action. The use of music and color is very erotic and artistic. When Cruise blows his cover, the viewer never knows if it was for play or real, as Mandy sacrifices herself for Cruise's release. I thought the morgue scene was very touching, that Cruise genuinely cared for her and wanted to save her. At the end, Cruise ultimately finds that imagined infidelity may be worse than the real thing. If you are looking for something different, I highly recommend 'Eyes Wide Shut'
More Eyes Wide Shut (Unrated Edition) [HD DVD] reviews: 1 2
Description of Eyes Wide Shut (Unrated Edition) [HD DVD]like new It was inevitable that Stanley Kubrick's Eyes Wide Shut would be the most misunderstood film of 1999. Kubrick died four months prior to its release, and there was no end to speculation how much he would have tinkered with the picture, changed it, "fixed" it. We'll never know. But even without the haunting enigma of the director's death--and its eerie echo/anticipation in the scene when Dr. Bill Harford (Tom Cruise) visits the deathbed of one of his patients--Eyes Wide Shut would have perplexed and polarized viewers and reviewers. After all, virtually every movie of Kubrick's post-U.S. career had; only 1964's Dr. Strangelove opened to something approaching consensus. Quite apart from the author's tinkering, Kubrick's movies themselves always seemed to change--partly because they changed us, changed the world and the ways we experienced and understood it. And we may expect Eyes Wide Shut to do the same. Unlike Kubrick himself, it has time. So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why? Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson
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