Evil Brain From Outer Space

Evil Brain From Outer Space
by Teruo Ishii;Akira Mitsuwa;Koreyoshi Akasaka

Evil Brain From Outer Space
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DVD details

Actor: Ken Utsui
Director: Teruo Ishii;Akira Mitsuwa;Koreyoshi Akasaka
DVD: Region Code 1
Audio: English (Original Language)
Format: Black & White, Closed-captioned, Dolby, DVD-Video, NTSC
Picture Format: 1.33:1
Running Time: 90 minutes
DVD Release Date: 2004-07-27
Audience Rating: NR (Not Rated)
Studio: Alpha Video

DVD Reviews of Evil Brain From Outer Space

DVD Review: If Only Starman Were Here Today...
Summary: 3 Stars

Starman (Ken Utsui) flies in from the Emerald planet, just in time to battle the evil, disembodied brain of Balazar! Look out! Hordes of mutants and mad scientists are out to assist Balazar in his bid for world conquest! Will Starman be able to defeat these hideous creatures? Watch as he jumps, leaps, flies, and does some sort of kung-fu dance routine, all in the name of a free and peaceful earth!...

DVD Review: This sounds like an incredibly campy job for Starman
Summary: 3 Stars

Starman really should have bought himself a home on Earth. That would have saved him all the trouble of flying all the way back to the Emerald Planet just to turn around and come save the Earth from hostile aliens time and again. Of course, that would have denied us the privilege of seeing the utterly ridiculous High Council of Emerald Planet at the start of every Starman movie (which actually consist of footage from episodes of the Japanese Super Giant television serial). They're always worried that aliens using nuclear weapons will not only destroy the Earth but the rest of the universe as well - which makes it especially peculiar that none of the alien attackers ever seem to use nuclear weapons at all. This time the threat comes from a brain in a pan - yes, it's Balazar, the most intelligent person in the universe, who figured out a way to keep his brain alive after he was assassinated. Balazar's Brain is basically indestructible, we are told, and he already has hordes of Zimerian spies infiltrating science institutes and governments all over the Earth.

Naturally, Balazar's Brain lives in a briefcase, one which has been stolen by a lab assistant in an attempt to kill the brain and save the Earth - ah, but that would just be too easy. No, we have to have a big production with secret bases all over the place full of bad guys wearing rejected Batman suits, hybrid monsters able to materialize out of nowhere and kill people with the power of their supremely ridiculous costumes, and plenty of chances for Starman to dance with (uh, I mean fight) the bad guys. If you've never seen Starman fight, you have no idea just how bad fight choreography can be. All Starman does is wave his arms and dance around, never doing anything more than pushing his enemies away from him. That's why his fights take forever - he pushes guys down, and they just keep getting back up. At least it gives him plenty of exercise - and, judging by the paunch he carries around with him, he needs all he can get.

Let's talk about these hybrid monsters. The first mutant looks sort of like the Swamp Thing if he had vampire teeth and some kind of mutant sombrero on his head. At least he does look a little dangerous, which is more than can be said of the witch woman with a makeup job that would frighten even Tammy Faye Bakker. Then there's Balazar's Brain, which is less than impressive once we finally get to see the darned thing at the end.

These Starman movies are just about the campiest things you'll ever come across. They stink to high heaven, yet you just can't help enjoying yourself while you watch them.

DVD Review: Starman Vol. 1 good, but get even weirder Vol. 2 first!
Summary: 4 Stars

Longtime fans of Starman must be dizzy with disbelief that these are actually out on DVD (beating hundreds of revered film classics to the format), although Something Weird has wisely (from their perspective anyway) not grouped the movies chronologically, but essentially give you one of the two better features on each disc, with one of the lesser efforts second-billed. All four movies (heavily reedited from the original late-1950s serial episodes) open with the same scene of the ruling council on the Emerald planet in the Marpet galaxy, one of the all-time bizarre set pieces in film history. An indescribable menagerie of alien mutants on a papier mache background gesture, nod, and sway as a large cutout of Saturn swings to and fro. If the movies could have somehow sustained the unsettling imagery and strange mood of these opening scenes they'd be revered as surrealist classics. A narrator sets up the plot, which always involves sending Starman, a "creature made of the strongest steel," to Earth to stop some menace or another. Stonefaced Ken Utsui wears a white spandex winged, hooded costume, with sometimes augmented codpiece, and a "Globemeter" on his wrist, which allows him to 1) fly in space, 2) detect radioactivity, and 3) speak and understand any earth language. Starman movies remain a curious melange of 1930s/40s American serials, comic-bookish martial arts action, A-bomb paranoia, gangster/film noir thrillers, kabuki theatre, freaky monsters, and cutesy kids. The odd, stylized choreography and lame-but-amusing camera tricks utilized in Starman's battles with the alien monsters (sometimes decked out in garish, Ben Cooper-on-acid costumes) and hilariously inept flying scenes, complete with clearly visible harness, create a specialized brand of cinematic cheese that simply must be experienced for full effect. SW's digitally remastered transfers look as good as these movies ever have, and Starman fans likely will never see a more definitive release than this pair of discs. While all four flms suffer from varying degrees of speckling and lining, all have good tonal values and crisp detail, except in some of the stock footage.
Evil Brain from Outer Space is the better of the two pictures on Volume 1, but still finishes second to the even crazier Invaders from Space on Volume 2. After a robot assassinates Balazar, the most brilliant mind in the universe, his brain is kept alive by agents from the planet Zemar. Seeking conquest, the Zemarians infiltrate Earth, and plan a follow-up attack with nuclear weapons. Concern about ensuing leakage of radiation into space prompts the ruling council to send Starman to the rescue. The brain is sought by gangster-look Zemarian agents, and fanged, reptilian mutants wreck trains and ships at sea. The Zemarians, who have established a clandestine base behind a secret passageway in a hospital (discovered by a little boy, of course), all wear black tights and wide belts with bat symbols on their chests. The alien leaders also sport capes and hoods, making them look like shlumpy Batman knockoffs. Zemarians disguised as humans commit robberies to finance the invasion, and a freaky, smoke-spewing, glowing-eyed, chirping mutant with "solid cobalt nails," huge eye on his belly, ugly veins on chest and arms, and large fanlike ears shows up to do kabuki battle with Starman. The mutant escapes and replicates, showing up again for the climax at the Zemarian base. Plenty of oddball gymnastics, reverse filming, and dummy-tossing ensues. Print quality is pretty solid, with very good to excellent tonal values, brightness, sharpness, and detail, marred somewhat by recurrent light to moderate speckling and blemishing and some occasional light lining. Still, quite watchable overall, probably better than you remember from Saturday afternoons.
Attack from Space gets my vote as second-least of the four Starman features. It opens with a leisurely interstellar voyage by Starman, who happens onto a Superian warship loaded with enough radioactive material to destroy Earth. Astronomers and scientists feverishly work in secrecy preparing a spaceship, while traitorous Earthlings cooperate with the Superians on another one. After observing one of the Superians' thuggish agents descending a secret passage in a graveyard to their underground base, astronomer's kids Kaoru and Ryuichi are kidnapped at gunpoint and held as ransom for engine blueprints the Superians need to make their rocket work. Starman, in street clothes, addresses a group of military brass, then flies off on highly visible wires to retrieve the stolen blueprints and rescue the hostages. The Superians launch their rocket, Starman detects their supreme headquarters (a space station), kicks Superian ... in a typical display of gymnastics/acrobatics, rescues Kaoru, and flies her through the void of space (maybe she's holding her breath). Although we get more plentiful cheesy spaceship sequences than in the other three films, the bad guys just look like humans in military uniforms, and there are no appearances of the bizarre mutants that make Evil Brain and especially Invaders from Space so delightfully demented. Print quality overall is, ironically, a bit cleaner than Evil Brain or Invaders, with the usual light to moderate speckling/blemishing and sporadic light lining, but otherwise quite watchable.
Volume I extras include an approximately 25-minute B&W Prince Planet episode (ca. 1965) in old-school manga style, and a 20-minute color 1950s "educational" short, My Milkman Joe, produced by the Denver Dairy Council, in which a creepy, annoying puppet from outer space helps Milkman Joe propagate dangerous misinformation about dairy products. Both volumes include an extremely detailed essay on the Starman/Super Giant phenomenon, packed with all the information about Starman you probably need. While this is a solid set for serious Starman freaks, I would recommend Volume 2 first to the uninitiated, casual fans who only want a 'sample' for their movie collections, or anyone with limited funds.

DVD Review: Kaiju Manna from Heaven
Summary: 5 Stars

STARMAN Vols. 1 and 2 offer four heretofore frustratingly rare films with lots of extras and the customary Something Weird quality (though don't expect the prints to look as though they'd been released yesterday). All fans of Japanese psychotronica NEED these two DVDs...nothing more need be said.

DVD Review: GREAT RETRO JAPANESE SCI-FI!!!
Summary: 5 Stars

These took me back many years, about 30! Made in the l950's as Japanese sci-fi episodes-and called SUPER GIANT-it starred Ken Utsei as a space going caped superhero from the Emerald Planet. These were originally made by Shintoho Company-a small studio made up of people who originally worked for the more-famous Toho Motion Pictures and left due to disputes and set out on their own. In the mid 60's these mini-movies were edited together to make four films for US distribution to TV. They showed up in the Mass/RI area on the old low-output UHF Channel 27 in Worcester, usually on the 6:30pm "Early Show" weeknite movie. Until now, I'd only seen them on those fuzzy "adjust the rabbit ears" showings. Those strange four films were more or less lost over the years until brought back on VHS tape and now, DVD. They are an absolute gas to watch, and you can hear dubbing done by Peter "Speed Racer" Fernandez. The quality of the films vary, with some skips, and scratches typical of old films of these types. But, honestly, I feel lucky we have that to watch and they are truly artifacts of a by-gone time.

Description of Evil Brain From Outer Space

Sci-fi enthusiasts from the baby-boom generation are sure to get a solid dose of nostalgia from this double bill of surreal adventures featuring Starman, who fought interplanetary evil on late-night TV in America during the mid-'60s and beyond. Known as Super Giant in his native Japan, the cowled crusader was featured in four 80-minute films that were culled from nine featurettes produced by the Shintoho Company (an offshoot of Toho) in 1957-58. Starman's trademark blend of frantic action and primitive special effects are on display in both features (the second and fourth in the series), which pit Starman against diabolical invaders (in Attack from Space) and an alien brain's mutant henchmen (Evil Brain from Outer Space). Kids may find the goings-on alternately corny and disturbing (the mutants are scary, and Starman racks up a considerable body count), but old-school monster movie fans will relish this chance to catch up with an old pal. --Paul Gaita

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