Easy Riders, Raging Bulls

Easy Riders, Raging Bulls
by Kenneth Bowser

Easy Riders, Raging Bulls
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DVD details

Actor: Dennis Hopper, Martin Scorsese, Peter Bogdanovich, Sam Peckinpah, Warren Beatty
Director: Kenneth Bowser
Brand: SHOUT FACTORY (UNDER GENIUS)
Producer: Kenneth Bowser
Writer: Kenneth Bowser
Producer: Andy Cohen
Producer: David Tecson
Producer: Joe Cilibrasi
Producer: Josh Braun
Writer: Peter Biskind
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Stereo; English (Original Language), Dolby Digital 2.0 Stereo
Format: Color, DVD, Full Screen, NTSC
Picture Format: 1.78:1
Running Time: 119 minutes
DVD Release Date: 2004-05-11
Audience Rating: NR (Not Rated)
Model: D2D34062
Studio: Shout Factory Theatr
Product features:
  • Inspired by comments from moviemaking luminaries such as Martin Scorsese and Paul Schrader, former Premiere Magazine editor Peter Biskind set about chronicling the work of 1970s filmmakers in his 1999 book EASY RIDERS, RAGING BULLS. After the critical and commercial success of the exhaustive tome, it seemed only natural to transfer his fascinating tales to the screen, and the Trio channel duly obl

DVD Reviews of Easy Riders, Raging Bulls

DVD Review: Intro. to 1970's Independent Film
Summary: 3 Stars

This is a kind of Independent Film of the Seventies 101. It's a good solid introductory course that explains just what forces conspired to make the early seventies the moment for the film artist or auteur. If you are already familiar with early seventies cinema and have seen Easy Rider, Bonnie and Clyde and Badlands plenty of times then what you need is a graduate seminar on one particular area of cinema (Marty Scorcese's MY VOYAGE TO ITALY for instance is an excellent overview of Italian cinema and Italian cinema's influence on the American independents).

Both EASY RIDERS & RAGING BULLS and that other documentary on seventies cinema A DECADE UNDER THE INFLUENCE came out at about the same time and both really cover the same ground. Film students and film buffs will already be familiar with the story of what happened to the studio system in the late sixties and just why film students like Coppola, Lucas, Spielberg and Scorcese were allowed to make the kinds of gritty realist films that they wanted to make. Both of these documentaries are good solid introductions to early seventies independent cinema but neither will be enough to satisfy the film connoisseur.

The reason these overview documentaries are unsatisfying is because they deal only in generalities and they do not have time to explore what drove each independent artist to make the films they made and so the documentaries just feel like yearbooks of the directors and stars waxing about their youth which was a time when the artist reigned supreme. It was no doubt a heady time when experiment was encouraged (by a few prescient and opportunistic producers who knew Hollywood needed new formulas for bringing young people to the theatres and who also knew that these young filmmakers just might hold the key to those new formulas). This was a generation brought up on foreign films and they were taught to believe that film could be art. A lot of them made some art but also a lot of them made a lot of money as well. The heyday of independence lasted only about seven or eight years (roughly 1967-1975) and it ended once the studios realized that the big money was in marketing the cr*p out of a new kind of blockbuster (Jaws, Star Wars, Alien)that appealed to the widest demographic possible. The other reason the era of the independents waned was because some of the independent film makers began spending vast amounts of cash on outrageous projects (Apocaplypse Now, Heaven's Gate)that didn't translate into box office sales. So there were those who blamed Spielberg and Lucas for their successes in crafting a new kind of formula picture that still dominates the industry today; and there were those who blamed the end of the era on Coppola's and Cimono's excesses. But this is a story that many are already very familiar with.

The kind of documentary I would like to see is one that explores the lesser celebrated genres (horror, sci fi, exploitation, avant-garde cinema) and the lesser celeberated directors like Donald Cammell and Joseph Losey and Nic Roeg (as well as some of the stranger foreign influences on American & English directors of the seventies). This documentary is fine for those who are not yet tired of Coppola and Altman and Scorcese and the other oft celebrated bright lights of seventies cinema who will all no doubt get lifetime achievement awards. But a really good documentary tries to break new ground not just reiterate what is already common knowledge. One way to do this might have been to interview young directors and ask them about their influences and maybe even interview a group of young directors along with some of the older directors and get some interesting conversations going about where cinema has been and where its going.

As it is this documentary like A DECADE UNDER THE INFLUENCE is just a popular history. The names of the directors represented here and the list of films will surprise no one. A worthy introduction for beginners but not a very daring or groundbreaking take on a fascinating fistful of years in film history.

More Easy Riders, Raging Bulls reviews:
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Description of Easy Riders, Raging Bulls

This 2-DVD set is Kenneth Bowser?s BBC-produced documentary of Peter Biskind?s controversial, best-selling book. It chronicles the evolution of a new breed of filmmaker who, in the late ?60s and ?70s, exploded old Hollywood, in the process redefining the very nature of movies. The results were edgy, impressionistic pictures?The Godfather, Easy Rider, Mean Streets, Midnight Cowboy, Rosemary?s Baby, Taxi Driver?by maverick, now-legendary directors: Scorsese, Coppola, Lucas, Altman, Polanski, Peckinpah.

In bringing the celebrated book to the screen, director Bowser employed some adventurous filmmaking of his own. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of the directors who defined the movement; original interviews with such directors as Arthur Penn and John Milius, actors such as Peter Fonda and Richard Dreyfus and more.

? Over 1.5 additional hours of deleted and extended footage. ? Narrated by critically acclaimed actor William H. Macy.

? Features vintage clips of Francis Ford Coppola, Martin Scorsese, Warren Beatty, George Lucas, Sam Peckinpah, Roman Polanski, and others. ? Bonus disc offers "mini-docs" featuring Dennis Hopper, Richard Dreyfuss, Ellen Burstyn, Cybil Shepherd, Peter Bogdanovich, Paul Schrader, John Milius, Peter Bart and others. ? Official Selection of Festival de Cannes 2003 and Deauville 2003 Festival du Cinema American.


This BBC production is a companion to Peter Biskind's 1998 book by the same name, an excellent dish on the 1970s American movie scene. It roughly follows the same path, tracing how maverick filmmakers revitalized Hollywood, from Dennis Hopper's Easy Rider to the triumphant quartet of Coppola/Lucas/Spielberg/Scorsese. Any fan will want to listen in as nearly 50 actors and artists remember the day. However, the star meter is on low wattage, with today's most successful directors only talked about, and seen in often bemusingly vintage clips. The better-produced, higher-star-wattage A Decade Under the Influence covers much of the same ground. An on-screen Biskind would have helped matters, but he is nowhere to be seen. Yet there are moments from the book that come to life, be it grainy home movies from Jennifer Salt and Margot Kidder's notorious beach house or Roman Polanski's emotional press conference after the murder of his wife Sharon Tate. The DVD boasts a second disc of extended interviews on numerous subjects, many of which were not covered in the 119-minute film. --Doug Thomas
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