Blood and Sand
by Rouben Mamoulian
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DVD details
Actor: Alla Nazimova, Anthony Quinn, Linda Darnell, Rita Hayworth, Tyrone PowerDirector: Rouben Mamoulian
Brand: Unknown
Cinematographer: Ernest Palmer
Cinematographer: Ray Rennahan
Editor: Robert Bischoff
Producer: Darryl F. Zanuck
Producer: Robert Kane
Writer: Jo Swerling
Writer: Vicente Blasco Ib??ez
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 2.0 Mono; English (Subtitled); Spanish (Subtitled); French (Dubbed), Dolby Digital 2.0 Mono; Spanish (Dubbed), Dolby Digital 2.0 Mono
Format: Color, Dubbed, DVD, Full Screen, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 125 minutes
DVD Release Date: 2007-05-01
Audience Rating: Unrated
Studio: 20th Century Fox
DVD Reviews of Blood and Sand
DVD Review: My one word review, ponderous.
Summary: 2 Stars
The only Tyrone power movie I have not liked! Beautifully filmed with a great cast, it is so slow moving as to be unwatchable, I started fast forwarding halfway through at the request of the other viewers. The look at the bullfighting culture was interesting and the role of Curro the newspaper "sports" writer played by Laird Cregar was superb,the camera loves Power and of course Rita Hayworth, who remains a hot dish 70 years later. All the elements for a great classic film but I just couldn't believe this was directed by the same man who had done "The Mark of Zorro" only two years earlier. My one word review would be "ponderous"!DVD Review: A GLORIOUS AND TIMELSS STORY
Summary: 4 Stars
Blood and Sand (1941) is a Technicolor film produced by 20th Century Fox, directed by Rouben Mamoulian and starring Tyrone Power, Linda Darnell, Rita Hayworth, and Alla Nazimova. It is based on the Spanish 1909 novel Blood and Sand (Sangre y arena) by Vicente Blasco Ib??ez.
There are two earlier versions of Blood and Sand; a 1922 version produced by Paramount Pictures, and starring Rudolph Valentino; and a 1916 version filmed by Blasco Ib??ez himself, with the help of Max Andr?.
As a child Juan Gallardo (Tyrone Power) wants only to become a bullfighter like his dead father. One night he has an argument with the pompous critic Natalio Curro (Laird Cregar) about his father's lack of talent in the bullring. The argument spurs Juan to travel to Madrid and achieve his dreams of success in the bullring. Before leaving he promises his aristocratic sweetheart Carmen Espinosa (Linda Darnell) he will return when he is a success and marry her.
Ten years later Juan Gallardo (Tyrone Power) returns to Seville. He has become a matador and uses his winnings from Madrid to help his impoverished family. He sets his mother (Alla Nazimova) up in a fine house and ends her existence as a scrubwoman. He lavishes money on his sister Encarnacion (Lynn Bari) and her fianc? Antonio (William Montague) so they can open a business and wed. He hires ex-bullfighter Garabato (J. Carrol Naish), who has become a beggar, as his servant. Best of all he is now able to marry his childhood sweetheart Carmen (Linda Darnell) as he had promised.
Juan's wealth and fame continue to grow along with his talents as a bullfighter . Eventually he becomes Spain's most famous and acclaimed matador. Even the once scornful critic Curro now lavishes praises upon Juan and brags that it was he who discovered Juan's talent. Although Juan remains illiterate doors open to society and he catches the eye of sultry socialite Do?a Sol des Muire (Rita Hayworth) at one of his bullfights. His mother attempts to warn Juan that if not careful he will, like his father, end up on a path to destruction but Juan refuses to believe her.
Watch ver closely and you will se a young George Reeves, many years befor he epitomized the Super role that made him famous. He plays a small but memorable part as the Dona's first suiter.
Juan is blinded by the attention his fame has brought and Do?a Sol finds it easy to lead him astray. He soon begins to neglect wife, family and training in favor of her privileged and decadent lifestyle. His performance in the bullring suffers from his excesses and he soon falls from his great heights as the premiere matador of Spain. With the loss of fame comes rejection by everyone who was once important to him. Even Carmen casts him off after she learns of his affair. With his fame now gone Do?a Sol moves on to new up and coming matador Manolo de Palma (Anthony Quinn), Juan's childhood friend.
After losing everything a repentant Juan begs for forgiveness and is taken back by Carmen. He vows to change but first he must have one final bull fight to prove he is still a great matador. His prayers for one last success, however, are not answered and like his father before him he is gored by the bull. Juan dies in the arms of Carmen as the crowd cheers for Manalo's victory over the bull. Manalo bows to the fickle crowd near the stain of blood left in the sand by Juan.
DVD Review: Rise and fall, from the humbleness to the apex!
Summary: 4 Stars
"Blood and sand" is one of the most famous novels of Blasco Iba?ez, that somehow retakes the myth of Icarus about the story of the son of a famous bullfighter, from his impoverished ages of childhood to his unequalled fame as the best Spanish bull fighter, idolized and loved for many women.
His superb reaches a turning point when he was seduced by an alluring woman - Rita Hayworth-, although she is aware he `s a married man, and how this ethic deviation will lead him to a fatal disgrace, here you have the essential pivot of all tragedy according the Greek pattern, the violation or transgression of the rule will blind the humblest of men.
Tyrone Power as the disgraced bullfighter, Linda Darnell as his suffered wife and Hayworth as the "fatale femme" complete a narration that will be completed with the basic elements of the Spanish culture, the bullring, the devotion for the Macarena Virgin, the flamenco and other minors issues that constituted a well rounded film without that used ornamentation or bombastic feature that nourished other similar films of the Forties.
Maybe the film is a bit overlong and that's why I can't give it five stars.
DVD Review: Anthony Quinn and Rita Hayworth dance
Summary: 4 Stars
Boyhood rivals Tyrone Power and Anthony Quinn grow up to be rival matadors.So far, so what. But then they become rivals in love. Now you have a story. Power is the first to get involved with the lucious Rita Hayworth but then Quinn moves in for the prize. It is rare that one scene can make an entire movie worth the purchase price but the scene in which Quinn and Hayworth dance is that scene. Quinn uses the moves of a matador with Hayworth dancing the part of the matador's twirling cape in her rose colored gown. When the cafe patrons shout ole` the viewer is one with them.
Hayworth and Quinn had an affair while participating in the movie. Watching them dance it could not have been otherwise. GET THE MOVIE.
DVD Review: Blood and Sand - The Movie
Summary: 3 Stars
A love triangle in which an aspiring bullfighter falls under the spell of a beautiful woman.
Description of Blood and Sand
TYRONE POWER, LINDA DARNELL, and RITA HAYWORTH star in Rouben Mamoulian's stunning remake of the 1922 silent classic. A "potent drama of love and danger, pride and death," this "magnificent presentation" (Variety) tells the story of a handsome matador torn between his loving wife and a beautiful, unscrupulous aristocrat. Juan (POWER), the na??ve son of a once-famous bullfighter, tries to recapture the glory of his family's name. Though he is branded fifth rate, he soon becomes Spain's greatest matador and returns home top marry his childhood sweetheart (DARNELL). But when a beautiful, passionate aristocrat (HAYWORTH) seduces him, Juan succumbs to her temptations, only to see his own happiness and success crumble.You have to wait over 20 minutes for Tyrone Power's entrance in Blood and Sand, but it's a good one: a close-up of Power grinning like FDR, his hair oiled and a cigar jutting out of his teeth, framed against a blood-red backdrop. This is the young matador Juan Gallardo, now grown after the opening reels have established his childhood as a bullfighting prodigy. What happens upon Juan's return to Seville is high Technicolor drama: success in the ring, romance with a childhood sweetheart (Linda Darnell), and then temptation in the arms of a dangerous temptress (Rita Hayworth).
The film is, of course, a remake of the silent 1922 Rudolph Valentino hit, but there's no mistaking it for that one: not least because of the torrid tones of the Oscar-winning cinematography by Ernest Palmer and Ray Rennehan, and the equally lush score by Alfred Newman. The director here is Rouben Mamoulian, whose operatic style meshes with the subject--bullfighting--and the old-school approach to heavy-breathing melodrama. The movie's a little too operatic for pacing purposes, and that opening definitely goes on too long. But the attractions include Rita Hayworth reveling in the bad-girl role; you can hardly blame Juan Gallardo for wandering, even if Linda Darnell is fully in her early-career lusciousness. And then there's Anthony Quinn, who swims around Gallardo like a shark sniffing blood. Tyrone Power is physically right for the role, and his steadfast earnestness suits the character. If it all seems faintly ludicrous today, it was good enough for box-office success in 1941, keeping Power's late-1930s winning streak going. --Robert Horton
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