Blood Work (Widescreen Edition)

Blood Work (Widescreen Edition)

Blood Work (Widescreen Edition)
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DVD details

Actor: Chao Li Chi, Dina Eastwood, Gerry Becker, Jeff Daniels, Wanda De Jesus
Brand: Warner Brothers
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 5.1; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 5.1; French (Dubbed), Dolby Digital 5.1
Format: Anamorphic, Closed-captioned, Color, Dolby, Dubbed, DVD, NTSC, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 110 minutes
DVD Release Date: 2004-06-01
Audience Rating: R (Restricted)
Studio: Warner Home Video

DVD Reviews of Blood Work (Widescreen Edition)

DVD Review: solid Eastwood vehicle
Summary: 3 Stars

***1/2 For action movie stars, the question of how to age gracefully on screen has become a growing concern of late, now that many of the men who made their mark and their fortunes in the genre during the `70's, `80's and early `90's have begun to slip not merely into middle age but, in some cases, even old age as well. For understandable reasons, many of these brawny gentlemen have refused to go gently into that night of second-string bit player roles and has-been status - and their studios, which earned some mighty bucks off their popularity during that time, have been reluctant to let go of them as well. The action genre requires, of course, a nimbleness and vitality that come only with youth. How then to get men pushing 50, 60, even 70 years of age to compete with the up-and-coming action stars of the future, men with the energy and vigor to pull off the stunts these senior citizens can but dream about from their own long-past glory days? One way to deal with the problem is to simply ignore the effects of aging altogether, to have the actors go through the motions anyway, even at the risk of reducing the whole enterprise to the level of rank implausibility. Arnold Schwarzenegger and Sylvester Stallone, in their latest action films, have settled for this strategy, the result of which is that their films haven't been either very successful at the box office or all that much fun to watch of late. The much older Clint Eastwood has decided to take the opposite tack. In the latter stages of his career, Eastwood has found ways to incorporate the elements of aging into the people he is portraying. These characters need time to recover from the stressful physical requirements of the job; their reflex time is not always what it should be; they work hard at staying alongside their younger crime-fighting partners when pursuing a suspect on foot; they get winded when they run. The sight of Eastwood panting to keep up with the President's motorcade in "In the Line of Fire" is one of the great emblematic images of `90's action cinema.

Well, it is nine years since that film, and Eastwood himself is now 72 years old. In his new film "Blood Work," Eastwood's Terry McCaleb is about as close to keeling over dead as any action movie protagonist we have ever come across. Not only is he old, he suffers a heart attack while chasing a serial killer in the opening scene and, two years later, has just received a brand new ticker, courtesy of a young female donor who was murdered in a convenience store robbery. Although McCaleb's doctor keeps telling him that this postoperative period is a crucial one requiring complete rest and relaxation, this retired FBI murder investigator decides to disobey doctor's orders when the heart donor's beautiful sister arrives on his houseboat begging him to help her find the young woman's killer. The plot of "Blood Work," based on the novel by Michael Connelly (and adapted by Brian Helgeland), is not the real selling point of the film - although it emerges as a better-than-average police procedural with some interesting plot twists, unusual locations and a nice maze-like structure to keep the audience guessing (although I must admit that I figured out who the killer was rather early on in the story). The film also does a nice job closing in on itself, making McCaleb himself an integral part of the story's final unraveling (though it does steal a bit from "In the Line of Fire" in this one area). Yet the most impressive aspect of the film is not its story but its central character and, most particularly, the performance of Eastwood himself. Perhaps because he also directed the picture, this legendary star really seems to inhabit the character he is playing here. With his craggy - but still remarkably handsome - face, Eastwood looks like a man who has weathered any number of life's greatest trials and emerged from them a better, more compassionate human being. Having devoted his career to trying to get into the minds of the sickest types of criminals imaginable (serial killers), he is still able to be touched by the desperate pleas of a grieving sister, the sad plight of a young boy facing the grim prospect of an early death brought on by a weak heart, and the innate goodness and innocence of a young son who has lost the dearest thing in his life to a madman's bullet. McCaleb knows the difference between good and evil, and he also knows that second chances don't always come around in life so he better make the most of the one he's been handed.

There are superb supporting performances by Jeff Daniels as the neighbor excited at the prospect of sharing in some of the glamour of McCaleb's investigative work, Anjelica Huston as the cardiologist maddened by her patient's refusal to take it easy in his crucial period of convalescence, Wanda De Jesus as the sister who sets the plot in motion with her request that McCaleb help her in her search for justice, Paul Rodriquez as the eternally irate detective who thinks McCaleb is overstepping his jurisdiction and Tina Lifford as a fellow investigator who has enough faith to trust the old pro even when he seems to be going beyond the bounds of totally by-the-book rules and procedures.

It's unfortunate that Eastwood does compromise a bit by having his character end up in a romantic relationship with the much younger De Jesus rather than with a woman closer to his own age. I guess even this superstar couldn't stand THAT much of an affront to his male ego. Oh well, give credit to the man for at least having the gumption to confront some of the realities of his own aging. We are happy enough with what we have. Let's not expect miracles.

More Blood Work (Widescreen Edition) reviews:
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Description of Blood Work (Widescreen Edition)

A former FBI profiler who has recently undergone a heart transplant comes out of retirement to track down the serial killer who has recently begun killing victims with the former agent's blood type.
Clint Eastwood's Blood Work is a refreshing reminder that Hollywood's young Turks can still learn a lesson from good old-fashioned craftsmanship. Settling into an easygoing groove that recalls his early work in Play Misty for Me, the 72-year-old producer-director-star acknowledges his age by playing a retired FBI profiler and recent heart-transplant recipient. He's recruited by his heart donor's grieving sister (Wanda De Jesus) to find her dead sibling's killer, and personal obligation compels his dutiful but health-risking investigation. From a sharp, sensible script by L.A. Confidential Oscar® winner Brian Helgeland (from Michael Connelly's novel), Blood Work consistently plays to Eastwood's no-nonsense approach, elevating the mystery while giving Jeff Daniels (as Eastwood's neighbor and amateur sidekick) a substantial role in the suspenseful proceedings. Some may chuckle at a brief Eastwood-De Jesus love scene, but there's ample proof here that Clint's still got all the right moves. --Jeff Shannon
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