Before Night Falls

Before Night Falls
by Julian Schnabel

Before Night Falls
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DVD details

Actor: Giovanni Florido, Javier Bardem, Johnny Depp, Lol? Navarro, Olatz L?pez Garmendia
Director: Julian Schnabel
Brand: Warner Brothers
Producer: Julian Schnabel
Writer: Julian Schnabel
Producer: Jon Kilik
Writer: Cunningham O'Keefe
Writer: Jana Bokova
Writer: L?zaro G?mez Carriles
Writer: Reynaldo Arenas
DVD: Region Code 1
Audio: English (Original Language); French (Subtitled); Spanish (Subtitled)
Format: Closed-captioned, Color, Dolby, DVD, NTSC, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 133 minutes
DVD Release Date: 2001-05-22
Audience Rating: R (Restricted)
Studio: New Line Home Video

DVD Reviews of Before Night Falls

DVD Review: Best for those with prior knowledge of its subject
Summary: 2 Stars


BEFORE NIGHT FALLS

(USA - 2000)

Aspect ratio: 1.85:1
Theatrical soundtrack: Dolby Digital

The life and times of Cuban writer Reinaldo Arenas, whose political viewpoint and experiences as a gay man rendered him unwelcome in his home country.

Evocative study of a renowned artist whose craft was forged under duress, within a political system which defined Art and sexuality as two sides of the same 'dangerous' cultural coin. Viewers with a prior knowledge of Arenas' life and work will derive more from the episodic narrative than most casual viewers, though no one could fail to be impressed by Javier Bardem's Oscar-nominated performance in the central role. Strong supporting cast, too, including Johnny Depp in brief - but memorable - dual roles, Olivier Martinez (as Arenas' closest friend) and a virtually unrecognizable Santiago Magill (DON'T TELL ANYONE) as one of Bardem's early sexual conquests. Directed by Julian Schnabel (BASQUIAT).

DVD Review: Javier Bardem is excellent
Summary: 5 Stars

This is the first film I have seen Javier in. It is subtitled but I enjoyed it very much. It shows gay life in Cuba and the problems they have living in that country. Even though Castro's' brother was brought out of the closet about forty years ago-smile
Javier was in a recent movie playing a killer. As I sit here at the computer, I have forgotten the title. He is one bad ass actor and will be around for a long time. Get the DVD. "BEFORE NIGHT FALLS." It was also filmed in Cuba? Well, it looked like what I assume Cuba looks like.

DVD Review: before night falls
Summary: 4 Stars

good capsule version of what it must have been like to live in Cuba at the time

DVD Review: Struggle against repression
Summary: 5 Stars

This is an artistic and visually bold film about the life of a gay talented poet and writer in the time of the Cuban Revolution. Javier Bardem is excellent as poet Reinaldo Arenas, a peasant child who becomes one of Cuba's great writers. The film takes us from the first days of the Cuban revolution to the dark days of totalitarian repression of all sexuality and creativity that is not condoned by the state.

This is an excellent film, visually compelling with a narrative flow that is not smooth or consistent, but totally engaging all the same. The film artfully and entertainingly deals with the concept of whether and how the work of the artist and the actual life of the artist and then the later artistic depiction of the life of the artist are integrated. Schnabel does an excellent job of taking on this challenge, revealing the passages in the life of the artist that impact his work. Reinaldo Arenas made art from his life experiences but was able to maintain a surreal and absurdist aspect to the writing. Schnabel does this perfectly with his short collage like film-making, that is almost dream like with its entrances and exits of characters with little introduction or resolution. At first I thought this was a weakness of the film. Why were so many handsome men coming into Arenas' life and then leaving his life? Why were so many artists and writers his friends and allies and then they disappear? The more I thought about the film the more it became evident to me that this is the nature of both homosexuality and homosexual relationships as well as the voice of dissident artists in a repressive totalitarian dictatorship. This is terror indeed if we are afraid to know the names of our lovers or of our fellow sympathizers for fear that we will be turned in by them or forced to reveal their names. In the end the film is a great achievement in the ability to depict repression and the human forces that resist it.

DVD Review: Bardem's masterclass performance helps reign in the incoherencies...
Summary: 4 Stars

I admit to knowing nothing about poet Reinaldo Arenas before sitting down to watch `Before Night Falls'. In fact, the only reason I had decided to give this a try in the first place was all the hype heaped upon Bardem's Oscar nominated performance. At the time of my first viewing I was less than impressed. Sure, it was a decent movie and I was wholly blown away by Bardem's heartbreaking performance, but in the end it just was not my cup of tea. Recently I decided to revisit this film and upon a second viewing I must say that, while it still has it's detractors, it comes off very sincere and heartfelt; as if it meant something to everyone involved, and that feeling transcends the screen.

`Before Night Falls' is adapted from Arenas memoir of the same name. The film covers his life from birth till death (euthanasia) with an emotional pull that a lot of biopic's lack. You can tell that director Julian Schnabel is longing to do justice to this man he obviously admires. This emotional resonance can be attributed in large part to Bardem. Javier Bardem (who recently was able to tag `Academy Award Winner' to his name) has always been an intriguing actor, one that slips into his roles and draws the audience in. Of all his work (that I have seen, for I haven't seen everything) this is his finest performance. He truly burrows beneath Arenas and causes his entire being to fester at the surface, uncovering the man he really was.

This is of the utmost importance, because `Before Night Falls' biggest flaw is the fact that it's construction is rather choppy and incoherent, enough to really dampen ones grasp of their surroundings, and ultimately who Arenas was. If Bardem had faltered in his performance in any way then the film could have possibly been lost to the audience. This is possibly where Schnabel's admiration for his subject jeopardizes his tribute, for he tries so hard to show us everything that he doesn't take the time to flesh it all out for us.

For instance; I had no idea that Arenas was suffering from AIDS. Maybe I missed something, but as far as I could tell that was never clarified. I had to look up Reinaldo Arenas on the internet to finally understand the last few minutes of the film. I could have missed it, but that is just a small example of the bigger picture.

Reinaldo Arenas lived a very interesting (albeit emotionally devastating) life. The film follows it all; from his growing up in Cuba in poverty to being imprisoned during Castro's regime (his alternative lifestyle played a big factor there) to his exile to New York City before his death in 1990. During his entire lifespan he was always writing. He started at a young age writing poems (which infuriated his father) and moved onto writing material that garnered him many loyal followers to offset the many enemies. All of this is displayed for us on the screen, but Schnabel doesn't take enough time to really embellish and help us to comprehend all that is going on. This is one of those times when a film, although long, is not quite long enough. Many have commented about it being too slow and meandering, but I think that if Schnabel had expanded his film thirty to forty minutes he could have given us a more coherent depiction of Arenas life, and that would have actually picked up the pace for we wouldn't be left confused.

I can't for the life of me decide if this is due to O'Keefe and Carriles screenplay or Schnabel's direction; possibly both.

Beyond the confusion though, lies one of the richest and most fulfilling performances I've seen in a long time, and one of the most endearing biographical performances maybe ever. Bardem sinks so far into Arenas yet never gets lost in the films waves. He actually works to steady those waves and draws out this mans life amidst the confusion. He paints Arenas clearly, vividly and enjoyably. We want to know him, we want to watch him, we want to cry for him. Bardem is aided by a slew of supporting actors, from Olivier Martinez (who turns out possibly his finest performance to date) to Sean Penn and Johnny Depp who prove that no part is too small to make an impact. In the end though, this film belongs to Bardem, and without him it would lose everything that makes it work.

Description of Before Night Falls

An incredible journey through the life and work of the late cuban poet reinaldo arenas whose courageous fight for personal expression defied censorship and persecution. Special features: subtitles in english spanish and french theatrical trailer cast and crew filmographies and much more. Studio: Warner Home Video Release Date: 08/29/2006 Starring: Javier Bardem Sean Penn Run time: 125 minutes Rating: R
Based on the posthumously published memoir by Cuban poet Reinaldo Arenas, Before Night Falls is artist-director Julian Schnabel's second exercise in artist biography, but where Schnabel's earlier film Basquiat was relatively conventional, this film is bolder in both style and execution. Schnabel is perhaps too enamored of his subject as a noble martyr, lending the film a somewhat inflated sense of importance. Still, it's rare to see an artist's life and work so elegantly interwoven, and Before Night Falls uses all of Arenas's life as its canvas, from impoverished youth to lively gay freedom in mid-1950's Cuba; imprisonment during Castro's antigay regime; and to New York City in 1980, followed by Arenas's battle with AIDS and subsequent suicide (depicted here as assisted) in 1990.

Through these extreme rises and falls, Arenas is always writing, his typewriter his most faithful lover and weapon (by way of smuggled manuscripts) against the dark forces that surround him. As Time magazine's Richard Corliss wrote, Arenas is "a serious actor's dream role: to be a gay Jesus in a modern Passion Play," and Javier Bardem--the first Spanish actor to receive an Oscar nomination--inhabits the role with subtle ferocity, charting this emotional odyssey with outer reserve but blazing infernos of internal passion. And while Schnabel suffers from a hyperactive camera, there's poetry here--visual, dramatic, and literal--and vibrant humor to temper the deep tragedy of Arenas's life. Schnabel also uses his actor friends to good advantage: a nearly unrecognizable Sean Penn adds an ironic touch to his brief appearance as a peasant, and Johnny Depp is both funny and fearsome in dual roles as a drag queen and vicious army interrogator. --Jeff Shannon

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