Battlestar Galactica: The Complete 2004 Series (+ Collectible Cylon)
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Actor: Edward James Olmos, James Callis, Jamie Bamber, Katee Sackhoff, Mary McDonnellBrand: BATTLESTAR GALACTICA
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Spanish (Subtitled); English (Original Language)
Format: AC-3, Box set, Color, Dolby, DVD, Limited Edition, NTSC, Subtitled, Widescreen
Picture Format: 1.77:1
Running Time: 4020 minutes
DVD Release Date: 2009-07-28
Audience Rating: Unrated
Studio: Universal Studios
DVD Reviews of Battlestar Galactica: The Complete 2004 Series (+ Collectible Cylon)
DVD Review: so it goes
Summary: 2 Stars
BSG in the beginning looked like it could have been a worthy contender to match or even outdo JMS's epic 5 year story arc 'Babylon 5' B5 made us invest emotionally in the characters and their journey of development, an investment which was ultimately worthwhile. BSG in the beginning offered something similar but failed to deliver. It also failed to deliver a coherent story arc - the so called 'plan' was never realised - but was instead a massively wasted opportunity.
Ronald D Moore was given the task of turning a turkey of a TV series from the 70's into a relevant, highly watchable and engrossing contemporary show with an overarching story arc. In the first 2 or 3 seasons it looked like he was going to pull that 'miracle' off. But no from the 3rd season onwards with a couple of notable exceptions story wise he turned it back into a turkey.
BSG has been an infuriating roller coaster ride. Often it has been a truly great TV series and at other times it has lost the plot completely.
What could have been a truly great show has fallen flat on its face with the fourth series and the final episode. The plot threads we all hoped would be at least partially explained have been written off as the work of God.
RDM has used "deus ex machina" to tie the series up. This plot device is the ultimate sin of any writer and has to be ultimate cop out in a show of this stature.
Basically this means that RDM can finish off the story using the absurdist teleology "God did it in his mysterious way."
As H.G. Wells himself said regarding the deus ex machina, "If anything is possible, then nothing is interesting."
Well, with God, anything can happen. Aristotle also said something similar way back when- and i think we can agree HE was a wise man.
The story was much richer and open to more interpretation when the gods were portrayed through faith as metaphor, but the Gods are cast as real and cannot be really interpreted in any other way.
Season 4's religious infatuation was a huge indicator of the direction this whole thing was falling into. The religious cliched chocolate box picture lid dreams of cancer victims sailing on the boat over the river to meet the loved ones on the other side etc. Surely a program of this stature could add more substance and pragmatism to such dark occurrances of dealing with terminal illness?
Many have said that the religious content was implicit from the start. This is true, but one can criticise the way the religious subtext has been handled throughout the series. Galactica's God is an interventionist God whose machinations and interference only devalues all the great work put into the characterisations and great acting. The motivations of the characters loses all meaning in this deterministic universe. The characters lose all responsibility for their own actions...remember this is God's plan. So 4 years of brilliant character driven plots and motivations gets flushed down the cosmic toilet.
Even earlier prophecies made by the Cylon Hybrids were ignored or just passed over without further mention.
Any reasonably explained scientific rationalism has been ditched completely, so those looking for any self consistent rules to be played out will be disappointed. Hard SF fans will be disappointed. Especially those wise enough to understand that the universe is not a deterministic clockwork one in the Newtonian sense but intrinsically indeterminate in the quantum paradigm/chaos theory..
If you try to analyse the show through the religious route it fails even more spectacularly and shoots itself in the head throughout the whole 4th series. There are far too many variables where God has to work in mysterious ways to get the characters to where they finally end up. This just confirms the lack of a truly coherent and consistent story arc.
The final hour of this tragedy dismantles anything built up over the 4 years of hard graft. The only way the religious theme worked at all was that the Cylons belief in the one true god gave them motivation to ethnically cleanse the immoral humans and their false gods (sound familiar?)
There are also many bad mistakes along the way. The major one being the position of stars in the constellations in the tomb of Athena way back in season 2. The constellations (position and names of the stars) indicate they are the same ones we see in our night sky. The constellations on scorched earth matched these. This meant that scorched earth should have been our Earth. When our Earth is eventually found the constellation idea has been quietly dropped. And this was supposed to be a major event.
The references which places BSG to our culture like greek gods mythology, telephones, radar, turns of language etc is ignored by placing the finale in the deep past. There is no way these references could have survived to have an effect. RDM uses the ridiculous unprovable idea of collective consciousness to cover that one. Anyhow God wrote "all along the watchtower" (not Bob Dylan sorry)and implanted it in various characters over the series.
The 7th Cylon was also an error and had to be hastily passed over. (whoops someone forgot how to count to 12!)
The evidently important opera house vision was passed off lamely in an ill thought out couple of minutes. It therefore became totally meaningless. This too had been built up to be a major event.
Even if the constellations matched our earth's or any other, the position of the stars would be very different (not even close)because Moore decided to use Earth 150,000 years ago. It just doesn't pan out at all. By using the star patterns depicted this should have meant that the end of galactica should have been in our future - not in our past as presented here. There are many, many other examples of these kind of mistakes littered over the 4 seasons.
The ending using Mitochondrial eve idea was cliched beyond belief. The Mitochondrial Eve of 200,000 years ago is NOT our common ancestor, or even common genetic ancestor. She is the most-recent common ancestor of all humans alive on Earth today with respect to matrilineal descent. That may seem like a mouthful, but without even a single one of those qualifying phrases, any description or discussion of the ME reduces to a lot of nonsense. ME is an ill named genetic based mathematical model and nothing to do with Adam and Eve pseudo scientific creationism as depicted by this show.
Basically it was stated that the 12 colony humans were highly compatible with the early humans found on "Earth." This meant that Hera's DNA,Cylon DNA and 12 colony DNA was practically identical. This is absurd as the 12th colony was stated (inaccurately) to be a million light years away from earth. This would mean that for the 2 species of Earth and 12 colonies the DNA being so close was well nigh impossible. And there is no way that the evolution of both worlds be so convergent (or as in this case identical) This is at least openly admitted by the show but swept under the carpet with the "God's will" magic wand. Basically this just smacks of pseudo scientific creationism. If the DNA was different enough to Earth mitochondrial DNA it would mean that we would not now be related genetically to our primates or anything else in our evolutionary past. We would be genetically tied to Hera instead. This is absurd. The main point is that if Hera's DNA was so close to human DNA there would be no importance or reason whatsoever for her to be the basis of our own human-ness. It is totally pointless. So why bother at all?
The rest of Galactica's crew from the pragmatic view of human history must have been wiped out completely anyway. The galacticans ironically all agree in a consensus never seen in all 4 conflict filled series to destroy all their technology and settle all over the globe.... to die out with a whimper. maybe RDM thought he was still writing for Star Trek and invoked the ridiculous concept of the prime directive subconsciously? The Hominids didn't leave Africa until 60,000 years ago. and modern humans evolved there 150,000 years ago. So how do the galacticans help humans and give them the best part of them for the future? No records, no archeology, no technology etc. mass suicide...yes.
The survivors suddenly just become thoughtless consensual drones of a religious god as in Python's satirical warning in "the life of Brian."
The weekly conflict between factions is swept under the carpet.
One of the main themes of this show was "are we worthy to survive?" and this brought in many valid questions as well as answers to this in a religious context. The religious content WAS implicit from the start, but there was a better balance between gritty stark reality and religion in the first 3 seasons. The series has really gone off the rails since mid way through series 3. The last season taken as a whole had few highpoints and it wasted a lot of precious time on nonsense which was never expounded consistently. ie: the final 5 cylons, who was the 5th cylon? (who cares? It didn't matter a jot anyway to the plot) How did Starbuck return from the dead? Why did they find her body/viper many light years from where it met its end? Why write her out and then bring her back? A lot of these elements felt like mere dramatic plot devices and didn't go anywhere. This just devalued Starbucks meaty role into that of a mere pawn.
When the show was good it was the best there's ever been. The mini series, the episodes about the Pegasus, the New Caprica plot lines, the rise of Tom Zarek, the collaborator witch hunts, the black market, the insurrection, scorched Earth et al.
The final episodes are entertaining in a superficial way but just fall apart under any kind of scrutiny.
The cast gave exceptional performances, some of the writing was excellent, some dire and the cgi was of feature film quality.
Many episodes in this final set felt like mere padding. It would have been a much better ending if they had finished the series half way through when they found scorched Earth. It would have been BRAVER. But no the ending RDM used renders the actions of previous seasons pointless. Re watching the series becomes a redundant act - knowing what you know at the end.
It became ever more apparent as season 4 imploded in on itself that they were just making it up as they went along.
I know this review may upset some fans, but after checking out the BSG blog sites a lot of fans feel let down. I have been a big fan of the show and found it to be at its best when it was most pragmatic/political/sociological/psychological. But this is my opinion which i have a right to exercise.
If this is the best RDM can do i feel inclined not to buy the final season and will probably give the forthcoming "Caprica" and "The Plan" a wide berth. If RDM can incurr a miraculous creationist interventionist God here there's no reason he won't use it again down the line.
BSG had great potential which it failed to recognise. Like many TV shows before and i suppose many more which will follow this will happen again and again and again.....
The real tragedy of BSG is that the series was built upon great characters grounded in a real world political social context. The first 3 seasons and part of season 4 built strongly upon these compelling themes. The final season dismantled these great themes and made them utterly pointless. The finale is probably the most disappointing end to a series i have ever seen. It is all the more disappointing because the show WAS so brilliant to start with.
BSG will sadly be remembered as the show that started off great but had the stupid ending.
Description of Battlestar Galactica: The Complete 2004 Series (+ Collectible Cylon)
Now you can relive every action-packed moment of the epic story that Entertainment Weekly proclaims ?Riveting?! Rejoin the fight to save the human race as a small but determined fleet quests for the fabled planet Earth while being hunted by their nemesis, the robot cylons. Presented uninterrupted and in Dolby Digital 5.1 Surround Sound, experience the phenomenon from beginning to end!Battlestar Galactica: Season One
Battlestar Galactica's Edward James Olmos wasn't kidding when he said "the series is even better than the miniseries." As developed by sci-fi TV veteran Ronald D. Moore, the "reimagined" BG is exactly what it claims to be: a drama for grown-ups in a science-fiction setting. The mature intelligence of the series is its greatest asset, from the tenuous respect between Galactica's militarily principled commander Adama (Olmos) and politically astute President Roslin (Mary McDonnell) to the barely suppressed passion between ace Viper pilot "Apollo" (a.k.a. Adama's son Lee, played by Jamie Bamber) and the brashly insubordinate Starbuck (Katee Sackhoff), whose multifaceted character is just one of many first-season highlights. Picking up where the miniseries ended (it's included here, sparing the need for separate purchase), season 1 opens with the riveting, Hugo Award-winning episode "33," in which Galactica and the "ragtag fleet" of colonial survivors begin their quest for the legendary 13th colony planet Earth, while being pursued with clockwork regularity by the Cylons, who've now occupied the colonial planet of Caprica. The fleet's hard-fought survival forms (1) the primary side of the series' three-part structure, shared with (2) the apparent psychosis of Dr. Gaius Baltar (James Callis) whose every thought and move are monitored by various incarnations of Number Six (Tricia Helfer), the seemingly omniscient Cylon ultravixen who follows a master plan somehow connected to (3) the Caprican survival ordeal of crash-landed pilots "Helo" (Tahmoh Penikett) and "Boomer" (Grace Park), whose simultaneous presence on Galactica is further evidence that 12 multicopied models of Cylons, in human form, are gathering their forces.
With remarkably consistent quality, each of these 13 episodes deepens the dynamics of these fascinating characters and suspenseful situations. While BG relies on finely nuanced performances, solid direction, and satisfying personal and political drama to build its strong emotional foundation, the action/adventure elements are equally impressive, especially in "The Hand of God," a pivotal episode in which the show's dazzling visual effects get a particularly impressive showcase. Original BG series star Richard Hatch appears in two politically charged episodes (he's a better actor now, too), and with the threat of civil war among the fleet, season 1 ends with an exceptional cliffhanger that's totally unexpected while connecting the plot threads of all preceding episodes. To the credit of everyone involved, this is frackin' good television.
DVD features
The fifth disc in Battlestar Galactica's season 1 set is highlighted by eight comprehensive featurettes covering all aspects of the series, from its miniseries origins to standard surveys of production design, visual effects, and particulars of plot and character. For hardcore fans and anyone interested in TV production, nine out of 13 episodes, plus the disc 1 miniseries, are accompanied by intelligent and informative commentary originally provided as BG website podcasts, mostly by series developer and writer Ronald D. Moore, who provides tantalizing clues about developments in season 2. The "Series Lowdown" is a cast-and-crew promotional program originally broadcast to attract SciFi Channel viewers who were initially reluctant to embrace a "reimagined" Battlestar Galactica. The strategy worked: First-season ratings left no doubt that the new BG was as good as--and in many ways better than--the original. --Jeff Shannon
Battlestar Galactica - Season 2.0
The first half of Battlestar Galactica's second season left no doubts about the continuing excellence of the best science fiction TV series of 2005. Beginning with the Colonial Fleet separated, Col. Tigh (Michael Hogan) botching his temporary command, and Capt. Adama (Edward James Olmos) near death after a Cylon assassination attempt, series producer/developer Ronald D. Moore and his gifted writing staff packed more into these 10 episodes than most series manage in a full season. Maintaining its reputation as an adult drama, the series is compellingly anchored by the gravitas of Olmos and Mary McDonnell, whose role as Fleet President Laura Roslin grows more complex as she reveals her diagnosis of breast cancer and defies Adama, playing the "religious card" with her conviction that prophetic visions will lead the embattled fleet toward its legendary home planet Earth. As Adama's son Apollo (Jamie Bamber) wrestles with his role in Roslin's mutinous agenda, paranoia runs high as Cylon copies (or "avatars") of Boomer (Grace Park) complicate matters aboard Galactica and on Kobol, where a lost Raptor crew struggles to survive and Dr. Baltar (James Callis) endures the increasingly haunting and manipulative intrusions into his tormented psyche by Number Six (Tricia Helfer), the seductive Cylon who holds the secret to the Cylon master plan to destroy humankind.
Further action takes place on Cylon-occupied Caprica, where Starbuck (Katee Sackhoff) and Helo (Tamoh Penikett) discover a group of human resistance fighters who survived the Cylons' nuclear attack in season 1. As all of these plot threads are expertly interwoven, the high-stakes conflict of BG 2.0 culminates in a suspenseful mid-season cliffhanger. Through all of this, Battlestar Galactica maintains consistently high standards of intelligent drama and well-justified, story-based use of spectacular special effects, while developing rich relationships across a broad spectrum of interesting supporting characters. The series' large and likable cast is well-used throughout (even smaller roles are given adequate dimension), and Moore's "podcast" commentaries provide a smart, thorough analysis of the show's writing process and conceptual evolution. Yes, it's undeniably true that this half-season DVD set is a blatantly commercial ploy to lure more and more viewers into the ongoing season (which resumed in January 2006), but you can hardly blame Universal for capitalizing on a high-quality series. With solid ratings, good scripts, and a devoted cast and crew, Battlestar Galactica showed every indication of thriving toward a third season and beyond. --Jeff Shannon
Battlestar Galactica - Season 2.5
Battlestar Galactica's season 2.5 (i.e., the final 10 episodes of the second season, plus an extended version of episode 10) picks up where season 2.0 (the first 10 episodes) left off: Galactica's giddy reunion with the Pegasus had taken a sour turn when Admiral Cain (Michelle Forbes) went back on her word to Commander Adama (Edward James Olmos) and decided to integrate the crews, moving Apollo (Jamie Bamber) and Starbuck (Katee Sackhoff) to Pegasus. The animosity, combined with an attack on Sharon (Grace Park), threatens to derail a golden opportunity for the fleet to strike the Cylons where they'll hurt, and stay hurt--their resurrection ship.
In many ways, Sharon is the central character. The attack lands Helo (Tahmoh Penikett) and the Chief (Aaron Douglas) in hot water; her impending baby remains the subject of heated debate among president Laura Roslin (Mary McDonnell), Commander Adama, and others; and a rebellious movement determined to force Galactica to give up the Cylon ends up threatening both Apollo and Starbuck and putting further strain on their already-shaky relationship. Dr. Baltar (James Callis) becomes even more intertwined with the Cylons when he discovers another version of Number Six (Tricia Helfer) on the Pegasus, but is also in line to take over the presidency as Roslin's cancer reaches a critical stage. Battlestar Galactica's inexorable dramatic arc sagged in a couple episodes during this run, but the terrific two-part season finale involving a presidential election, a glimmer of hope for humanity, and some unexpected turns of events makes for a thrilling springboard to season 3. Battlestar is often called the best sci-fi show on television, but that seems like damning it with faint praise; it's the best drama on television.
In addition to the 10 episodes, the three-DVD set has an extended version of the last episode of season 2.0, "Pegasus"; the extra 15 minutes include a longer conversation in which Cain reveals her plans to Adama. That episode has a commentary track by executive producers Ronald D. Moore and David Eick, Moore's podcast commentaries are on every other episode, Eick's "video blogs" serve as casual featurettes on series production, and there are numerous deleted scenes. --David Horiuchi
Battlestar Galactica: Season 3
The third season of Battlestar Galactica got off to a rip-roaring start on New Caprica, where the settlers had found themselves under Cylon occupation at the end of the previous season. Dr. Baltar (James Callis) had been elected President based on his intention to stop looking for Earth and settle on New Caprica, but is now a puppet of the Cylons, forced to sign execution orders for numerous humans, including former President Roslin (Mary McDonnell). A resistance movement is building, however, led by Col. Tigh (Michael Hogan), and assisted by Chief Tyrol (Aaron Douglas) and Samuel Anders (Michael Trucco). Tigh's desperate tactics--including suicide bombers--raise interesting parallels to the U.S. war in Iraq, and he finds he has to make an even tougher choice. Thanks to Admiral Adama's (Edwards James Olmos) return and the unexpected help of Boomer (Grace Park), the colonists escape, then begin a series of trials in order to convict all of the Cylon collaborators, culminating in the explosive trial of Baltar himself. In a boxing-metaphor episode, Apollo (Jamie Bamber) and Starbuck (Katee Sackhoff) resume their mutual attraction with a surprising outcome. After the exciting beginning, Battlestar Galactica sagged a little in the middle of the third season (as it did in the second season) with its ship-bound episodes, but caught speed again at the end. The quest to find Earth, the unexpected loss of a major character, and the revealing of four of the final five Cylons kept viewers coming back to a series that blends action, drama, and universal questions of loyalty, faith, and justice in a way that transcends the science-fiction setting. With Dean Stockwell, Lucy Lawless, and Tricia Helfer as Cylons 1, 3, and 6, Mark Sheppard as defense attorney Romo Lampkin, Alessandro Juliani as Lt. Gaeta, Kandyse McClure as Petty Officer "Dee" Dualla, Nicki Clyne as Crewman Specialist Cally, Kate Vernon as Ellen Tigh, and Rekha Sharma as presidential aide Tory Foster.
Every episode on the DVD set has executive producer Ronald Moore's podcast commentaries (occasionally joined by others) and almost every episode has deleted scenes, including a different (and less effective) version of the season's final surprise. Also included are bonus commentaries, the Resistance webisodes (10 episodes, 26 minutes total) that provide more of life on occupied New Caprica, executive producer David Eicks' "video blog" featurettes, and an extended version of "Unfinished Business" (mostly adding non-Starbuck-Apollo material). --David Horiuchi
Battlestar Galactica: Season 4.5
Battlestar Galactica: Season 4.5 is the final 10 episodes of the Sci-Fi Channel's highly acclaimed reimagining of the 1970s show, including one of the more stirring and satisfying series finales in television history. Aired in January 2009 after a six-month hiatus, the half-season opens following the devastating revelation about Earth and with four of the final five Cylons revealed, including Tigh (Michael Hogan), Anders (Michael Trucco), Foster (Rekha Sharma), and Tyrol (Aaron Douglas). The uneasy alliance between humans and a pack of rebel Cylons, including Caprica 6 (Tricia Helfer) takes a quizzical turn when the former residents of Earth appear to be Cylon rather than human, and some of the final five begin to recall their past lives on Earth. Kara (Katee Sackhoff) has to call her own human status into question when she discovers a crashed Viper occupied by a corpse wearing her dog tags, and President Roslin (Mary McDonnell) and Admiral Adama (Edward James Olmos) battle their own despair and struggle to lead an emotionally devastated fleet. Capitalizing on the turmoil, Vice President Tom Zarek (Richard Hatch) and Felix Gaeta (Alessandro Juliani) organize a mutiny aboard the Galactica and Zarek makes an unbelievable power move against the Quorum of Twelve. But before they can carry out their plans for execution, a commando raid led by Kara and Lee Adama (Jamie Bamber) fighting side by side strikes back against the mutineers. That's the action high point of the half-season, as the show then seems to mark some time with such issues as babies and structural integrities until the three-part finale, which, despite a head-scratcher or two, manages to resolve its issues tidily. That viewers even get a rare glimpse of sunlight is kind of a reward for fans of this outstanding but relentlessly dark series. DVD features include extended versions of three episodes ("A Disquiet Follows My Soul," "Islanded in a Stream of Stars," and "Daybreak'), Ronald D. Moore's podcast commentaries for each episode, deleted scenes, David Eick's video blogs, and five behind-the-scenes featurettes. --David Horiuchi
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