Battleship Potemkin (The Ultimate Edition) (2pc) (Full B&W)
by Sergei Eisenstein
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DVD details
Director: Sergei EisensteinDVD: Region Code 1
Audio: English (Original Language); Russian (Original Language)
Format: Black & White, Color, Dolby, DVD-Video, Full Screen, NTSC
Picture Format: 1.33:1
Running Time: 70 minutes
DVD Release Date: 2007-10-23
Audience Rating: Unrated
Studio: Kino International
DVD Reviews of Battleship Potemkin (The Ultimate Edition) (2pc) (Full B&W)
DVD Review: No Hollywood pretty people in this movie...
Summary: 1 Stars
Remembering that the film was both a product and a tool of the Soviet political machine, the hatred of the Tsarists is evident throughout. It takes discontented masses and charismatic leaders to spawn a revolution. The seeds of discontent are graphically illustrated in this classic production. The charismatic leadership is not an issue in this movie, which is not surprising since they were no less evil then the Tsarists.
The story is compellingly portrayed through the rapid transition of action sequences that should please even the short attention spans common in the MTV set. No Hollywood Pretty People in this movie, each is distinctive and right for the role. The grime on the faces, maggots in the food... the polished brass on deck, the bloodshed on the famous steps of Odessa... the story is a visual delight, though it was hard not to smile at the obvious propaganda promoting a classless society.
DVD Review: Great film, bad music
Summary: 4 Stars
This was the first silent russian film I'd ever seen, and I like very much! It contains a lot of elements I enjoy in silent films: great acting, descriptive captions, engaging plot. This version even includes the Russian Captions, with the english description below! The only problem I have with this film is the music track on this DVD is much too neutral for Russian Revolutionists. The score does not fit with what is happening in the film. Otherwise, it is fine and a wonderful film!DVD Review: Extraordinary Photography
Summary: 5 Stars
I've often noted Sergei Eisenstein's Battleship Potemkin as one of the great films of the twenthieth century. I had no idea how extraordinary the photography is. The same must be said of the restoration. The film is historically important. It is also a remarkable work of creativity and imagination. DVD Review: potemkin revitalized
Summary: 5 Stars
This is the best edition of this classic film. The use of the original score and the beautiful, clean print make it a pleasure to watch. The reintroduction of the original release's hand painted frames of the red flag into the otherwise black and white film has an emotional power that even my high school history students felt and commented on later. They were surprised at the fact that they, who are accustomed to color and hi-def,felt the impact of the brief punch of color. And of course, the baby carriage going down the Odessa Steps continues to demonstrate why it remains the most famous sequence in film. DVD Review: KULTUR VHS version is excellent!
Summary: 5 Stars
Sergei Eisenstein's BATTLESHIP POTEMKIN portrays an early event of the people's uprising of 1905-- an incident aboard a Tsarist battleship that turned deadly.
The ship's crew hung out several rotting sides of beef that had just been delivered as a way of protest, saying they wouldn't eat this wormy stuff anymore. When the medical officer examined the meat, he saw it was crawling but still said: "Those aren't worms... they're only maggots. Just wash them off with brine; the meat's perfectly fine."
The foul meat was prepared as soup, but none of the enlisted men would eat it. Soon after, everyone was assembled on deck. The second officer in command said: "All who ate soup, step forward." Only ship's officers did so. The angry 2nd officer said he'd hang everyone else from the yardarm. Then he called for a firing squad of Marines. A tarpaulin was thrown over a large group of sailors standing on the quarterdeck, in preparation for execution.
One sailor who was further back rallied the other men. He stood on a bulkhead, pleading with the Marines to not kill their brothers. They lowered their weapons. This is when things got chaotic-- it was mutiny on a grand scale. During the struggle, the man who ignited the violence with his plea of mercy was shot dead by the 2nd officer, who was immediately tossed overboard, along with the captain, medical officer and 4 others.
The body of the hero of the uprising was laid in a tent on the Odessa docks, with a sign on his chest saying: "Killed because of soup." Crowds came to visit this makeshift shrine, and a protest was organized, that is, until dismounted cossacks arrived and began firing indiscriminately on the people. Women and children were shot down. It was a slaughter.
Later, civilians resupplied the Potemkin with food, and they cast off, with two fleets in close pursuit. You'll have to see the movie to find out the boat and crew's fate.
The VHS tape of BATTLESHIP POTEMKIN (issued by KULTUR) is from the 1976 Soviet restoration. Video quality is superb and projection speed accurate; soundtrack is by Shostakovich. Manufacturer's running time is listed as 74 minutes.
Description of Battleship Potemkin (The Ultimate Edition) (2pc) (Full B&W)
For eight decades, Sergei Eisenstein s 1925 masterpiece has remained the most influential silent film of all time. Yet each successive generation has seen BATTLESHIP POTEMKIN subjected to censorship and recutting, its unforgettable power diluted in unauthorized public domain editions from dubious sources. Until now. Kino is proud to join the Deutsche Kinematek in association with Russia s Goskinofilm, the British Film Institute, Bundesfilm Archive Berlin, and the Munich Film Museum in presenting this all new HD Transfered restoration of BATTLESHIP POTEMKIN. Dozens of missing shots have been replaced, and all 146 title cards restored to Eisenstein s specifications. Edmund Meisel s definitive 1926 score, magnificently rendered by the 55-piece Deutches Filmorchestra in 5.1 Stereo Surround, returns Eisenstein s masterwork to a form as close to its creator s bold vision as has been seen since the film s triumphant 1925 Moscow premiere. Odessa 1905. Enraged with the deplorable conditions on board the armored cruiser Potemkin, the ship s loyal crew contemplates the unthinkable mutiny. Seizing control of the Potemkin and raising the red flag of revolution, the sailors revolt becomes the rallying point for a Russian populace ground under the boot heels of the Czar s Cossacks. When ruthless White Russian cavalry arrives to crush the rebellion on the sandstone Odessa Steps, the most famous and most quoted film sequence in cinema history is born.Sergei Eisenstein's revolutionary sophomore feature has so long stood as a textbook example of montage editing that many have forgotten what an invigoratingly cinematic experience he created. A 20th-anniversary tribute to the 1905 revolution, Eisenstein portrays the revolt in microcosm with a dramatization of the real-life mutiny aboard the battleship Potemkin. The story tells a familiar party-line message of the oppressed working class (in this case the enlisted sailors) banding together to overthrow their oppressors (the ship's officers), led by proto-revolutionary Vakulinchuk. When he dies in the shipboard struggle the crew lays his body to rest on the pier, a moody, moving scene where the citizens of Odessa slowly emerge from the fog to pay their respects. As the crowd grows Eisenstein turns the tenor from mourning a fallen comrade to celebrating the collective achievement. The government responds by sending soldiers and ships to deal with the mutinous crew and the supportive townspeople, which climaxes in the justly famous (and often imitated and parodied) Odessa Steps massacre. Eisenstein edits carefully orchestrated motions within the frame to create broad swaths of movement, shots of varying length to build the rhythm, close-ups for perspective and shock effect, and symbolic imagery for commentary, all to create one of the most cinematically exciting sequences in film history. Eisenstein's film is Marxist propaganda to be sure, but the power of this masterpiece lies not in its preaching but its poetry. --Sean Axmaker
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