Barton Fink

Barton Fink
by Ethan Coen, Joel Coen

Barton Fink
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Actor: John Goodman, John Mahoney, John Turturro, Judy Davis, Michael Lerner
Director: Ethan Coen, Joel Coen
Brand: TURTURRO,JOHN
Producer: Ethan Coen
Writer: Ethan Coen
Writer: Joel Coen
Producer: Ben Barenholtz
Producer: Bill Durkin
Producer: Graham Place
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Stereo; English (Subtitled); Spanish (Subtitled); English (Original Language), Dolby Digital 2.0 Stereo; Spanish (Original Language), Dolby Digital 1.0; French (Dubbed), Dolby Digital 1.0
Format: Anamorphic, Closed-captioned, Color, DVD, NTSC, Widescreen
Picture Format: 1.66:1
Running Time: 116 minutes
DVD Release Date: 2003-05-20
Audience Rating: R (Restricted)
Studio: 20th Century Fox

DVD Reviews of Barton Fink

DVD Review: Bizarre trip through the world of Hollywood
Summary: 5 Stars

Barton Fink is a New York writer with on the cusp of real success when he receives a lucrative offer. After earning accolades for a play he wrote about New York City fishmongers, Hollywood offers him a load of money to head out to Los Angeles to write motion picture screenplays. Fink is slightly unsure he should engage in such a shameless grab for money, but he decides to go for it after his agent assures him that all great writers and artists work in Tinseltown. The idea of a talented artist selling his soul to the moneygrubbers involved in the film industry is an important theme of Joel and Ethan Coen's classic 1991 film "Barton Fink." The picture is notably weird even for the Coen brothers, who made "Raising Arizona," "Fargo," and "The Hudsucker Proxy," all strange films in their own right. "Barton Fink" beats those films by a mile with its bizarre premises. What is this movie about? Oh, nothing more than your typical guy goes to Hollywood to make good, finds himself living next to a mass murderer, gets writer's block, has run-ins with evil studio heads, meets his idol and a pretty girl, winds up facing a murder rap, and encounters the devil himself (maybe). Just your typical, everyday sort of predictable plot passed off on the sheep that go see movies today, right? Dead wrong. This movie is one of the most original films I have seen in years. I never tire of watching it.

When Barton arrives in Hollywood he immediately sets himself up in a sleazy hotel, thinking that the claustrophobic atmosphere of his room will inspire him in his work. Problems, horrible, dangerous problems that hint at dark forces haunt him from the moment he checks in. The clerk manning the front desk seems a bit odd, especially considering he emerges from a trap door in the floor to help Fink sign in. Then Barton's neighbor appears on the scene after the writer complains to the front desk about the noise next door. This neighbor, a salesman named Charlie Meadows, at first takes umbrage with Fink's complaints but eventually comes to befriend the nervous screenwriter. The two men spend a lot of time cooling their heels in Fink's room, discussing such diverse topics as the plight of the common man and the difficulties of selling products door to door. While Fink begins to think the world of this portly salesman, there seems to be a sinister personality lurking behind the smiling eyes of Charlie that is occasionally off putting. Eventually, that secret will come to light in the most hideous of ways.

Before Fink's life turns to mud, he meets another man who presents a host of problems: his literary hero W.P. Mayhew. Mayhew is a raging alcoholic trying to earn a living in Hollywood. Fink eventually learns an upsetting secret about this writer as well, a secret involving Mayhew's sultry assistant Audrey. Compounding Fink's difficulties is a brassy, smarmy Hollywood big shot who wants Fink to write a screenplay for a wrestling picture starring Noah Beery. Barton Fink might have survived these countless debacles if he didn't suddenly come down with the worst case of writer's block he has ever had. When inspiration does suddenly strike him, it has little to do with a wrestling picture and more to do with his current situation. The people he is under contract with do not understand Barton Fink's screenplay. They don't understand Barton Fink. And they promise that Barton Fink will never work in this town again or as a writer because the contract stipulates anything Fink writes belongs to the studio. Hollywood can be a very unforgiving town.

Everything works in "Barton Fink." The performances from John Turturro (Fink), John Goodman (Charlie Meadows), Steve Buscemi (the bellhop Chet), Judy Davis (Audrey), John Mahoney (Mayhew), and Michael Lerner (studio boss Jack Lipnick) all rate off the charts. A special salute should go to Tony Shaloub in the sleazy role of Ben Geisler, an overbearing jerk constantly deriding Fink's position with the studio. The hotel's bleak atmosphere, with its peeling wallpaper, dusty furniture, and canyon wide hallways instills a sense of malevolent dread to the entire proceedings. Who could produce a work of art in such a seedy situation? Barton Fink can when he finally decides to rely on his true abilities by rejecting the typical Hollywood pap. There are many theories about the underlying themes of this movie, most of them quite valid, but I felt that the idea of a young writer selling his soul for a buck and thus nosediving into failure was the central premise. Only when he writes about something he has enthusiasm for does he find a sort of redemption, and even then Hollywood is right there to quash his masterpiece. I suspect the Coen brothers went through a similar experience when they started out in the movie business, that Barton Fink represents to some extent the success and failure of these two filmmakers.

The DVD version of the movie is good, not great. The most intriguing extras on the disc are the deleted scenes. They don't add much to the movie, but they do provide a glimpse into how the film might have looked before the final edit. The scenes rely on alternating black and white and color cinematography, which makes for a confusing feel that was appropriately dropped in favor of an all color format. "Barton Fink" is a winner of a film that really isn't all that confusing after repeated viewings. A commentary track from the directors would have been nice, if for no other reason than to confirm what is in that blasted box!

More Barton Fink reviews:
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Description of Barton Fink

Set in Hollywood during the 1940's, "Barton Fink" is a comic satire about creative egos, flashy moguls, a travelling salesman and a nasty case of writer's block. Barton Fink (John Turturro) is a New York playwright lured to Hollywood to work as a screenwriter. It doesn't take long for Barton's life to erupt in complete chaos. His studio boss orders the serious-minded Barton to write a low budget wrestling movie. Deeply disappointed, Barton returns to his seedy hotel, types one sentence and then¿ nothing. To make matters worse, he is continually interrupted by Charlie (John Goodman), a chatty travelling insurance salesman who lives next door. Eventually they become friends and Charlie tries to help Barton by teaching him the finer points of wrestling. As the clock ticks away and the temperature climbs, Barton becomes more desperate as his life spins out of control.
A darkly comic ride, this intense and original 1991 offering from the Coen brothers (Fargo, Blood Simple) gleefully attacks the Hollywood system and those who seek to sell out to it, portraying the writer's suffering as a loony vision of hell. John Turturro (Miller's Crossing, Jungle Fever) plays the title character, a pretentious left-wing writer from New York City who is brought to 1930s Hollywood to write a script for a wrestling movie for palooka actor Wallace Beery. Fink thinks the job is beneath him, but his desire for acceptance gets the better of him, and he suddenly finds himself holed up in a fleabag hotel in Los Angeles, where he is almost immediately afflicted with writer's block. Various distractions begin to enter his life, first in the form of a famous southern writer (John Mahoney) whom Fink idolizes, and then his neighbor in the hotel, a seemingly amiable salesman played by John Goodman (Sea of Love, Raising Arizona). The writer turns out to be a self-loathing drunk whose secretary (Judy Davis) is the one actually doing the writing. And the neighbor, the working-class hero who Fink made his reputation writing about, may have a horrifying secret of his own. Equal parts social commentary and hilarious farce, and winner of the Best Picture, Actor, and Director prizes at the Cannes Film Festival, Barton Fink is a visionary and original comic masterpiece not to be missed. --Robert Lane
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