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Anywhere But Here (Full Screen) by Wayne Wang
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DVD detailsActor: Eileen Ryan, Hart Bochner, Natalie Portman, Ray Baker, Susan Sarandon Director: Wayne Wang Brand: Fox Cinematographer: Roger Deakins Editor: Nicholas C. Smith Producer: Ginny Nugent Producer: Laurence Mark Producer: Petra Alexandria Writer: Alvin Sargent Writer: Mona Simpson DVD: Region Code 1 Audio: English (Unknown); English (Original Language) Format: Color, DVD, Full Screen, NTSC Picture Format: 1.33:1 Running Time: 114 minutes DVD Release Date: 2002-08-27 Audience Rating: PG-13 (Parental Guidance Suggested) Studio: 20th Century Fox
DVD Reviews of Anywhere But Here (Full Screen)DVD Review: THE PROVERBIAL MOTHER/DAUGHTER LOVE/HATE RELATIONSHIP Summary: 4 Stars
This film deals with a theme with which almost all mothers of teenage daughters are familiar. This is a coming of age story which sees Natalie Thompson play the teenage daughter of a loud, flighty, impractical dreamer, wonderfully portrayed by Susan Sarandon.
Sarandon is on her second marriage, living in Wisconsin with her teenage daughter. She is bored by her nice, dull, skating instructor, second husband. She is tired of living among her complacent, middle class relatives. She dreams of riches, stardom for her daughter, and a more exciting life. She has dreams, big ones, but really lacks the wherewithal to make them happen.
Her daughter is a bit of a mouse, who likes all that Sarandon seems to abhor. She likes Wisconsin, her family, and what she views as relative normalcy. Unlike her mother, she does not feel called upon to explore new horizons. Naturally, given the divergence of their dreams, they inevitably clash, and the daughter, given her youth, must go where her mother decides to wander. Here, it turns out to be Beverly Hills, the land of milk and honey, or so Sarandon thinks.
While living on the fringes in Beverly Hills, Sarandon sees that her daughter attends a good school. Yet, they live like vagabonds, moving from apartment to apartment as the rent becomes due and cannot be paid, and the lights are turned off for non-payment of bills. The mother, a holly-go-lightly, wants to live well and meet the exciting man of her dreams who will enable her to live out her fantasy life. She is, at times, desperately pathetic, looking for love in all the wrong places. Her daughter, while responsible and a good student, can be an insufferable little prig who, when the chips are down, however, remains loyal to her errant mother.
Their differences in style cause them to clash and misunderstand each other with resultant angst over the years. As time goes on, their life does seem to stabilize. It is not until the daughter is ready for college, however, that Sarandon fully realizes that her dreams are not necessarily those of her daughter. It is then, that they both realize just how much each loves the other, as Sarandon finally steps up to home plate. This is an enjoyable mother/daughter flick.
More Anywhere But Here (Full Screen) reviews: 1
Description of Anywhere But Here (Full Screen)Adele is flashy, flirtatious dreamer. Her daughter Ann is a quiet, no-nonsense realist. On the surface, they're like oil and water, but deep down there are two of a kind. "Susan Sarandon is show-stopping" (The New York Times) and "Natalie Portman soars" (NY-1) in this funny and touching story about a mother who knows best and a daughter who knows better! In Wayne Wang's star-driven adaptation of Mona Simpson's tragicomic bestseller about a mismatched mother and daughter, fortysomething Adele August (Susan Sarandon) is every adolescent's nightmare: over- (or under-) dressed, always and loudly "on," forgetful of mundane matters such as bills, more colorful kid than reliable mum. In contrast, 14-year-old Ann (Natalie Portman) yearns for stability, roots, understated hues. Transplanted from Wisconsin small town and extended family to a Beverly Hills, California, address of choice for American Dreamers like Adele, Ann comes painfully of age--sometimes blighted but also enriched by the fictions of a charismatic parent afraid to be alone in the dark. Wang has always shown a sure, caring hand when it comes to cross-generational angst (see Dim Sum: A Little Bit of Heart, The Joy Luck Club, Smoke). Here, he encourages Sarandon in a remarkably brave, exposed performance as an aging adventuress whose imagination continually outstrips her ability to make dreams come true, whose charm is both her ticket to ride and a dead end. Portman's pout of strained adolescent distaste soon wears thin, but when The Phantom Menace's kabuki princess momentarily thaws, she projects a lost child's terrible shock and confusion. Hollywood-sized and scripted by the numbers, Anywhere but Here lost ground to Tumbleweeds, a similarly themed but more nuanced indie (with Oscar-nominated Janet McTeer), and it can't hold a candle to Barbara Stanwyck's Stella Dallas (1937), top of the line in this particular genre. But for any daughter who's looked into her mother's face and--yikes!--seen a possible future, this trip's definitely worth taking. --Kathleen Murphy
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