American Experience - Scottsboro: An American Tragedy

American Experience - Scottsboro: An American Tragedy
by Barak Goodman, Daniel Anker

American Experience - Scottsboro: An American Tragedy
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Actor: Andre Braugher, Frances McDormand, Nesbitt Blaisdell, Sam Catlin, Stanley Tucci
Director: Barak Goodman, Daniel Anker
Brand: PBS
Cinematographer: Buddy Squires
Producer: Barak Goodman
Writer: Barak Goodman
Producer: Daniel Anker
Editor: Jean Tsien
Producer: Margaret Drain
Producer: Mark Samels
Producer: Trina Quagliaroli
Writer: Kay Boyle
DVD: Region Code 1
Audio: English (Unknown); English (Original Language)
Format: Color, DVD, NTSC
Picture Format: 1.33:1
Running Time: 84 minutes
DVD Release Date: 2005-01-31
Audience Rating: NR (Not Rated)
Studio: PBS

DVD Reviews of American Experience - Scottsboro: An American Tragedy

DVD Review: An American Travesty
Summary: 4 Stars

Those familiar with the radical movement know that at least once in every generation a political criminal case comes up that defines that era. One thinks of the Haymarket Martyrs in the late 19th century; Sacco and Vanzetti, probably the most famous case of all, in the 1920's; the Rosenburgs in the post-World War II 1950's Cold War period and today Mumia Abu-Jamal. Here we look at the case of the Scottsboro Boys in the 1930's. The exposure of the tensions within American society, particularly around the intersection of race and sex, which came to the surface as a result of that case is the subject of the documentary under review.

In a certain sense this is another one of those liberal do-gooder films that the Public Broadcasting System (PBS) is known for. That is indicated in the title of the work-an American tragedy. The underlying premise is that the fate of the Boys, ugly in many aspects by the standards of that time and certainly by today's standards, was now merely a long past singular aberration of the American justice system that eventually got righted. Tell that to the vast black and Hispanic majority of today's victims of that same `justice' system languishing in America's prison's in the overwrought `war on drugs'. Tell that to the kids down in Jena, Louisiana. But that is a story for another time.

What the PBS film does here is highlight the various legal trials and tribulations, over many years, which most of the nine Scottsboro defendants faced including four trials, many appeals and, ultimately for the lone survivor who lived long enough, a pardon. All for crimes that they did not commit and that the state of Alabama knew that they did not commit. For those unfamiliar with the case this chronology is a nice primer on the key aspects of the case. But it should make one think more about how the lives of the Scottsboro Boys were really saved.

Although the documentary tips its hat, somewhat begrudgingly, to the titanic efforts of the American Communist Party in 1931 to make the case internationally known, and gain a hearing from blacks on other social and economic issues as well, that tendency to highlight the legal side of the battle plays the filmmakers false here. There would have been no cause celebre without the communists, although the fate of the feisty New York Jewish lawyer who handled most of the stages of the case and holds center stage here is certainly of interest. As is the question of plebian anti-Semitism as a proper subject for study in its own right.

The vaunted NAACP, nominally the legal voice of the black community, did not want to touch the case because it involved accusations of interracial sex and would have wrecked havoc with their liberal base. I will argue here that without the dreaded communists to stay the state of Alabama's hand the boys would have long before been executed -or been hanging from the nearest poles.

I might also mention that the American Communist Party was acting under the Communist International's direction. On the black question in America that meant support for the slogan of national self-determination for blacks in the South (the actual configuration for that is rather weird by- black majority counties). That slogan played a propaganda role in the background for holiday occasions during this period, called the `third period' in communist parlance, but the heart of communist work in the early 1930's were in struggles over wage equality, saving jobs, evictions, unemployed work, the fight against lynch law in the South and labor and black defense work.

For most of my adult political life I have been an anti-Stalinist leftist but for their Scottsboro Boys defense-all honor to the party and its legal arm the International Labor Defense. As pointed out above this documentary is a good primer on the case but one should Google for books on the case. Then, I hope, you will be able to agree that this case was not merely an American tragedy but a travesty.
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Description of American Experience - Scottsboro: An American Tragedy

Studio: Pbs Release Date: 05/04/2009 Run time: 90 minutes
The notorious case of the "Scottsboro Boys"--in which the legal battles of nine African American youths charged with rape galvanized America in the 1930s--is brilliantly chronicled in this documentary, a PBS American Experience episode that was nominated for a Best Documentary Oscar®. After two women accused the young men of raping them aboard a freight train in 1931, the men were locked up and put on trial in Scottsboro, Alabama. To no one's surprise they were convicted, but eventually the U.S. Supreme Court ruled that the defendants did not receive adequate legal representation and granted them a new trial. A prominent and flamboyant New York attorney, Samuel Leibowitz, then took on their case and began to make legal history. The plight of these particular defendants in the American South became known around the world, with protesters as far away as Moscow demanding their release. This film effectively illustrates, with period photos, interviews with historians, and the recollections of people who knew some of the main characters, how the legal battles ground on for years. Eventually the men were set free, but their lives had been ruined. With understated drama this film shows how American attitudes about race and justice were changed forever by the case of the nine young men who stood accused in Scottsboro. --Robert J. McNamara
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