Alice in Wonderland

Alice in Wonderland

List Price: $9.99
Our Price: $9.85
You Save: $0.14 (1%)
Availability: Usually ships in 1-2 business days
Buy Used: from $7.58 (click here)
Category: DVD
See more DVD details

DVD details

DVD Reviews of Alice in Wonderland

DVD Review: Curiouser and Curiouser...
Summary: 4 Stars

So it should be no surprise that this low-budget (£32,000 and a 6-week shooting schedule) 72-minute BBC B&W production is done with all live actors, no animation, yet is faithful to the book. . Quoting from the enclosed folder, "...there was no script; Miller (the director) simply typed out the dialogue from Carroll's book each day and presented it to the cast on the set, and after a few rehearsals, they would do a take." Principal characters are portrayed in human form in Victorian period costume, making full utilization of the Tenniel illustrations where possible. For example, the white rabbit (Wilfred Brambell in an outstanding portrayal) is a fussily dressed, brisk-gaited English gentleman with pocket watch, top hat, braided uniform with tails, bow-tie, white gloves, and a white fan. Alice's dress and hair style is perfectly realized.

Some of the key scenes are shortened. For example, the pool of tears leading to the caucus race (to dry off) was created by a giant Alice crying in frustration, not shown, so the sudden appearance of water is confusing. The recitation of Father Williams to the Caterpillar (an excellent Michael Redgrave) was regrettably truncated to only a verse or so. And when the Duchess throws Alice the squalling brat, it is not completely clear that the brat became a piglet only after she received it. Only someone thoroughly familiar with the original work would be able to fill in the blanks in such cases.

Another aspect of this production is the use of voice-over whispered thoughts and recitations to convey various poems, conversations with the Cheshire Cat, or Alice speaking or musing in dream conversations where her lips don't move. One must strain very hard to pick up the gist of many of these whisperings (reviewing helps), which detracts from the viewing experience. Perhaps the audio recording equipment of that day wasn't up to the job. Or more likely the diction of the persons doing the voice-overs wasn't up to the task. Yet this reviewer finally realized on subsequent viewings and after being initially annoyed, that these whisperings are an innovative way of conveying in an efficient manner elements of the book not otherwise expressed. In retrospect and because of devices like this, a surprising amount of Carroll's original work survives.

Among the best scenes are Peter Cook (superb!) as the Mad Hatter, and Leo McKern (absolutely fantastic as the Duchess!) with Avril Elgar (superb) as the Peppercook in the kitchen scene right out of the Tenniel drawings. Other characters include Michael Gough as the March Hare, Wilfred Lawson as the Dormouse, Peter Sellers as the King of Hearts, John Gielgud as the Mock Turtle, Malcolm Muggeridge as the Gryphon, John Bird as the frog footman (his performance gets progressively better with each viewing!), and a huge supporting cast of lesser players. Most characterizations are admirable, though the Queen of Hearts (Alison Leggatt, who does a pretty good job) was not quite the intimidating and threatening dominatrix this reviewer remembers. And the Cheshire Cat - alas - what a hokey disappointment! Why wasn't this crucial character portrayed by an actor just as all the other characters were?

Yet all the brilliance of this cast is barely sufficient to rescue the production from its' major and near-fatal flaw. Regrettably the young actress playing Alice (Anne-Marie Mallik) was not up to this most difficult central role, and almost succeeds in sinking the entire production. This Alice is by turns a snotty, sullen, blasé, and detached (11-year-old) girl. The director never seems to get enough of having interminable full-face close-ups of her filling the entire screen or major portions thereof, whose visage is devoid of expression or reaction and during which, little if anything else happens to advance the rest of the story. (Meanwhile all this precious screen time goes down the tubes when it could have been used so profitably elsewhere! Aarrgggghhhh!) Lewis Carroll, whose whole focus revolved around Alice, must surely have turned over in his grave.

This work was done for BBC. Using color video-tape was rejected by the director because he felt B&W camera work would better simulate a daguerreotype atmosphere characteristic of the Victorian period. (This writer's opinion is that having the Wonderland portions in color with a younger and better considered Alice, and a better Cheshire Cat, would have made this production a major classic.) Repeated viewings led this reviewer to have a progressively higher regard. Indeed, this is THE definitive version! The excellence of the satire; the cleverness of the word-play; the care the director lavished on effects and his dedication to the letter and spirit of the original work; and the highly concentrated information density (when one is not viewing Alice's complexion, that is) make this a mandatory experience for mature Lewis Carroll fans and the mature intellectually curious person. (Others need not apply.)

The DVD is well packaged in a quality case, with an enclosed three-page folder giving an interesting history of the production. Production values of picture and sound are exactly as the director intended. An optional informative voice-over commentary track by the director is also provided, as are an (un-previewed) still scene gallery and a 1903 film production.

Description of Alice in Wonderland