Adam - Giselle / Svetlana Zakharova, Roberto Bolle, Vittorio d'Amato, La Scala Ballet
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Actor: Antonino Sutera, David Coleman, Marta Romagna, Romagna, Sophie SarroteBrand: Naxos OF America INC
DVD: Region Code 0
Audio: English (Unknown); French (Original Language); English (Original Language)
Format: AC-3, Classical, Color, Dolby, DTS Surround Sound, DVD, NTSC, Widescreen
Picture Format: 1.78:1
Running Time: 105 minutes
DVD Release Date: 2006-07-25
Audience Rating: NR (Not Rated)
Studio: Tdk DVD Video
DVD Reviews of Adam - Giselle / Svetlana Zakharova, Roberto Bolle, Vittorio d'Amato, La Scala Ballet
DVD Review: Giselle-Scala di Milano/2005
Summary: 4 Stars
The La Scala proudly presents Giselle, internationally renowned ballet choreographed by Jean Coralli and Jules Perrot and music by Adolphe Adam. Worthy representative of Romanticism, Giselle excites women with their mushy love story, the beautiful and poor peasant girl who falls for a noble cad. The music captivates, is in the head and the choreography is a unique beauty. Success since its debut, there are plenty of dancers who danced Giselle and made it his warhorse.
Svetlana Zakharova accepts the challenge of being Giselle. The Russian technique is remarkable, from an impressive solidity and security. Your beauty radiates throughout the stage, the maranjos drool. However lack a sense of character: she cares and dance, and does very well. But the emotion, the feelings are not always present. Alicia Alonso, the grande dame Cuban knew how to interpret Giselle. The strength and technique were not always present, but it's thrilling. Gave himself body and soul to character, danced and acted. Svetlana Zakharova, however, forget the character of Giselle. Often seems distant, if not superficial. Can notability in Russian Ballet, his Swan Lake by Tchaikovsky borders on perfection. But when it comes to Giselle gets her due.
Roberto Bolle makes a prince Albrecht monotonous. The handsome has the difficult role of showing the different facets of your character: passionate, sad, sorry, cold, warm. Very expressive and more concerned with the technique of ballet, so it Bolle, did not bother to show feelings. Its role is complex and requires the dancer's skill and great stage presence. Bolle owes.
The queen of Willis, Myrtha, is danced by Marta Romagna. An icy coldness, worthy of the North Pole. Hillarion, the wronged and always faithful to the beloved, tries to warn the tricks Giselle Albrecht. If nobody gave good advice was, sold. She chooses the handsome nobleman, save it and still leave the poor guy's Hillarion be ousted by Willis. Vittorio D'Amato shows the faces of his character, despite the injustice and suffering, we must not anger him by letting the romance of pigeons flow. Mission accomplished. The corps de ballet of La Scala presents beautiful pessagens with precise timing.
The quality of the sets and costumes is unique. Standard Scala quality. The orchestration of David Colleman is accurate. Adequate light and choreography following the original model, not inventions. The video was recorded in 2005, excellent image and sound.
A video of a ballet of great plasticity, but lacked emotion to the soloists.
portuguese:
O Scala de Milão orgulhosamente apresenta Giselle, balé de fama internacional com coreografia de Jean Coralli e Jules Perrot e música de Adolphe Adam. Digno representante do Romantismo, Giselle emociona as mulheres com sua melosa história de amor, da bela e jovem camponesa pobre que se apaixona por um nobre cafajeste. A música cativa, fica na cabeça e a coreografia é de uma beleza ímpar. Sucesso desde a estréia, existem inúmeras bailarinas que dançaram Giselle e fizeram dela seu cavalo de batalha.
Svetlana Zakharova aceita o desafio de ser Giselle. A técnica da russa é notável, de uma solidez e segurança impressionante. Sua beleza irradia por todo o palco, os maranjos babam. Falta no entanto o sentimento da personagem: ela se preocupa e dançar, e o faz muito bem. Mas a emoção, as sensações nem sempre estão presentes. Alicia Alonso, a grande dama cubana sabia como interpretar Giselle . A força e a técnica nem sempre estiveram presentes, mas ela emocionava. Entregava-se de corpo e alma a persongem, dançava e atuava. Svetlana Zakharova, entretanto, se esquece da personalidade de Giselle. Muitas vezes parece distante ,quando não superficial. Consegue notabilidade nos balés russos, seu O Lago dos Cisnes de Tchaikovsky beira a perfeição. Mas quando o assunto é Giselle ela fica devendo.
Roberto Bolle faz um príncipe Albrecht monótono. O bonitão tem o difícil papel de mostrar as diversas facetas de seu persongem: apaixonado, triste, arrependido, frio, caloroso. Pouco expressivo e mais preocupado com a técnica do bailado, assim é Bolle, não se preocupou em mostrar os sentimentos. Seu papel é complexo e exige do bailarino técnica apurada e grande presença cênica. Bolle fica devendo.
A rainha das Willis, Myrtha, é dançada por Marta Romagna. Uma frieza glacial, digna do Polo Norte. Hillarion, o sempre injustiçado e fiel à amada, procura alertar Giselle das artimanhas de Albrecht. Se conselho fosse bom ninguém dava, vendia. Ela opta pelo nobre bonitão, salva-o e ainda deixa o pobre coitado do Hillarion ser defenestrado pelas Willis. Vittorio D'Amato mostra as caras de seu persongem, e apesar da injustiça que sofre, temos raiva por ele não deixar o romance dos pombinhos fluir. Missão cumprida. O corpo de baile do Scala apresenta belas pessagens com sincronia precisa.
A qualidade dos cenários e figurinos é única. Padrão Scala de Milão de qualidade. A orquestração de David Colleman é precisa. A luz adequada e a coreografia segue o modelo original, sem invenções. O vídeo foi gravado em 2005, imagem e som excelentes.
Um vídeo com um balé de grande plasticidade, mas faltou emoção aos solistas.
More Adam - Giselle / Svetlana Zakharova, Roberto Bolle, Vittorio d'Amato, La Scala Ballet reviews:
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Description of Adam - Giselle / Svetlana Zakharova, Roberto Bolle, Vittorio d'Amato, La Scala Ballet
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