A Portrait [DVD Video]
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Canada DVD detailsArtist: Rafael KubelikBrand: Universal Studios DVD: Region Code 0 Audio: English (Unknown); English (Subtitled); Spanish (Subtitled); French (Subtitled); German (Original Language), DTS 5.1; English (Original Language); French (Original Language); Spanish (Original Language); Mandarin Chinese (Original Language) Format: Classical, Color, DTS Surround Sound, DVD, NTSC Picture Format: 1.33:1 Running Time: 304 minutes DVD Release Date: 2007-08-14 Audience Rating: NR (Not Rated) Studio: Deutsche Grammophon DVD Reviews of A Portrait [DVD Video]DVD Review: Portrait of an often underrated conductor
Rafael Kubelik didn't arrive on the podium trailing clouds of glory like von Karajan or Leonard Bernstein. He seemed to just appear there, shyly and without fanfare. His 'bed hair' curling outward, making his head look like the letter w. His appearance and demeanor suggested that a timid, tentative performance was likely. Then he'd rip into a taut and crisp Eroica or an effervescent, crystalline Prague Symphony. The beauty of this two DVD set is that Kubelik does exactly that. He conducts the Wiener Philharmoniker in a lovely performance of Mozart's Symphony No.38 'Prague', filmed in January 1971. He conducts the Concertgebouw Orchestra in tasty performances of Beethoven's Leonore III and Symphony No.2 in D Major filmed in June 1969. Then we are treated to a tense, thoughtfully designed and constructed performance of the Beethoven Symphony No.3 in E-flat Major 'Eroica' featuring the Berliner Philharmoniker, filmed in March 1967. On the second disk, Kubelik again conducts the Wiener Philharmoniker, this time in the Bruckner Symphony No.4 in E-flat Major, in a performance that proves that Bruckner can be both epic AND bucolic. This performance is swift, urgent and insistent without losing Bruckner's expressiveness and extremely long-lined melodic logic. Kubelik's performance style falls somewhere between Jochum and Furtwangler. In fact, Kubelik generally shares many attributes of those two conductors: Furtwangler's rhythmic freedom or looseness coupled with Jochum's clear headed vision. In his choice of repertoire, he puts these traits to best use. Kubelik conducting the modern French composers would probably be less successful (though I'm not sure of that)!
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