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A Perfect Murder
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DVD detailsActor: David Suchet, Gwyneth Paltrow, Michael Douglas, Sarita Choudhury, Viggo Mortensen Brand: DOUGLAS,MICHAEL DVD: Region Code 1 Audio: English (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1 Format: AC-3, Anamorphic, Closed-captioned, Color, Dolby, DVD, Full Screen, NTSC, Special Edition, Widescreen Picture Format: 1.85:1 Running Time: 108 minutes DVD Release Date: 1998-11-03 Audience Rating: R (Restricted) Studio: Warner Home Video Product features:
DVD Reviews of A Perfect MurderDVD Review: Well Written Screenplay - Great Actors Summary: 4 Stars
In many ways this is a remake of "Dial M for Murder", the classic Hitchcock thriller, but if you haven't seen Dial M yet, watch this one first. There are many differences in the storyline - enough to make each stand alone as its own separate movie.
The movie really has only four characters - currency trader Stephen (Michael Douglas), his wealthy trophy-wife Emily (Gwyneth Paltrow), and the artistic lover David (Viggo Mortensen) - plus a few brief appearances by Mohamed (David Suchet). Interestingly, you would think with so few characters that each would come across as complex and well developed - but the focus here is on the intricate plot and the gorgeous sets. The actors are all of course brilliant, but they are playing characters that are very stereotypical.
Douglas delights in his villain role and mentions this many times in the commentary - that it means he can go the theatrical and dramatic route. You can see in the beginning of the movie - he plays Stephen as a very cool, intelligent man who plots out everything he wants in life, and then gets it. You can understand how he seduced and wooed the naive Emily and got her to marry him without signing a prenup. Now he is going to take advantage of her affair to get rid of her, and get the money.
Viggo plays the sleazy lover / artist who is actually a serial seducer, who has been in jail twice for taking advantage of rich women. He lives in a large loft cluttered with his artwork. Of interesting note is that Viggo actually painted all of his own artwork - and painted it right in that loft. He put a lot of work into becoming his character, and the Polish residents of that area of New York actually did think he was an artist. David did in fact deliberately seduce Emily for her money - but along the way he began to fall in love with her. It takes an apparent betrayal by Emily before he goes along with Stephen's scheme. It's very interesting - when you first see David, he is very well dressed, very handsome. But as the movie goes on, he degenerates more and more until by the end his hair is greasy, his look is furtive and he has gone back to being the con-man he was before he first met Emily. He becomes "un-saved" during the course of the movie.
Gwyneth has a hard character here. If you compare this story with the original Dial M, in the original the female character was a door post. She sat there with no brain cells and no activity. We have a HUGE improvement with Emily - she works with the UN and is very savvy. But even so, it's a shame they made her such a stereotype. She is a beautiful, rich trophy wife. She was seduced and "taken" by Stephen who obviously cared little for what she was actually about. Stephen just wanted her cash and arm candy appeal. Being naive, she believed Stephen and didn't sign a pre-nup. Then she was seduced and "taken" by David, who again cared little for what she was. David just wanted the cash. I realize of course that some women are naive and that some men are out for conquest. But with the screenplay being so "smart" and well developed - and with the two male characters both being so intelligent and planning - it was a shame to have the girl just bumble through the situations going "Jeez, I can't imagine he would HURT me ..." like a 13 year old innocent. She lives in New York, she works for the UN. She shows her brilliance in her mastery of multiple languages and her understanding of complex financial situations. It would have been really nice to carry that over into an insight about relationships as well.
I also feel sorry for David Suchet. He is a brilliant actor, but Mohamet gets hardly any lines or action. He only appears in a few scenes and he mostly gives Emily a prodding to move forward in her investigations.
The sets are gorgeous, as are the backdrops of New York City. The locations are in fact right near where Gwyneth grew up. The cinematography has a very theatrical feeling to it. Sometimes things are just a little TOO obvious. It was perfectly clear what the murder weapon was going to be. But I suppose with the tiny details of the plot being so well done, sometimes they couldn't be sure that the entire audience "got it" and had to help out. There are many little things - like an open door - that you might not even catch until you watch the movie a second time. There are a number of 'background items' that are very well done - a comparison between David's raw, powerful art style and Stephen's staid, "what is popular at the moment" collection.
SPOILER ALERT!!
The movie for me was great until the ending scene. There are in fact 2 versions of the ending that you can see on the DVD - and the ending they used is at least far better than the alternative. In the alternative. Emily confronts Stephen with knowledge of the murder plot and simply shoots him in the chest. Mohamed realizes this is what happens but lets Emily get away with "The Perfect Murder" because he feels sorry for her. In the ending they used, it is only slightly more legal - Emily has a gun and antagonizes Stephen by telling him she is going to go tell the police and get him locked up for life. She goads him into attacking her, he does, and she then shoots him. Lawyers would tell you that as she had a gun, it was her responsibility to not provoke him - she should just have left and gone to the police without instigating his fury. Again, in the second version, Mohamed lets her get away with it.
Both of the endings bothered me. Yes, Stephen was a criminal. So was David. Both were actively using Emily. She had the proof of these activities. Instead of reducing the great plot and intricacies of the entire movie into a shooting match, she should have shown her OWN brilliance and roped him into a public exposure of his failures and forced him to live with years of suffering in jail, with public humiliation. It's what his psyche would have hated the most. Instead she pushed his buttons, knowing he'd attack, knowing she'd have to shoot him. In the movie it might have been "the perfect murder" but in reality it reduced her to the level of those who had been using her all along. I didn't find that ending satisfying at all.
More A Perfect Murder reviews: 1 2 3 4 5 6 7 8 9
Description of A Perfect MurderDVD The husband (Michael Douglas) is a currency trader whose portfolio value is going right down the drain. The wife (Gwyneth Paltrow) is the heiress to a $100 million fortune. The marriage is not a happy one, but the promise of long-term affluence keeps them together. The wife pursues an affair with an artist (Viggo Mortenson) who gives her all the passion she doesn't get at home, and when the husband finds out, well ... someone's going to pay with their life. Who will the unlucky one be? We wouldn't dare spoil the elegant plot twists of this devious thriller, but it's well known that Douglas excels at portraying greedy characters with ice in their veins. Here, it's easy to assume that Douglas has pulled off, as the title implies, a killing that nobody will ever pin on him. But this is the kind of glossy thriller (loosely inspired by Alfred Hitchcock's Dial M for Murder) that delights in disrupting your expectations, so it grabs your attention right up to the final scene. It's a bit too cold to really draw you in (hey, these are not very nice people we're dealing with here!), but with its able cast and stylish direction by Andrew Davis, this less-than-perfect murder thriller is still definitely worth a look. The widescreen Special Edition DVD includes audio commentary by Michael Douglas, Andrew Davis, and producer Peter McGregor Scott, an alternate ending deleted from the finished film, and sketches by the film's costume designer. --Jeff Shannon
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